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Camille Saint-Saëns: Bassoon Sonata, Op. 168/R. 148 (1921) 

Preston Atkins
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27 авг 2024

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Комментарии : 9   
@JordanIsHereSometimes
@JordanIsHereSometimes 2 года назад
This sounds so different on the French model. Tone was very jarring to start, but it fits the piece very well. Allard was such a master.
@valerieheinderyckx4506
@valerieheinderyckx4506 11 месяцев назад
Chef d'oeuvre...❤
@Fennix77
@Fennix77 Год назад
❤Beautiful Piece❤
@lomlam58
@lomlam58 Год назад
The legend says that this recording needed two takes only, because of a mistake of the pianist... True or not, this recording stays a absolute reference in the large discography of Saint-Saëns' sonata.
@premanadi
@premanadi 8 месяцев назад
Still lots of piano mistakes in the "good" take! And it's not a difficult part.
@philzmusic8098
@philzmusic8098 6 месяцев назад
It's ridiculously easy. An accompanist's dream! @@premanadi
@premanadi
@premanadi 6 месяцев назад
@@philzmusic8098 Yes, even I can play it!
@bobcochran2890
@bobcochran2890 Месяц назад
Heavens, a mistake!
@bobcochran2890
@bobcochran2890 Месяц назад
Unfortunately, fewer and fewer bassoonists champion the Buffet instrument. It has a unique tone quality, and so much literature was written with that quality in mind. Allard was such a fine teacher and musician.
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