Uma das melhores interpretações do Capricho 24 de Paganini que eu já ouvi, senão a melhor. O pissicato de 2 mãos é de tirar o fôlego. Tem mesmo que ser aplaudido...
@@juliafischer4286 I am Omani but at the moment doing my masters of music degree in Manchester at the Royal Northern College of Music, i am a violinist. Best wishes 🙏🏻❤️, Heba.
@@irisce2799 That's my opinion, and my friend's too, and most of the people in my circle 🤷🏻♀️ I am exaggerating a little of course but then I am only 40 years old and I haven't heard all violinists across the world since the dawn of time!!! So anyway I love her style and I can recognize her playing without seeing the screen. I admire her so much
@@Violinist265 Julia is an amazing violinist no doubt, but I do not agree she is the best in the world. There are several living violinists whom I would say play the violin better than she does. But I respect your opinion. I recommend you also listen to Maxim Vengerov, Hilary Hahn, Ray Chen, Shlomo Mintz, Perlman, Rabin, Heifetz, Milstein, Menuhin, Kreisler, Mutter, to name a few violinists, if you don't already.
Esos aplausos lejos de hacer mella a tan fabulosa interpretación, solo le han regalado involuntariamente, una marca distintiva y humana. Y nos ha regalado a todos la sonrisa contagiante de una de las más talentosas virtuosas del violín.
@@adamskayneh9125 Obviously that is what happened. Why else would they clap? To use your own logic, nobody that goes to one of these concerts would think it was appropriate to start clapping in the middle of the piece.
Julia's incomparable performance with splendid skill and wonderful technique and beautiful , luscious attire is my tranquilizer From Tokyo of the Land of the Rising Sun 🇯🇵
Does anyone know what violin she's playing on? Perhaps Bergonzi? The varnish isn't something I've seen on a Strad, and also the tone isn't something a Strad or Guarneri would produce. I then thought Amati... but it's sound isn't too dark and also the shape is a little too "square-ish". If it IS a Del Gesu then I think she's playing with a very heavy bow which is dampening the sound. I'm going to research it now since I'm very intrigued...
Hey! You commented this a year ago. Did you happen to find out the answer? And if so, do you remember it? I am quite curious too, but I don't have any expertise in music from a more technical standpoint!
@@Maatkara1000 Hello friend, sorry I couldn't find an actual answer - I read all sorts of posts on the internet and in magazines and all I found was: Ms Fischer has played on a few great Stradivari's, some Del Gesus, some Vuillaume's, and many modern instruments. I never found out what violin she played on for most of her career (around the time of this video). I wish I knew what she played on.... I think a J.B. Vuillaume would suit her long-term... but also I think something "rustic" like a Testore violin or an earlier Brescian violin would suit her nicely, since she has such a lovely "capricious attitude" in regards to her playing style. I wonder what she's playing on these days.
@@Maatkara1000 Personally, looking at this video again: the scroll pegbox looks very thick - something a modern luthier would make. Secondly, the sound is just alright.... it's great, but not "absolutely wonderful", and thirdly.... I've never seen such a pale Del Gesu that looks THAT pale without a deepness to the 'ground' (applied-before-varnish), and with such little wear to the varnish. It looks quite "fresh" ... as if made by someone like Mr. S. Zygmuntowicz.
:53 You can see her face. The guadagnini won’t perform here. It doesn’t sound good. The girl with perfect pitch. Invested too much money into an instrument she couldn’t choose well
This piece should be played with more intesity, the way Markov did. For ex. at 0:48 it sounds too regular, she's like a robot. Where's the proverbial italian passion?
