assolutamente d' accordo con te; ho cercato sto pezzo del concerto per mesi e finalmente l ' ho trovato non c' è che dire c' un DVD per qualsiasi cavolata solamente sto concerto divino non l' hanno registrato; non c' è più religione
Cecilia is the other one of the only two Divinas. Nuff said. But the wonderful orchestra and Maestro here deserve a great ovation too! They do contribute to enhance Cecilia’s superb performance
What all the Brava!!! commentaries overlook is the real significance of Cecilia Bartoli to opera and singing! She digs up baroque music that does not get played very much these days. That is - as far as I can see - mainly due to technical reasons: The music in itself is not flawed. The instruments of the baroque put some limitations on performance - for one thing: They don't make very much noise. The challenge Bartoli takes up appears to be: We have all that lovely music! There are technical problems, but if you are a good musician - we can deal with that - provided you want music and football. It is not that Bartoli can't sing (most) of the great arias - she can and does: Provided they don't damage her instrument. F.i. "Der Hölle Rache" is next to impossible for various technical reasons. Diana Damrau sings a great "Der Hölle Rache" - all the luck to her. The ambition is rather: I know it is old; but just listen what I can do with this little ditty!
Scherza in mar la navicella Scherza in mar la navicella Scherza in mar la navicella, Mentre ride aura seconda; Ma se poi fiera procella,3 Turba il ciel, sconvolge l’onda, Va perduta a naufragar. Non così questo mio core Cederà d’un empia sorte, Allo sdegno, ed al furore, Che per anco in faccia a morte Sa da grande trionfar.
