Cala a boca. É um bom compositor, mas tirando o excesso de nota, não sobra muito. A harmonia dele é bem ruinzinha, não ruim a nível de Berlioz, mas bem ruinzinha.
@@s1earle Actually, Liszt wasn't showman at all, he stepped down from public showings many times (when he was 16 he dissapered, and then he came back, but after he couldn't marry Carolyne zu Sayn-Wittgenstein he became a monk and dissapear absolutelly!)
In the performer's defense, that part is very difficult. And Nanasakov's digital recordings will objectively be able to pull off things that no human performer will ever be able to haha
@@TheExarion Yes of course! Nanasakov's recordings sometimes seems surreal for human😅. But, it is still slow when pianists take a full speed. Actually, I haven't seen any pianists conquered Trio part fastly and neatly yet(You know, even the notorious Amateur Pianist Mr.Barbaro had struggled to play that part, which sounds doesn't natural). That's the reason why Op.16 No.3 could be one of the most difficult lists of things of Alkan.
EVERY great composer abandoned metronome making. This is documented. Tempo is mood. Allegro means "al leggero", which means to be played in a light way. No reference for speed, since speed is just one of the variables to achieve a certain mood. Pianists idiosyncrasies, piano different types and acoustic may change it completely.
@@scriabinismydog2439 Josef Hofmann book 😒 If you read correctly what I said, I didn't translate the word, I talked about the origin of the tempo indication. Long ago.
