Just found this video and although it’s three years old, this man , in my humble opinion, has a fantastic voice. I’ve noticed that there’s a few critics, which there will always be, as the untalented have to get noticed somehow! I sincerely hope that he eventually becomes a superstar in the world of opera.
Where has Sergey been, he is perfect for opera, he has a beautiful tenor tone and great delivery, presence on stage, and knows how to deliver and interpret the music with great impact on the audience.
Una muy bella voz proyectada desde una impecable técnica y, sobre todo, una cada vez más rara musicalidad exhibida en el devenir de las frases. Un placer escucharlo.
Nothing compares to the rendition of this great aria by the late Soviet Azerbaijani 'tenor", Rashid Behbudov. The extraordinary thing about this singer is that he was not an opera singer. He was known as a hugely famous and respected singer of folk songs in his native Azerbaijan and in Soviet states beyond. I came across two different takes on RU-vid of Behbudov singing this aria, probably recorded in the late 1950s or sixties. They were outtakes from some kind of B&W movie. These RU-vid pieces have now been removed for copyright reasons. I have yet to come across a greater rendition of Che Gelida Manina by any of the 20th century greats, Bjorling, Gigli, Pavarotti et al.
BRAVO 👏 👏 👏 SUPER GESUNGEN 🥰🙏...GEFÜHL...UND ALLES WAS EIN GUTER OPERN SÄNGER BRAUCHT...WUNDERBAR..VIEL ERFOLG WEITER UND AUF DIESE GESUNDE LINIE WEITER FOLGEN ...📈💯💖
He added so much to the song, even if the C5 is lacking strength like he was failing the execution. Anyway he can become a true legend in less than 5 years
Wow, his voice is surprisingly good. I have never heard of him, but his singing surprised me. His acting does not seem as good as his singing, but whatever. People go to operas for the music rather than the acting. Bravo Sergey!
Я сравнил, и конечно, с Паваротти. Если постараться забыть, что поет Паваротти и сосредоточиться на фразировке, то становиться понятен секрет великого мастера. Кстати, на открытых уроках мастерства великих певцов, они указывают на эти моменты. Дыхание в конце фразы подводит Романовского, отсюда фраза получается незаконченной, недопетой. У великих мастеров вся красота пения в окончании фразы. Вероятно в этом их секрет.
The singing is beautiful, but scenes and costumes... It's supposed to be winter, without proper heating (we learned that from the previous scene, where they were so cold that they thought of burning a chair, Marcello's painting and ended up burning Rodolfo's new dramatic work), her hands are cold, etc. but the production chose to put her in a short-sleeved cotton garment? At least he has a jacket on, and yet he was at home. Moreover, it's at least afternoon, if not evening, because after that they go for dinner outside. She comes with a candle which the draft extinguishes, and she comes to him for light but his own gets extinguished as well. They stumble in the dark to find her fallen key under the table. And yet the scenery is bright as a Greek summer day. Classic example of people who don't bother to even read the text and context.
It's a reinterpretation. A choice of the director to not go by the text, but rather subtext and indirect representation. This is an exciting thing about opera.
If you want to listen to his high Cs, you may want to check out this one: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-L7SXGlptkBA.html and this, where he ranges from high to low and back with surprising agility. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ycrs9ZgePXc.html
Голос-то конечно шикарный, но почему же что-то не так? Почему такие блеклые верхние ноты? Верхи не летят, не парят. Это вопрос о том, что одного голоса мало. Нужно им владеть. Алмаз без огранки не станет бриллиантом. Старая, классическая школа итальянского вокала утеряна. И я не ворчу. просто скучно слушать. Похоже на музыкальный автомат, голос не играет. Слишком монотонно. Ну хоть бы милисекундные паузы делал, хоть подольше потянул в нужных моментах. Увы. Я его впервые услышал в той скандальной постановке БТ "Риголетто". Голос конечно шикарный, но без верхов. Увидел этот отрывок, но опять неутешительно.
Отчего ж? Именно на них вы услышите хороший вокал, то, что творится здесь - больно слушать. Послушайте Марио Дель Монако или Франко Бонизолли и вы поймете, о чем я
@@downfromkentuckeh Certainly not. Expressed my opinion just as you did. In general I believe that the word beautiful should not be used inflationary as it is the top of a list of words describing someone's appearance. A little more nuanced stance would definitely help to get closer to the truth.
looks like a modern building. With insulation. And neighbors who have heating. Bit whimpy of these young people to complain of the cold. Immediately the opera becomes stupid, the characters unbelievable. You lose sympathy and you lose interest. And in stead of becoming more modern and interesting, the artificiality of opera hits you in the face. Just let the art form die already. Either that, or treat it with respect
I full-heartedly agree, I actually wrote the same thing a little while ago, before reading yours. What's with the short-sleeved dress, the ample light? It's supposed to be not only cold but also dark.
Puccini senza portamenti non si canta . fraseggio lontano , ma molto lontano dello stile pucciniano . canto ''moderno'' privo di bellezza artistica e poesia . registro acuto poco convincente . non mi piace .
