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Christian Gottlieb Kleeberg; Piano Concerto in C, Op.9 

Darrel Hoffman
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Christian Gottlieb Kleeberg (1766-1811) was a German composer. Information about him seems pretty scarce. I found references to this concerto from multiple sources, and IMSLP also has a collection of dances for solo keyboard, but I've found no mention of any other works, though there must be some (at least 8, presumably).
IMSLP: imslp.org/wiki/Category:Kleeb...
Movements:
0:00 - I. Allegro con spirito
13:50 - II. Romance Cantabile
21:55 - III. Rondo. Allegretto
This concerto has spots for cadenzas in all three movements, but only the 2nd and 3rd movement have them provided, hence the cadenza in the first movement is my own work. It probably could use a bit of polish, but this one has taken me long enough as it is. Again, no conductor score or reduction was available, so you just get the soloist part (According to the title page, it could be replaced with a harp? Unless that's short for harpsichord, which is more common, but I could see this working well on harp as well). It's enough to follow along in most places, though there's a few spots where you just get a simple bass line while the orchestra plays.
This was a bit of an experiment, I'm using MuseScore for the sounds this time. It's better in a lot of ways, but there are some features of the playback I'm less satisfied with. In particular, trills and tremolos don't work very well. Some of the instruments aren't all that great either. I had to ditch the trumpet parts in the 1st movement and replace them with French horns because they sounded absolutely terrible for some reason. The trumpets do sound okay in the 3rd movement though. (The 2nd movement actually calls for horns instead of trumpets in the score, so it's not an entirely unreasonable substitution.)
I've also done a bit with the stereo effects to mimic the organization of a typical orchestra, violins, flutes and trumpets/horns on the left, cellos, oboes and bassoons on the right, etc. Not sure how much that comes across, but I feel like it maybe gives it a bit more dimension, maybe it's just my imagination. I also doubled up on the string parts to add some more body. Musescore has "section" options for all the string parts, but these sound kind of mushy on their own, so I copied their parts into individual strings to give them more definition.
I'm still doing the note entry in Mozart because it's just way faster, since you can do almost everything from the keyboard, while MuseScore seems to require the mouse for a lot of things and takes more than twice as much time to do just the basics.
Disclaimer: Yes, it's synthesized. Obviously real musicians with real instruments would be vastly superior, but this simulated performance is better than nothing at all, which is what existed previously. My greatest wish is that these videos will inspire someone with the means to arrange a real performance and hopefully record and publish it so we can hear them in their full glory. If that someone is you, or you know of an existing recording of this, please let me know and I may add a link to this description.

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26 июл 2024

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Комментарии : 7   
@marcosleiva3572
@marcosleiva3572 19 дней назад
Hermoso
@RuSar66
@RuSar66 3 месяца назад
This concert is dedicated to the Grand Duchess Maria Pavlovna (1786-1859), the daughter of Russian tsar Pavel (Paul) I (1754-1801; ruled the country in 1796-1801) and later the wife of Karl Friedrich (Charles Frederick; 1783-1853), the Grand Duke of Saxe-Weimar-Eisenach. Probably there is some information related to Kleeberg (in old manner is the writing Cleeberg possible, too) in Russian and German archives. In Wikipedia, I've found nothing about him.
@Darrel_Hoffman
@Darrel_Hoffman 3 месяца назад
Thanks for that. Some of that (the dedication) is on the title page, though between the font choice and poor scan quality it's a bit hard to read (and that's after I boosted the contrast on it too - the original from IMSLP is even worse). I assumed there would be more info from German sources, but didn't consider Russian. There's probably some French sources as well, given that's where this edition was apparently published. But if these sources exist, they seem to not be online, so it might require more digging into actual libraries rather than just the internet. Searching under the alternate spelling of Cleeberg didn't yield any additional results (Google apparently already corrects for that by offering close phonetic matches.)
@brendangordon2168
@brendangordon2168 22 дня назад
Reminds me of Mozart #25
@Darrel_Hoffman
@Darrel_Hoffman 22 дня назад
It does, doesn't it? The opening bars are close enough to be near-plagiarism. I had to check the dates - Mozart's #25 was 1786, and Kleeberg's was 1809, so it's almost certain he was familiar with Mozart's works. The Mozart is generally played a bit slower, but then maybe I went too fast? For scores from this time period, they rarely put the actual BPM intended, so there's room for interpretation.
@brendangordon2168
@brendangordon2168 22 дня назад
@@Darrel_Hoffman Pastiching can be fun… especially when trying to synthesize multiple sources. My D Minor concerto (on my channel) tries to do that with three different concertos at once, the Mozart and Beethoven C Minors, and (in the third movement) the Chopin E Minor. I have several other concertos if you’d like to listen.
@Darrel_Hoffman
@Darrel_Hoffman 22 дня назад
Nice, have a subscription. I'm always looking to expand my catalog, part of the motivation behind starting this channel. I've been (very slowly) working on a concerto of my own, but nothing in a state I want to publish yet. I will eventually premiere it here, but it's a lot of work. I've also done some arrangements of other works - I have a concerto orchestration of Beethoven's 2nd piano sonata that's basically complete, but needs some polish. I'm also working on reconstructing Henri Herz's 6th Concerto after my moderate success transcribing the 5th (the orchestra parts are apparently lost, which may be why it was never recorded while the other 7 have.) Only problem with that is it involves a chorus in the 3rd movement, and that's going to be impossible to simulate well, so it'll just be oohs and ahhs - better than nothing, I guess? We'll see, it's going to be a little bit before I put any of that up.
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