Twin Peaks is amazing. Spiritual. This scene in particular transmits a feeling of, like, time passed, the characters are older, the town too, but the situations remain the same - subjects of a little town: love, accidents, people in trouble going to prison, madness... A summary of life. And the melancholy of the song... Oh... The atmosphere is so great, it's even hard to describe!
I'm in love with these Roadhouse scenes. Always had been. This is one of my favorites. It makes the City feel so much more alive it might as well be a character. The Chromatics song is just perfect for it
I love the way Lynch subtly pokes fun at the gossip/drama/soap opera mentalities of the world but always reminds us of the darkness, chaos and decay underneath it all...
@BX5BT Yes, it's the final scene from part 12 of the show. Most episodes end with a scene in that bar with different artists performing. Chromatics also featured in part 2, performing "Shadow".
I always felt watching those scenes, that they made it obvious that you were watching the coolest tv series ever, with the confidence in itself to just finish the episodes with the coolest music around. Love them!
I loved the Roadhouse scenes, they felt like David Lynch's version of nostalgia. The whole season, which I absolutely loved, completely had a different tone than the original, but these super dreamy segments were so cordoned off. They really did feel like dreams, because each one was like a dream where you start in the middle, and leave before it's over.
It's almost as if these random scenes with the people we didn't know was the equivalent to the old series,but Lynch wanted to take us above that,into the mythology of the story.
A lot of these conversations seem more real and natural than other shows. Like how people just enter the scene and start dialogue without introducing themselves to the audience.
I know the episode is pretty weak in comparison to others. But man, this song playing over the entire scene made it one of my favourite scenes in the show so far, and it made the rest of the episode worth it.
lyricsfromsweden I know they were on episode 2 doing shadow. I don't remember this - have to check it out . But this scene is not relevant to the rest of the series.
That synth is sooooo good. This is music that makes you wish you could be playing it. I would happily strum the jangly guitar the blonde is doing, or even that simple metronome like drum part over this....Ahh
Cannot stop listening to this. Fits the scene/series perfectly & is just a brilliant tune in its own right. Beautiful, I hope this version is on the released soundtrack.
Waited decades for the return of TP and it was even better than I could have wished for, then to top it off Ruth and the guys play out an episode. Perfection
This is probably the 3rd best of the bang bang bar scenes, after the season opener and the Richard Horne segment. The Chromatics could make any scene amazing!
I'd never heard of the Chromatics, but this is a simple and beautiful song. I guess it is an instrumental version of the song "Saturday" on one of their albums. I prefer this version and I wish I could find it uninterrupted without the dialogue.
Dennis Davis this instrumental version is listed on the Score Soundtrack track listing! I expected it on the the other one, but I'll take it either way!
Richard Horne on the run from the Twin Peaks (and toward The Farm) is obviously the "ass eater" who almost killed Trick. That guy had some serious problems behind the wheel
It feels like this was made for Twin Peaks. It sounds like a dream and the ending of the song sound like waking up from a dream. Maybe Lynch ordered this song to be made this way.
THANK YOU for uploading this!! I used to fast foward the Episode 12 recording to the end just to watch/listen to this, and rewind/play it like 3-4 times to get my fix
O que eu sinto ouvindo essa música não é algo explicável. Todo o climax da série encaixa perfeitamente com essa versão do Chromatics. Não consigo dizer quantas mil vezes já ouvi (de fato foram mais de mil). Posso entrar em outro estado psicológico!
I never got why he said "obviously you want one too" and gestured at her bottle, almost like the script indicated it should be nearly empty but it wasn't. Instead it comes off like he's implying she's a huge boozer.