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Ciel, mio padre! - Mario Basiola & Germana Di Giulio [LIVE Aida] - 1949 

Trrill
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And finally the pièce de résistance of our rare Aida recorded live in Auckland in 1949-the act III duet between Aida and her father Amonasro. Germana Di Giulio and the exquisite Mario Basiola are positively hair raising here!
A review from earlier in their Australian tour:
"Germana di Giulio, as Aida, the Ethiopian slave of Amneris, brings power, too, and tenderness to her pitiful role. She sustains the heavy burden of singing allotted to her in the score with ease and such things as her lament for her country in the third act and her part in the tomb scene duet are among the highlights of the production. Among the men, Mario Basiola, as Amonasro, King of the Ethiopians and Aida's captive father, is magnificent in voice and
characterisation. His part in the great third act, by the Nile, where
he prevails upon his daughter to win from Rhadames the Secret
of the Egyptian army's position, rises to the greatest heights of
night."
_______________________________________
March 1, 1949
His Majesty's Theatre
Manno Wolf-Ferrari, conductor
The National Orchestra of New Zealand
Augmented Australian Opera Chorus
Aida - Germana Di Giulio
Radamès - Rafael Lagares
Ameris - Dora Minarchi
Amonasro - Mario Basiola
Augusto Romani - Ramfis
Il Re - Plinio Clabassi
#Baritones #Sopranos #Opera
.....................................
This channel is primarily about vocal emission-aural examples of basically correct singing, correct impostazione-chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it-with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione-the vocal emission of the one and only Italian school.
Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): bit.ly/2W4qmE3

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3 фев 2017

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Комментарии : 11   
@wieslawrudnicki2638
@wieslawrudnicki2638 Год назад
GRANDI ARTISTI BRABISSIMI
@foropera
@foropera 5 лет назад
I didn't know this soprano. She's great! Expressive! Something of Tebaldi in the squillo of the voice, frankness of the medium and her chest voice tones are so well managed.
@vicmanu
@vicmanu 7 лет назад
I really have no words to describe this recording! I've been listening to it over and over again. So much so I even decided to leave a comment here, something I don't usually do. Basiola is exceptional. A model of technique, emotionally committed and with his voice still sounding fresh at an already advanced age. It is funny, though, how many "experts" and modern listeners would probably describe his voice as not being fit for Verdi, not dark or maybe not even big enough or any such nonsenses people are used to saying about singing Verdi nowadays. And what can one say about Germana di Giulio here? She was fine in the other clips you've posted, always showing a big, luscious tone, that was not always pitch perfect, but was always particularly sonorous (she absolutely - and with extreme ease - dominates the second act ensemble), but I was not ready for this. While you may condemn some more "verista" accents (a trait of the record's time), there is no way you can deny the complete vocal and emotional deliverance. To give but an idea, I've heard only "della mia patria degna sarò" about a hundred times! And teared a bit more every time! So much feeling! (So much chest!) Absolutely thrilled and transported! Thank you very much!
@alfredoloyola921
@alfredoloyola921 8 месяцев назад
Gina. Cigna in her biigraphy,describe. Germania di. Guglio voice,as a lyric soprano,when they sang. Jenufa togheter at. L. Scala in 1941.
@pedrotertulia6453
@pedrotertulia6453 7 лет назад
wow,your channel is just amazing,thank you so much
@trrill
@trrill 7 лет назад
Thanks so much! I'm happy that an audience-however small-knows enough to enjoy it :)
@pedrotertulia6453
@pedrotertulia6453 7 лет назад
I hope you get more subscribers and views,again than you
@vincenzoanzoletti1296
@vincenzoanzoletti1296 7 лет назад
Could you post the whole perfomance? Or at least Amneris scenes? Thanks.
@MrSkylark1
@MrSkylark1 7 лет назад
This is wonderful
@ChristainSTARS
@ChristainSTARS 7 лет назад
eternal gratitude! more please!
@benharper962
@benharper962 10 месяцев назад
Basiola is a little rough around the edges in this performance and his voice sometimes gets noisy and lost in the orchestra, but at least he doesn’t make unnatural sounds like so many baritones
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