Support us on Patreon and get more content: / classicalvault --- Ludwig van Beethoven Piano Sonata No 14 in C-sharp minor, Op 27, No 2 'Moonlight' 1 Adagio sostenuto 2 Allegretto 3 Presto agitato Claudio Arrau, piano
Arrau's absolutely masterful here. I've never heard anything like the third movement the way he plays it. It's completely original and exciting in it's own very unique way, but it's entirely appropriate and in accordance with Beethoven. Somehow, he plays the rubatos in a way that doesn't make the peace overly "romantic", but rather makes it an incredibly intense and energetic experience, much like I think Beethoven would want it to be.
Claudio may have played this ten thousand times, but even the ten thousandth time he still lives and expresses each note like its his first. This was his lifes purpose you can see it in his eyes
Claudio Arrau un gran maestro,con todo lo que puedo relacionar en la interpretacion de la musica de Beethoven en piano,unico Claudio en el ritmo un gran pianista Chileno,orgullo de south america.....
Que pena que no difundan la bella música en nuestro país y así se van perdiendo en el olvido a estos genios lo que más preocupa es que Arrau es chileno
In my opinion an musician or interpreter must convey feelings, sensibility and passion. A technically perfect interpretation without feelings does not sound great. As a commentator wrote: a little error has not importance.
Wladimir Jimenez el maestro arrau, chileno estudio con un discipulo de beethoven cuando se fua a alemania a muy temprana edad, sus restos descanzan en su ciudad natal Chillan, Chile.
The myth tells how Beethoven had a blind lover. She asked him what was moonlight like, so he made this beautiful piece for all humans in the beautiful world!
¿cómo obtengo los derechos de esta interpretación? es para un cortometraje en México, es sin fines de lucro. How do I get the copyrights to this interpretation? it is for a short film in Mexico, is nonprofit.
Gözlerimi kapatıp bana güzel gelen şeyleri hayal ediyorum. hepsi halen elimde, halen beni mutlu ediyor. ama korkuyorum, elimden uçup gidecekler diye korkuyorum. belki de anlamsızdır bu ama elimde değil. bir gülü dikeni yüzünden koklayamıyorum, bir kalbi kırarım diye sularımda yüzsün istemiyorum, bir sonraki adımımda boşluğa düşerim diye yürüyemiyorum. yerimde sayıyorum. hayat okyanusunu fanusunda hapsolmuş bir balık gibi izliyorum. döktüğüm gözyaşları içinde bulunduğum pis suya karışıyor, huzurdan bihaber yaşamaya mahkumum gibi hissediyorum. ne yapacağımı bilmiyorum. çaresizce kıvranıyorum.
я видел галерка бежала к сцене где я в токкатном бреду ... и видел я - иностранный священник плакал в первом ряду .. о только музыкой не словами всколыхнулась земная твердь ...
Por el contrario, un primer movimiento acelerado sería la destrucción de la obra. Nadie logra aprender mejor el espíritu de ese primer movimiento, como el maestro Arrau.
Certainly not. It was in 1970 and Arrau was in his sixties and at the high of his power and intensity. He had some twenty years of music making before him .
His interpretation is good , idk how u say the "feel" , tempo for my wish and think is good , and if you dont know who is Claudio Arrau , you should check his life and others , he always playing slow , because he thinks fast is for skip wrongs notes , Grettings my dear friend PD:Sorry for my bad english , im studying english now
Strange how no one plays the actual rhythm as written by Beethoven: a dotted quaver semiquaver in the right hand, and triplets in the left. I find this bad habit annoying. That is one reason why I do not like this sonata much, although some people do play it well. It is one of those hack pieces, like the F minor. Pianists like that because they can play as loud as possible and show off their techniques.
So you think this is a bad interpretation? Oh my, what a pedantic snob. There is no such thing as one only proper way of playing a piece. Beethoven's notes are important, sure, but they're a suggestion, not a iron clad law. Interpretations can still be emotionally engaging and artfully executed, even masterfully, with no regard for those rhythm notes.
