I'm holding out for the Hopkins distortion bitcrusher (seriously, it's time to start your own pedal line!) And the glissando bit (bitssando?) at 6:05 is PERFECT.
I don't mean to sound like a Collision Devices fanboy (because I am), but they've knocked this one out of the park. Great sounds, love the aesthetic. Thanks for the wonderful demo 🙏🏻🤍
Never ever give up playing that beautiful harp. The harp touches the soul always. Keep it pure...no effects or synths. Keep synths seperate. You have a gift with it. Only my probably unwelcome comments but I mean well.
Maybe so they will be more likely to sell two of the same unit? That may sound like snark, but creating a stereo field usually starts with a mono field gently massaged to sound like a single source with breadth. Sources placed prominently on either side can provide "pop" for more easily buried sources.
Here it is the processors we use inside it that does not allow us to easily do a "real" stereo. We could have done a fake one but didn't want to. Hopefully for a next version in a few years when we'll change the processors! :)
@@collisiondevices thanks for the explanation! I hope that you didn't miss the part where we love how it sounds, and interpret the stereo (and MIDI) part as the positive encouragement that it is.
I'm just wandering if designers actually have only one speaker in their lab. Who is monoing long reverbs in 2024? Insane to me. Maybe newbie like it that way though.
Nice ! Still find the bit crusher's a bit Mind Crushing 😮, but I am warming up yo this one, would love to have one to try out and see just what they can add to my Effects, TC❤, & trying to catch up on my mist Videos TY Emm & RUSS,🌸🫂❤️🎸🤘🤠
