Katy Elizabeth You should watch this if you like Wes anderson..,, ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-3GK_3KgZios.html It gives you allot of incite into how he makes his films and with his influences and that
Ruly manatee not trying to be conventional here, and stick to one thing. I like to mix and make a new thing that fits to my liking. Every director has a multitude of influences I just don’t see one as the main influence yk?
Wes Anderson is the legend n this century , after watching RUSHMORE i have watched all his movies 7 to 8 times . With his background score , colors , dialogue and the actors , heagain and again reminds us that we are watching a movie , a different world.
Good video, never thought about the ideas for the color palette used in movies, but noticed immediately the colors in Wes Anderson's movies because they stand apart from all other movies. Then again, the quirkiness of Wes Anderson movie's are always stand alone from all others. Using repeat casting choices is reason enough to look forward to his movies.
@@williamfellows6267 and every CG scene in Scott Pillgrim vs. the World, but i'm not really think that use of color is his main style, Edgar Wright use of editing is his most iconic style, fast transition, jump cut, snap zoom, slow mo 😂
One of the (many) reason I love Wes Anderson movies is his use of color. A lot of filmmakers nowadays seem to be afraid of using color in their movies. As much as a I love a lot of movies, I don't care for the flat, grey looking grading/color choices a lot of movies use nowadays.
Wes Anderson is a genius I love the life aquatic and the Royal Tenenbaums I think I watch too many movies on August 31 I turned 47 and I’ve watched a lot of movies in my life
I would love to see you do a video on French-Canadian Director Xavier Dolan. He has a range of compelling filmmaking tropes such as aspect ratios as well as a distinct use of montages and colour. I'd find it so compelling if you delved into the intricacies of his style. I'd also like to say I adore your channel, and this video is marvellous. My film teacher actually used on of your videos to demonstrate the utilisation of the Dutch tilt in filmmaking. So thank you for the consistently incredible videos.
@7:14 well in India if someone die people wear white or light color cloths in west people wear black clothes. in marriage west bride wear White in India mostly Red color or saturated colors like yellow orange.
Potentially interesting info: with the Indian funeral in Darjeeling, while it is obviously his intention to contrast attitudes between the two cultures, the wearing white isn't a Wes-choice, it's actually the cultural colour of mourning in India, as black is in the west!
I think that bright saturated colours together do not always make you feel joy - like seen in your Kubrick video with the Shining within. Bright colours mixed can be toxic when not balanced, and Wes Anderson can use this uneasyness directly, not just through imbalance with the subject matter.
Grand Budapest Hotel is my favorite movie and actually the first Anderson film I watched. This led me to watching all of his other films and absolutely loving the journey!
I dunno. Seems like alot of this could be misinterpreted, or things that weren’t considered, like taking off the red track suit was more obviously because you know. Black = funeral. A joke more than symbolism, but variety of interpretation is interesting. Alot of the scenes he does seems to be derived from sort of old school photo albums and other outdated photography or scenes of nostalgia. I’d say if you wanted to get similar ideas, go through a million albums you buy from a garage sale or antique store or ask other people what they think is nostalgic. It is interesting where it develops or diverges in a way you don’t quite expect, like the Darjeeling Limited seemed to have alot of Indian nostalgia, or when scenery is arranged in dioramas or where he uses a very unique visual like the shootout in the hotel looking like a fancy cake which is reenforced by having fancy cakes in other scenes or the silent film style in the chase scenes or the grocery store in Mr. Fox kind of looking like a 90’s dairy ad.
His aesthetic is also due to simply him wanting it to look that way, but this analysis of his color palette holds up across his filmography - he's always using bright color palettes with surprisingly dark subject matter
Everything around us is in fact bright, colorful and beautiful. And strange, tragic things happen to us in this very same setting. That's why, I would argue, Wes Anderson's movies are quite lifelike.
Names for directors and their future directing style videos. - Spike Lee - The Activist - Michael Bay - The Demolitionist - Greta Gerwig - The Individualist - Christopher Nolan - The Philosopher - Guillermo Del Toro - The Alchemist - Steven Spielberg - The Adventurer - Ridley Scott - The Architect - Robert Rodriguez- The Multitasker Pretty great adjectives, don't you think?
I love Stephen Spielberg's. The Architect as well. Nolan's however, I'm not sure. There are many other directors that are overt philosophers way more than Nolan. He's not a bad director, I love his films but they're not extensively philosophical in nature. Give Terrance Mallick that title, or Darren Aronofsky. Charlie Caufman is a master regarding this as well based on the movies he has written and directed but he's directed too few movies to include him here.
He is certainly inspired by French film directors like Luc Besson, Jean-Jacques Beineix and, especially, Marc Caro & Jean-Pierre Jeunet. Not forgetting photographers Pierre & Gilles.
Hey studiobinder! I have been rewatching all of Edgar Wright’s films this last week and thought that maybe you guys could do a video on him? He has a very unique style that really appeals to me, and probably millions of others! I thought it could be an interesting video :)
One frame is usually enough to recognize a Wes Anderson movie. I'd like to add that the images are also very low in contrast. So in summary one might say: coloured high-key lighting (high brightness, soft lighting, low contrast), high saturation, simple and uniform hue
In North of India the traditional colour to wear on a funeral is white. It's not a deliberate choice by Anderson rather he immersed into the tradition to highlight the whites in Darjeeling Limited funeral scene.
We don't have a directing style yet but we do have 3 great videos breaking down his techniques ru-vid.com?search_query=studiobinder+paul+thomas+anderson
On a vist to a Picasso exhibition in London a few years ago i decided to use the audio guide which explained the artists use of tone/colour/symbolism in their work and it was a complete game changer for me.A red triangle on top of the subjects head,for example conveyed a message about identity/history and location of the subject that to the uninitiated would be,well just a meaningless red triangle ! In the same way when watching world cinema - i believe it was Pauline and Paulette ? - the directors cut - an extra on the DVD menu - the director talked about the use of colour palette and symbolism in the film and ever since we have a much richer experience watching films.Many memorable shots have we seen but a couple worth a mention are the sugar cube dipped into the coffee and seeing the sugar cube absorb the coffee - which was experimented with until sugar of exactly the right consistency was found and the other was a hand mark made by a warm human hand momentarily touching on a highly polished piano top - and seeing the hand impression evaporate over several seconds - impermanence written in images.Thanks for such high quality information and sharing your knowledge and insights into the mysterious and wonderful world of film making. Sugar Cube ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-liBfcQBU5tc.html
I would really say combining the darkness with bright colour and humour is a gift, not exactly a challenge for the audience. But maybe my mind is more Anderson than I realised. :)
Just a note:- in the movie The Darjeeling limited another reason for white colour in funeral scene is Bcuz in India people wear white clothes for funerals not black
In The Life Aquatic, the red caps were worn because the characters were divers. Red caps and their red flags in the water help keep them visible. It's a standard in diving.
Yes, but that is still an intentional detail of production design on Wes Anderson part - there are so many divers shown in movies but most of them we don't remember how they look!
Very informative! I’m not sure what you mean by bipolar. I only know it in a psychological sense. What does it mean with colors? Schindler’s List is a very deliberate color palette, especially with the red coat on the little girl. Thank you.
@@StudioBinder I would like a more elaborate because the previous video was very fast paced. Thus by the time I was able to start understanding one of the examples in the video, the video shifted to the next example from another movie. Therefore I could not keep up with the pace of the video. Would appreciate if you made a longer and a slower paced video on the 180 degree rule. That's it.
I. Am a huge fan of Tim. And seeing your videos are always amazing to me You guys are the best. And knowing Tim's films from you will be very a better idea.🙏
