COMPING CONCEPTS Part 2: The Rhythms I Use Most!

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Part 2 of my series about accompaniment, or "comping," for pianists and keyboardists.
Full series playlist here: • COMPING CONCEPTS
/ ryshpanmusic
www.ryshpanmusic.com
ryshpanmusic.bandcamp.com
00:00 intro
01:12 The Charleston
02:48 Charleston exercise
03:49 Speaking the Charleston in time
04:23 Playing the Charleston over ii-V7-I
06:20 Two-bar Charleston exercise
08:24 The Charleston in other genres
10:22 Adding the right hand
12:38 The Charleston in a tune
15:21 Displacing the Charleston
17:58 Charleston variation = clave!
19:36 Red Garland comping
22:59 Sidebar: articulation
24:12 Dit vs. Dot
25:05 outro

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Опубликовано:

5 авг 2024

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Комментарии : 8

@AFSoar01 2 месяца назад

Awesome lesson - thank you

@TheHBaer 3 месяца назад

David, this is great stuff. I totally dig your thorough approach to comping concepts, you offer much to work with, really! Thank you for your generous sharing, much appreciated!

@lawrencetaylor4101 3 месяца назад

Out of my pay grade but easily doable for my level. Merci.

@bertramblik8826 3 месяца назад

Thank you! This articulation of the Red Garland rhythm was the same what I was taught by the great Danish jazz pianist Martin Shack. It took me some time now to understand the difference between dit and dot. Wasn't the more classical way of dribbling those chords the one that resembled the longer "Dot"? You're saying that the proper Red Garland resembles "Dot". But your explanation sounds really good with avoiding the vertical staccato. By the way, just extra fun fact: apart from Red Garland, Ahmad Jamal has also many recordings of extensively using this style of comping.

@ryshpanmusic 3 месяца назад

Thank you so much! To my ears, Red, Wynton Kelly and Ahmad Jamal all more resemble "dot" than "dit." If it swings, that's all that matters.