COMPING CONCEPTS Part 3: Left Hand Voicings

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Rootless voicings, Bill Evans voicings, grips - whatever terminology you may have heard and read, here is a crash course in five-note harmony that you can use in jazz, soul, R&B and Brazilian music.
• COMPING CONCEPTS
/ ryshpanmusic
www.ryshpanmusic.com
ryshpanmusic.bandcamp.com
00:00 intro
01:18 Five note harmony
02:14 ii-V-I in C major
03:14 Building rootless voicings
08:10 Major & minor confusion
11:03 Pinky rule (or the low interval limit)
12:56 Pivoting inversions
14:59 Three-note rootless voicings

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Опубликовано:

6 авг 2024

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Комментарии : 4

@lisamaria7835 3 месяца назад

As a guitarist idk how I got here or why I watched the whole video. Have a sub

@ryshpanmusic 3 месяца назад

I hope some of the harmony & voice-leading ideas are applicable to guitar, too. Thanks for watching!

@davidreidenberg9941 2 месяца назад

I learned all the rootless voicings in the context of the 2-5-1 progression (both the A and B voicing) and then the muscle memory in my fingers automatically takes over without me even thinking about it. It’s the same for every key. I don’t think of 3rds and 7ths. Should I be? My teacher had this all down on paper.

@ryshpanmusic 2 месяца назад

It's a delicate balance of "thinking" vs. "muscle memory." Obviously in the moment the music is going by too quickly for us to think consciously about intervals. I definitely hear the voice leading, and feel the voicings under my hands, and I can immediately notice if something is off. Hope that helps!