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CROWD: Next Wave 2022 

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US Premiere
Oct 13-15, 2022
Learn more: bit.ly/3QbdINJ
BAM in association with FIAF’s Crossing The Line Festival
Conception, choreography and scenography by Gisèle Vienne
Gisèle Vienne stops time in this hypnotic work that’s captivated audiences from Tokyo to Sao Paulo. The acclaimed French choreographer transports us to a rave, conjuring up a cinematic fever dream, a sacred ritual, and a night spent losing oneself in the crowd. The air throbs with pulsing beats from the radical EDM artists of 90s Detroit. Time ebbs and flows, capturing a moment of explosive synchronicity or slowing down to illuminate the tiniest movements, as 15 individual stories emerge and are subsumed by the group.
Showcasing Vienne at the height of her artistic power, CROWD makes its US premiere at BAM in a rush of collective euphoria and creative transformation.
Note: Strobe lights will be used in this production.
Sound design by Peter Rehberg and Stephen O'Malley
Lighting design by Patrick Riou
Dramaturgy by Gisèle Vienne and Denis Cooper
With leadership support provided by Dance Reflections by Van Cleef & Arpels
Crossing the Line Festival is a program of FIAF (French Institute Alliance Française)
Part of Next Wave 2022

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31 авг 2022

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Комментарии : 1   
@slappy76
@slappy76 Год назад
That was unnecessarily long and so... French. It was pointless, without any story to tell, just random people dancing at a rave in slow motion, and didn't need to last 2 FULL hours. Hope you like sitting in a chair for 2 hrs listening to EDM/techno. If there was an intermission, more than 1/2 the room would have left. The novelty of slow movement dance loses its appeal 15-20 minutes in. The seats were uncomfortably close (5'10" and knees rub the seats in front) so I couldn't comfortably nod off to pass the time nor leave. If this saves anyone from going, I have done my job. Spend 2 hours of your life doing something else. Anything else.
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