@@cecilianovais212 No... usually I try to find it out on those "Floor Music" channels like this one.... ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Jb3mAigPo2U.html Stephan knows best.... but this time there is nothing written about the composer or such.... 😞😔😥
I can only imagine, how tough the training in Deva was. Still she was smiling and seemed to enjoy her routine and the interaction with the audience. It didn't seemed staged. This reminds me so much of Oksana Omelianchik and her performance in the Floor Final at the Europeans back in 1985. She was also smiling throughout her routine and made the judges smile, who were watching her....
@@Boban1611 Yeah Deva must have been very hard, especially considering that the gymnasts were only kids, but they also managed to have perhaps the most famous school in the world with top-level coaches and they got one champion after another... The pressure, especially in the communist era, from the government, was enormous and the methods were almost inhuman, but the results came... and only then did they achieve that a country as small as Romania was on the podium for almost 40 years consecutively with much larger countries like USSR, USA or China. It is an extraordinary merit
Sie war noch so jung damals... in dem Jahr gewann sie ja die Turn WM am Schwebebalken und soll erst 13 Jahre als gewesen sein. Ein Skandal, der viele Jahre später aber erst ans Tageslicht geraten sollte. Aber man hat ihr bei der Übung angesehen, dass ihr das Turnen Spaß gemacht hat.
Daniela Silivas, Aurelia Drobe,las mejores de la historia presición,belleza,carisma,y mucha disciplina ,hoy solo son quien da mas volteretas ellas hacían coreografias además de sus volteretas impresonantes
I was 5 when Nadia scored the perfect 10's in 1976, so I never really knew her, when I came into contact with women elite gymnastics in 1985 (watching my first major competition on TV). Daniela Silivas stands on her own I would say. Her difficulty and her popularity speaks for itself. 😎
No conocía la historia de ésta niña, pero ahora gracias a ustedes se de la grandeza de las gimnastas Rumanas. No sólo Nadia tenía esas características de belleza y elegancia. Las admiro mucho, y a pesar del tiempo nadie las va a superar, saludos desde Colombia
@Cristobal Bernabe - take a look at ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-NypJMiG1uIo.html Enjoy the moment and experience the excitement of this epic battle between those two great gymnasts.... again.... again.... and again. 💚😄
I would say Daniela got her moves from Nadia. Nadia was already a seasoned competitor at this stage, but I'm sure Béla Károlyi had a lot to answer for when it comes to their similar moves.
I was particularly impressed that she managed this routine on what does not appear to be a spring floor -- or if it was, certainly nothing like the trampolines they're using today! (I've never liked spring floors. They are too expensive for a lot of schools, and they feel like cheating. And the bouncier they get, the more it becomes impossible to compare the achievements of today's gymnasts with those of the past).
@@Boban1611 I will add that in a certain way spring floors ruin the purity of the event. Unlike other gymnastics events, which are tightly bound to their particular apparatus, in principle floor exercise has a certain universal simplicity, in that all it requires is a flat resilient surface, which could be wrestling mats (liked we used when I was a gymnast in high school) but could also be just well tended grass (like a football field or a golf course). In this regard it's like running or wrestling, which can be done by anyone anywhere (e.g., I've seen an African on RU-vid showing off his standing double back flip in what looks like a rural setting), and unlike baseball or springboard diving, which require specific specialized equipment. But because of spring floors, floor exercise is now tied to its apparatus as tightly as any other event, and I think that's kind of a shame. This is likely to be a less popular opinion, but I also dislike the musical component of women's floor exercise for much the same reason. It's a deviation from all the other events (in particular men's floor exercise), it turns the event into dance as much as gymnastics, and it burdens the athlete, who in addition to choosing a sequence of physical skills must play choreographer as well and set the whole thing to music. Easy enough if you are an elite gymnast with an entourage who can take care of that for you, but not easy for everyone.
it's similar in ballet. we use sprung floors in studios to prevent injury, then all of a sudden we're on stages that aren't sprung and you *really* start to see who is using their technique to jump and who was using the floor.
Well... Daniela was quite young in 1985.... and probably peaked in 1988, when she won 3 Gold Medals at Seoul and became the most decorated Gymnast of the Olympic Games with 6 Medals overall. 😀😋😎
You really think? I don't know... I saw parts of the Olympic Games in 2021 and I think the physics of the women in that sport and in our days and age changed a lot...
She actually was.... she admitted in 2002, that her birth date was set back (from 1972 to 1970) to make her eligible for the 1985 Worlds in Montreal (Canada)
Their commentary is terrible. Calling her routine awkward and lacking in style...and she gets a 10! Also calling a full in, back out a Tsukahara! Not very knowledgeable are they.
Well... what can I say.... a double back with a full twist was called a 'Tsukahara' back then - at least in Germany. It didn't matter when the twist was executed. I've checked it on Wikipedia right now and even there , they still use the same term for that skill. They even mention a 'Triple Tsukahara' - a double back with a triple twist, shown first by Fedorchenko from KAZ.... de.wikipedia.org/wiki/Tsukahara Complaining about her style, or her choreography was of course from a subjective point of view I guess. There were lots of critics in the mid 80's about this subject from every german journalist in almost every competition. In my point of view, the romanian girls didn't have good choreographers. There are only a few routines I've really enjoyed and those were for example Ecaterina Szabo from 1985 (both Europeans and Worlds) or Daniela Silivas from 1987 (her best choreography in my eyes) and of course from 1988 and the unforgettable Aurelia Dobre in 1987 but most of all her routine in 1988 or Simona Amanar in 1996.... I probably liked even more, but forgot surely one or the other.... But in the end I think we all can agree, we love the sport and enjoy the routines of our most favorite gymnasts and all the others, devoted to this sport. It brings joy to my heart, if people gather around friendly, admiring the unique individual performances of those men and women in Artistic Gymnastics from the last decades in the last century. Wow... that sounds so long ago. That's crazy. 💖
Well... actually I think she really enjoyed herself during this routine.... full of difficult skills. It is different from today.... today gymnasts enter the podium and start grinning, like maniacs and even if they make a mistake, their faces are still frozen masks - as if the devastating fall was still the best try she ever had with that acrobatic skill, and they hope the judges will honor that... it is simply a trained emotion, while Daniela smiled because she had fun during that competition.
@@Boban1611 SHE DID but she was kinda laughing before she started and then right before the last pass, I was like um, weird face and then when she wiggled in front of the judges
