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Deconstructing Washed Out and exploring his sample connection with DJ Shadow 

Karl Boltzmann
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Below are the tracks he used if you want to listen to them in full.
Thanks to the community at www.whosampled.com/ for finding a lot of these samples. If you're looking for samples, this is a good place to start.
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Deconstructing DJ Shadow's - Changeling
• Deconstructing DJ Shad...
Washed Out - Feel It All Around
• Video
Gary Low - I Want You
• Gary Low-I Want You
Washed Out - Olivia
• Washed Out - Olivia
Costas Charitodiplomenos - Lost In The Night
• Costas Charitodiplomen...
Washed Out - Zonked
• Washed Out - Zonked
Chaffey College Jazz Ensemble - Imagination Flight
• Chaffey College Jazz E...
DJ Shadow - Changeling
• Dj Shadow - Changeling...
00:00 Intro
00:52 Washed Out - Feel It All Around
2:15 Gary Low - I Want You
3:30 Sampling Feel it All Around
7:30 Washed Out - Olivia
8:45 Costas Charitodiplomenos - Lost In The Night
10:00 Sampling Olivia
11:30 Washed Out - Zonked
12:20 Chaffey College Jazz Ensemble - Imagination Flight
13:21 DJ Shadow - Changeling
14:50 Outro

Видеоклипы

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24 июл 2024

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Комментарии : 21   
@kazzykasborne
@kazzykasborne 3 года назад
the effect chain makes a huge difference!
@KarlBoltzmann
@KarlBoltzmann 3 года назад
It really does change the mood of the samples. Would be cool to know exactly what treatment he used back in 2009.
@MlleEclipsada
@MlleEclipsada 3 года назад
beautiful. great video bout sampling
@cliffsnyder3078
@cliffsnyder3078 3 года назад
That's really cool! I've enjoyed how you let the samples play out past just the break in your videos, and that definitely came in handy for discovering the Washed Out sample.
@KarlBoltzmann
@KarlBoltzmann 3 года назад
Thanks Cliff!
@jim3uk
@jim3uk 2 года назад
Thanks Again Karl! Very cool!
@jaymack7062
@jaymack7062 Год назад
the vocal sample on Feel It All Around is from 10cc's I'm Not In Love
@KarlBoltzmann
@KarlBoltzmann Год назад
Good ear! They are definitely similar, but I am 99.9% sure that Washed Out is just extending and looped the tail end of the reverb from his vocal take to create that vocal sample. You can hear it pretty clearly at the 1:26 mark of Feel it All Around.
@jaymack7062
@jaymack7062 Год назад
@@KarlBoltzmann For sure. I could really go either way with it! Depends on the day lol. Such a similar tone. Both great songs either way. Enjoying the channel!
@KarlBoltzmann
@KarlBoltzmann Год назад
@@jaymack7062 Definitely similar in tone!
@cstarcrusher
@cstarcrusher Год назад
bingeing all your content 🙏
@scottking7186
@scottking7186 3 года назад
Will there be a Karl Boltzmann series on MasterClass for being awesome?
@dashkadam3146
@dashkadam3146 2 года назад
That was so cool. Can you make a video of how to make music using sampling?
@KarlBoltzmann
@KarlBoltzmann 2 года назад
Thanks! Yeah, I've been thinking about making a video or two about how to compose music with samples.
@dashkadam3146
@dashkadam3146 2 года назад
@@KarlBoltzmann Please make it soon haha. Would love to understand how it's done.
@MAYOWA.007
@MAYOWA.007 Месяц назад
oh.. it was sampled...
@CarrieAnne45
@CarrieAnne45 3 года назад
I'm curious to know when sampling became an accepted and common practice? Was there a time when it wasn't considered a legit way to make music?
@KarlBoltzmann
@KarlBoltzmann 3 года назад
Great question! My understanding is that sampling breaks from recorded music started in the 70s and got much more popular in the 80s. Producers would make tape loops of beats or other instrumental breaks, sometimes creating collages of sound by layering multiple samples together. The legality of it all is complicated and certain details are still being ironed out in the courts, but generally if you use a recognizable sample, you need to get it cleared by the owner. That could mean an upfront payment or giving up a piece of the royalties or both.
@brmbkl
@brmbkl 11 месяцев назад
Most hiphop producers were also "diggers" = vinylfreaks who would spend fortunes on rare records, and when they did, they often took off the labels to obscure the origins. Ever since De La Soul's infamous courtcase, the stakes became even higher (no pun intended) ; it became a real sport to use a sample without paying up, by using it creatively (flipping) or minimally. By the late 90s, record labels, their lawyers and other IP holders (investment groups) became hip to the idea that there was real money to be made in pursueing "infringement", so there were teams on it as a full time occupation (see also Bitter Sweet Symphony). Since the advent of A.I., it became next to impossible in practice to use a sample without clearing it.
@Darren-D.C-Cross
@Darren-D.C-Cross Месяц назад
nobody here
@KarlBoltzmann
@KarlBoltzmann Месяц назад
Hello, nobody.
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