I like the DiMarzios. They sound great. Just a bit more body than stock, but they still have that P-Bass thunder when you hit the low E, unlike a lot of overwound P pickups.
I like the brightness of the Fender, the Dimarzio are a little more beefy but still sound pretty good, I never thought of metal covers for bass pick ups before.
I like the difference - the Dimarzio uotput seems very close, but maybe has a little mor low end and maybe a little more in the 800 hz mid range? Treble response seems similar. Nice demo man.
Oliver, sto prendendomi un Precision Alusonic..... ,i chiedevo: tu cosa preferisci per fare IRON MAIDEN: questo DiMarzio DP124, il Seymour Duncan SPB-4, oppure il Relentless?
Penso che con gli SPB-4 vai sul sicuro. Relentless no, troppo lontano dal suono di Harris, coi Di Marzio DP124 forse un po' riusciresti anche, ma comunque consiglierei i Seymour Duncan
I tend not to use the tone control on these comparisons because it really depends on what capacitor and other electronics the instrument has, so it may not be an objective and universal result
I'm shocked how dark the Dimarzio is compared to the MIM, in another review vs MIJ it was the opposite. How would you compare the Sixties vs the SPB-4?
Could it be that it was wired in parallel? In this one, I wired it in series, as all split P pickups are. That would be a pretty interesting comparison. The 60s probably have more "beef" and a nice fat sound, whereas the SPB4 has more upper-midrange than lower, but they're both pretty similar
@@OliverTobyn Thanks I have the SPB-4 and was looking for something more barky thinking the 60s was the ticket. I want something that crackles (not more low mids), the 60s top end was too smooth.
