So refreshing - you explained it so well, really as if the listener had just a basic knowledge of pedals, no fluff. That is a rare thing on YT and many would stretch it out to 1 hour.
I really enjoy your style of teaching. Lots of great players, not many can teach well. You have a gift of doing both. Please continue to share with us.
Far as I can tell, a decent portion of the reason that compressors are quite so ubiquitous in country guitar is that they tend to make fender black and silver panel style amps, and other amps to a certain extent as well, sound a little more like tweed style amps and country is always throwing back at least a little bit to 50s country western... Tweeds tend to naturally have a good amount of compression inherent in them... Also offsets do a pretty good job in this style because they're not really particularly far off a tele sonically especially jags 🤠
A buddy of mine went woke…decided his amp had to be “black panel”. From that point on, his sound went weak, muted with not much dynamic range. I’ve found these old amps appreciate being addressed just as they have been for the past 40 years…a BLACKFACE Fender amp. They’ll sing loud, wild and true to their heritage.
Thanks! Great presentation no wasted time taught me what I needed to know plus useful info I didn't KNOW I didn't know! Deserves more than one measley thumbs up from me. 👍👍👍👍👍👍👍👍👍👍
The country tone sounded great with just the amp and guitar... and the player of course! The other pedals added the icing to the cake. I've heard many similar explanations of how compressors work, and didn't understand it until I realised it wasn't how compressors work! The first part of the explanation is all that was needed. It makes loud sounds quieter. What it doesn't do is make quiet sounds louder. As the difference between the loudest and quietest sound is smaller, it gives the impression that quiet sounds are louder as they are closer in comparison to the loudest sound. Below the threshold setting, the volume does not change at all. The overall sound can be made louder with the gain/volume control but there isn't anything interactive happening to make quiet sounds louder. Perhaps I'm over complicating things, but it made much more sense to me!
Great video! Been looking for a straightforward video to get this tone and this was it! Keep making the lesson videos too, very helpful! Keep up the hard work
this is a great explanation! The only other thing to maybe add is that the chicken pickin tone is largely the bridge pickup. People who don't actually play country sometimes mistake the middle position on a tele for their go to "country tone."
That’s not true you can still fake a country and rockabilly tone very easily. Just about any telly, but preferably the three saddle and the gear he talks about and boing youre there. Boing boing boing.
Good explanation bro. Thank you! For people like myself that may be intermediate players while at the same time starting to learn about effects from scratch, you make the learning process much less daunting. Thanks again.
To compensate for bright pickups, we're told to cut the treble on the amp instead of using the treble cut on the guitar. I recently saw a video saying you should do the opposite, boosting treble on the amp and cutting it on the guitar. I wonder why someone would choose one method over the other? Good video.
Yeah I think it comes down to preference. I normally set my amp with the volume and tone on my guitar all the way up. That’s kinda my base tone. I can change the guitar on the fly if I feel like a song calls for it but it’s a lot harder to change the amp mid song (and sound guys get suspicious when you’re tweaking your amp mid gig 😂)
I accidentally stumbled upon this channel when I was surfing some jazz guitar lessons (when I was kid I learned Chet Atkins music - a little dated, perhaps!). The confession of early experience with compression is similar to my own experience when I was a young rocker and I loved that. You are an insanely talented guitarist, so please consider maybe getting a lavalier mic to clip on your shirt/jacket. You have a lot of important things to say and they are worth bringing out with the right mic.
Nice video with lots of useful information. One thing I would say is that compression doesn't compress lower and higher volume. It's lower and higher frequencies that get compressed which intensifies the impact those compressed frequencies have on the sound. It's what give that popping type sound to the notes when you pick them.
I salute you for getting a great clean tone from the ac15. Usually a tele and the top boost channel are an invitation to an ice pick tone that is horrid beyond belief. Not hating on vox as I have several, but I prefer the ac10 both old and new as there is no top boost channel. The modern ac10 with greenback is Maybe the best clean tone I’ve heard in 40 years of playing out.
thanks for the video. done well and straight to the point. In addition ... Love your shirt! (got like 3/4 of the way thru and went "heeeeeyy!! Gaslight anthem shirt!!")
Have you ever thought about making a version of this for using amp modelers that use IRs? I’m Nashville based and most of the country players I see on the road are not using an amp onstage for their tone so much as a direct signal with an amp simulator.
Great video, thank you! That’s the best description of compression that I’ve seen. I would love it if you would do a part two to this for more modern tone with distortion. I’m trying to nail down the perfect heavy twang sound. That Red dirt. With a bit of crunch sound
I bought a few books on country playing and riffs. Learning major scale playing as well. Board was volume, compressor, delay and might have had a boost not sure if it was a six band eq or a soft clip od. Amp fender vibralux…playing had biggest impact.
Excellent tutorial! i would like to hear what you think about getting a similar sound with other type guitars like a Strat or a Gibson and if you think it is feasible? I sold all my Telecaster type guitars years ago, but like the country sound! You got my subscription!
You really don't need a compressor although they are really nice. I run through a Tech21 Fly Rig 5 and get a great set of tones with it. Everything from Country to rock to everything inbetween.
@@BryanClark-gk6ie They can yes. But, sometimes a compressor is just what you need or want for a particular sound. It's definitely not necessary by any means though.
I’m an old guy (56 yo) from Europe. And of course there are country music loving people in Europe too, but country music is more of niche market compared to other styles of music in Europe (with a slight exception maybe to the UK). This means that, even as a guitar player (which I am), learning to play the electric guitar is almost completely focused on rock, blues, pop and for the more advanced and/or sophisticated guitarists you will be studying jazz and if you can find a good teacher he will teach you to listen to more modern styles of progressive rock. Country however, at least in my experience (again, I’m old and times do change…) is (again) a niche thing. Of course guitar players are aware of the fact that some of the very best guitarists are to be found in the country music scene. A scene that is extremely small and almost nonexistent in Europe. The first guy (which should tell everything you need to know about the popularity of country music in Europe) that I was introduced to, playing a style that combined rock with ‘country music’ and frankly, maybe more bluegrass than country, was Steve Morse. I was already in my twenties when I read about some of the best country guitarists at the time. And I was completely blown away by the techniques of these guys. Anyway…., I was asked to join a cover band in 2015 and because we didn’t want to be competing with tens of thousands of other bands playing the same songs over and over again everywhere you went, we decided to only play covers from country music artists. This was not as simple as it may seem to those of you who grew up in the USA. Because it was almost impossible to come up with more than 5 songs within that genre (that included everything from classics, to southern rock and everything in between) that everybody could sing along to, without using some of the most obvious choices that nobody really took very seriously, like Glen Campbell’s Rhinestone Cowboy. Don’t get me wrong please, Glen Campbell is a man I respect and learned to love with all my heart and ‘his’ song ‘Wichita Lineman’ is one of the best written songs ever, albeit not really suitable for what we were after (a fun band playing fun songs with a strong country vibe). Look, just to clear things up a little. Everything I wrote until now is not a black and white story. OF COURSE there’s a community of people in every European country that LOVES country music. These are very fanatical groups of people who literally travel all across Europe to attend country music festivals. And there are differences between these groups as well. One of those fanatical groups of enthusiasts are the line dancing community, who know all the songs that are important in that world of line dancers. I had a friend who played the drums in one of those bands that played throughout all of Europe to do this stuff and he invited me to come and watch him play somewhere in the Netherlands. I was nearby, because I had to play in the same area that day in another band, playing a weird party polka punk crossover style of ‘music’. And I was astounded with what I witnessed. I saw hundreds of people, all dressed up in expensive old western style cowboy costumes (and one ‘Indian’ 😅). They must have spent fortunes for the boots and hats alone and they all took it VERY SERIOUSLY!!! I don’t think I saw anyone laughing. 🤷🏻 I also met people from another subculture within this country related musical landscape in Europe. And this was another interesting group of people. It seemed like they all knew each other, including the (usually American) artists. And this was a subculture that was less obsessed with dress codes, although I did see more checkered flannel shirts and caps than usual. And the music was definitely more raw. It had elements of bluegrass, folk, but also punk. But still clearly within the boundaries of country music. Anyway, in search for songs to play with this new country inspired cover band that we just formed, I did what I always do. I went for a musical quest on RU-vid and I dove into the world of country music and its history. I listened to countless bands and artists, led by documentaries about country music from the beginnings, via all sorts of crossover styles and subgenres and I spent months in the ever expanding country bubble. I must admit that I started this journey with a lot of reluctance, but as with most genres of music, at some point it’s easy to spot the greats, the originals, the ones that created a stir and you slowly begin to love them. And some of them I think were so great for various reasons, that I became a fan. THIS PART WILL RELATE TO THE SUBJECT OF YOUR VIDEO (sorry, I can’t help myself. I start to write and I can’t stop. It’s a serious condition that literally keeps me from sleeping 😵💫): As a guitarist, playing in a band that decided to create our own versions of all sorts of country music, I expected to be particularly focused on the great guitar players. This didn’t turn out to be the case, much to my surprise. However, I was really keen to find out what I needed to get that typical country sound, because by that time I had already fallen in love with the country twang. I have always been a Vox player. I used to play old beaten up, but amazing sounding AC30’s with Celestion T1088 speakers. ❤ However, like I said, I’m not the youngest anymore. I used to play loud. REALLY loud. But that was when I played rock, having roadies to carry all of my stuff. Things changed dramatically. I was 46 when I had to have my right leg amputated below the knee. I couldn’t carry my old AC30’s. I sold a lot of the old stuff. Not my AC30’s though. They were stolen from me. I was broke. My bandmate and another generous friend (I’ll always be grateful for what they did) bought me a new AC15 and some other gear, but I couldn’t really get that country sound. When things were starting to go uphill again, financially speaking, I bought a Morgan AC20, which allowed me to create the sound I wanted, without needing to sacrifice my tone (the singers in the band didn’t allow me to play loud anymore 😅). The AC20 gives you the ability to search for that edge of break up sound and then turn down the volume without changing the sound. I already had a good Telecaster, but I replaced the bridge pickup for a Little ‘59 and combined with the extremely bright sounding neck pickup, it was just a magical guitar that I would never want to change. So I bought a beautiful 50’s style Telecaster, I put in a Seymour Duncan Broadcaster pickup, hoping to bring me closer to that country style Tele twang. I also bought a the best MXR Phase 90 I could find (I have a weak spot for Waylon Jennings’ use of a phaser pedal). And despite the fact that I have always hated compressors (I tried and bought so many of ‘em, only to find myself not using them - among the ones I had were pedals like the Keeley Compressor+, the Xotic SP compressor and the Greer Amps Fish Press). Then, given my history of (not) using compressors, I gambled and bought what I believed to be the best compressor in pedal form ever made to this day, namely the Origin Effects Kali76 Double Stacked version. And holy f***, I absolutely LOVE that pedal!!! ❤ In fact, I love it so much that I just don’t see the need to switch it off. And to make things complete, I also bought the Keeley 30ms Double Tracker that I also use for that slapback delay. AND STILL….. even though I practiced hard to play something that is reminiscent of those fast bluegrass type of licks, I still don’t sound like a country guitar player. 😢 And the reason is so obvious. A large part of that sound is the chicken pickin’ technique, using a plectrum AND the middle- and ring finger to pluck the strings. If you played guitar for almost all of your life and you start to practice a couple of those runs for the first time when you’re 51 years old…., unless you’re a fit person, both physically and mentally, with an unbelievable amount of willpower to learn and put in the hours, as in… MANY, MANY hours…., then forget it. I have an enormous respect for people who can do this. People who don’t give up, not even after three months of working on the necessary techniques, only to notice that they’re not even close to comfortably playing the very basics of this style of playing. I’ve heard wonderful guitarists who had that country twang using what you would only describe as a typical metal guitar, through a Marshall stack. And then there are people like me, who spend thousands of euros (or dollars) to buy all the stuff you always thought you needed to get that typical country twang. But hey, it doesn’t just twang by itself. I couldn’t get this stuff to twang if it would save my life!!! 😅 But…. If I would succeed in sleeping instead of typing comments like this all night, then there’s still hope. Damn, I want that twang. How hard can it be? 🥴
Fantastic video Steve! Here in the UK Fender tube (or 'valve' as us Brits often refer to them) amps are damned expensive! I recently picked up a 2nd hand Wharfedale 30 (in the US badged 'Albion') combo. It has 2 channels. CH1 is pretty much Fenderish, adjustable to Vox 15/30. CH2 is Marshellesque, but can be tweaked to AC30TB. I'm really enjoying using your advice through it to make a multitude of country tones. You're spot on with the pedals too. Thanks so much!
Im a drummer but I play a lot of rock guitar but man I wish I coild Honky Tonk like that. Such a different style I reckon you just gotta have it in your blood.
You are a great explainer! I have been playing progressive rock and metal all my life but I finally recently bought a an American Pro ii telecaster. I was having trouble getting a good country sound out of my helix until I saw your other video. The combination of that helix preset video and this basic explanation video was all I needed. For the first time I was playing country style guitar that actually sounded professional. Thank you very much. Best of luck Lastly I couldn't find your country helix preset in the Line6 custom-tone library. If you could point me to it I'd greatly appreciate it. Thanks again for the inspiration.
Thanks Steve, great stuff but I'm wondering about your setup with the mics. Are you taking that to a sound board and doing further adjustments of your sound?? Thanks for all you do!
I watched this hoping he'd give the guitar settings. Newbie to electric guitar. I can't get a sound I like out of my telecaster. Have tried every combo of the pickups, and rolling treble up and down. Nothing gets anywhere near a country sound to my ear. The good news is I bought my first pedals knowing nothing about them and by chance got a delay & compression!!! I plugged my lap steel in and got a nice sound with single coil w tone knob rolled halfway down. So there's that. 😊
I’m on the bridge pickup and tone and volume are all the way up on the guitar! If it sounds too bright you can certainly roll back the tone knob a bit.
@@stevetharms Awesome, thanks man. Great tutorial. I dicked around after commenting and came close to that. Ended up with about half turn roll off. I got the delay set, but still working on compression, seems really touchy. It's a really cheap Chinese knockoff. Didn't want to invest too much until I got a better feel for electric. So different from acoustic. 😎
I thought the Fender amp's sound was better suited to the classic country tone than that of the Vox. There's one element that I don't think you mentioned: the _guitar's_ tone control. It sounded to me like that was wide open. Roll it back a little (on my red Tele, it's 90 degrees) before tweaking your amp settings, and the bridge pickup country tone will be even better.
I normally won't mess with the tone control on the guitar as much but it's certainly not to be forgotten about, another great tool to shape your sound!
@@stevetharms Thanks Steve. I always felt as though backing off the tone meant I was missing out on something that couldn't be put back, but then I found that _starting_ with it backed off and adjusting the amp to suit, resulted in a more pleasing tone. On my Squier CV 50s Strat, backing off the bridge pickup tone control is essential (I once had a 1979 Strat but never connected the bridge pickup this way, and consequently rarely used that pickup).
Good stuff Steve...got a Q when you were going over boost/distortion usage, when you do use it. Do you typically chain boost/distortion first, then compress...then off to modulation (dly-verb-chorus-vib etc.) to amp? Thanks appreciate what you do! ...next got to start getting my ring finger and middle finger involved in picking, seems like the entire technique deal breaker.
Hey man, I appreciate the video a lot and help me out with a few things. I’ve been having trouble getting the brightness out of my tele when I use compression I use a Vox and fender in stereo. An any time I use my compressor it’s just so bright but if I turn it off it’s muddy. I’ve been trying to dial in my town. Is there any tricks and tips? I’m using the mini ego compressor.
It’s all in your fingers. That’s how. Pedals are for little boys. Ask Roy Buchanan, or Tory Slusher. Get a fender twin, and ANY guitar. You would sound exactly the same on ANY guitar.
Meh...... Not necessarily. I was in a band with a world famous guitarist..... We all used pedals...... Every session player on the planet uses pedals....... Now, to your point about sounding like yourself: yes. I was on a session in which Johnny Hiland let Steve wariner and Ricky skaggs play through John's rig, and they absolutely sounded like themselves in a weird way. So, I guess you're partially right. I'm not disputing Roy and others don't use pedals, but those guys are a minority.
@@jerrysolonsmith8471 Hendrix is the only guy who can use pedals. He is the greatest ever, number 1, and he could have used any guitar with a whammy bar to sound like he does. A pickup is a pickup is a pickup. Everybody else trying to play blues just looks silly. You gotta be black to play blues. Tory Slusher knows this, too.
@@jerrysolonsmith8471 if you can’t sit in a room with a fender twin, and no pedals, and make magic, quit playing guitar. Hendrix, and Tory Slusher can do it.
