Diminished Arpeggios for Blues in 10 Minutes or Less!

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Timecodes
0:00 - Intro
1:20 - Performance
1:49 - Lesson

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Опубликовано:

9 июл 2024

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Комментарии : 66

@coreycongilio Год назад

At 4:08 I say Gdim 7 when it should be G#dim7. Sorry for the confusion Get the TAB and Track working-class-guitar.teachable.com/courses/best-of-corey-s-youtube/lectures/45239489 Get 40% off The Arpeggio Handbook for Blues Guitar working-class-guitar.teachable.com/p/arpeggio-handbook-for-blues-guitar?coupon_code=EBOOK40&product_id=4255093

@dumpstercat2229 Год назад

That diminished scale injection was so smooth i almost didnt even notice it!

@rogerwilliams2629 Год назад

Just found you recently, been playing for 60 years and always get something from the videos. Thanks!!

@coreycongilio Год назад

Thx so much, Roger!

@markmcmyn8967 5 месяцев назад

Just realized, In Memory of Elizabeth Reed, uses a diminished arpeggio as a set up. The brothers have got it goin on!

@PeterKertesz2013 Год назад

Corey, I have to say that at Complete Blues Volume 2 the "Modern Minor Blues" lesson on Working Class Guitar is absolutely out of this world, very tasty and fun to learn! I really appreciate your artistic approach in your lessons, simple and sophisticated at the same time. Every time when I hit the wall with my practice just visit your website for inspiration and in 10 minutes I find something amazing that can be added to my limited repertoire. Thank you! :)

@hearpalhere Год назад

Blues on Corey! Thanks for another great lesson.

@markgoodwin5306 Год назад

Diminished is the best. I like to start a diminished off a dominant chord tone.

@tnvalleyyoga7122 Год назад

I am a monthly subscriber to Coery's website and this program is a steal and full of great instructions,

@coreycongilio Год назад

Appreciate that more than you know!

@billfehr256 Год назад

Great lesson!

@JLSGuitars 9 месяцев назад

excellent. you are becoming my fav teacher. Jim, Sacramento, CA

@coreycongilio 9 месяцев назад

Wow, thank you!

@tnvalleyyoga7122 Год назад

Hey Corey, I know this is a little off subject but could you present a video or lesson on your Working Class Guitar site on how to play lead licks over a fast-moving chord progression?

@dougsmith8430 Год назад

Hello Corey and all!

@markyoung4549 Год назад

Corey is amazingly talented and can truly teach you guitar

@GitShiddy Год назад

Really great lesson. Just sitting here noodling after watching this and already that diminished tonality, has been added to my own vocabulary. A simple lick is often a great Rosetta stone for people like me who've been hearing the "language" for decades but never really bothered to learn it.

@joeysixstring2442 Год назад

Holy smokes!! You just lit up the bulbs in my mind like christmas! I hate when “jazz” scales are used untastefully. So I tend to avoid the super “academic” stuff, despite actually having a working knowledge of it. THIS. Using the altered scales as a “pull” to the next chord. That’s what I was missing. I couldn’t figure out, do I play them over the I, the IV, the V? All of them! Any of them! As long as its in context to the next chord (usually a V/whatever). Thank you thank you thank you

@Vincentcam Год назад

Really great lesson, thanks Corey!

@ronkresch9228 Год назад

Corey...you are by far my favorite online teacher...I always learn a ton from you...currently going through your 50 blues rhythm course....it's great!

@coreycongilio Год назад

Thanks so much, Ron!

@shannonjones3714 Год назад

Great lesson! Thank you so much for sharing it with us!

@coreycongilio Год назад

My pleasure!

@richardalan6219 Год назад

Thank you for posting this fantastic lesson incorporating the diminished scale Corey! The major/minor blues licks you play are very sweet, and the diminished licks you demo are So Cool and fun to play! Thanks also for generously making the tab and b. track available! If you're not already, plse consider putting together a blues lead course using these same types of ideas and licks with different feels, like, Shuffle (yes!) Straight feel, Minor blues similar to your Albert King 3-string lesson track, Slow 6/8 blues, etc. Thanks Again👍

@bigbokiptd Год назад

Great lesson as always Corey. Thank you so much!

@ChrisKnoxSr 11 месяцев назад

Corey, This is a really great tip for breaking down and incorporating cool diminished notes into the solo. Looking forward to more of your tips. Thanks and continued success!!

@donppricemusic9285 Год назад

Great lesson

@jeffrininger4075 Год назад

Really nice CC!

@roxyroxburgh9566 11 месяцев назад

Love your lessons. FANTASTIC! Thanks sooo much.

@thomasfulton1956 6 месяцев назад

Thank You so Much

@lancelotlink6545 Год назад

Corey, is it accurate that a diminished chord could resolve to any chord with a note a half step away from any note in diminished chord. I've been playing with this and can find a lot of ways to make this work though some are definitely better than others. Thanks so much for all the great content here and on your Working Class site!

@mikegreenguitar Год назад

Cool stuff! I was expecting an Em at 2:45, maybe 'cuz I just learned "Dream" off DSOTM

@DaveElke Год назад

Really great lesson Corey.

@cooghoublaga7555 Год назад

Very helpfull as always, and totally digestible, many thanks for these little pieces that go to making a bigger picture available.

@coreycongilio Год назад

You're very welcome!

@shalomshalom735 Год назад

Great video Corey and great topic. Hopefully you'll make even more videos and continue to develop some options for advanced Blues playing using flat-9, diminished etc.. that was very helpful.

@coreycongilio Год назад

Thanks, will do!

@jmeranus 7 месяцев назад

love your style! I ran across "getting started-add a dash of diminished " 2 years ago. you were in A showing how to use diminished run to get from I to IV cord. you started on the minor 3rd and went up(m3-b5-bb6-Root) . i thought I had it till this lesson where you sharp the root to get started which leads to the Major third of A ..... so its all a half step up from where i learned from your earlier lesson? see my confusion??

@danthegeetarman Год назад

100%. Super helpful as always. These videos are the best way to truly learn these unique techniques. Short and sweet. Plus you always have a way of making complicated techniques super easy to understand. Thanks again for your content you provide 🙏🙏🙏

@kjschroeder82 Год назад

Thanks so much, Corey. It's great how you give us something we can immediately apply. Like you say just adding a new spice.

@coreycongilio Год назад

that's the plan!

@gabrielfernandez9792 Год назад

Nice!

@mickbee7227 Год назад

good stuff

@FerrisFlyer Год назад

So useful. Thanks

@coreycongilio Год назад

You're welcome!

@SketchingRocks 11 месяцев назад

Just got the interactive. eBook...Just what I need. Arpeggios were and are always HARD for me. I can see, by running quickly thru your book and skimming a few videos this is going to help tremendously. One more point, as a long time video editor I have to commend you on how clear you managed to get all the videos....WELL DONE!! I am NOT coming out of the box until I go thru this course and feel extremely comfortable playing with you jam track...will keep ya posted.

@coreycongilio 11 месяцев назад

Hey thx so much! Appreciate the comments on the videos. It’s challenging but, I think I figured it out. Best of luck!

@coyotepoop4140 Год назад

Good length lesson thanks man!

@coreycongilio Год назад

Glad it was helpful!

@danieldoke7725 Год назад

CC, Great job of instruction here. You have a great "Nack" for giving us (that subscribe and follow your teachings) & those with the fretboard & theory fundamentals enough to grab hold and understand where this fits into the blues progressions. For me, you did a great job teaching and getting us curious guitarist to seek out this sound in music. Thanks again.

@coreycongilio Год назад

Thx DD!

@johncharal1698 Год назад

Corey, I have also heard you can play a #diminished IV chord or arpeggio in bar 6 leading back to the I in bar 7. That doesn't seem to be a "functioning dominant". Can you explain the theory behind that move? Is it just all the chromatic tone resolutions it creates?

@bazilbrushrocks Год назад

Diminished is easy to launch into but hard to land!

@coreycongilio Год назад

well said!

@hkguitar1984 Год назад

Very tasty, add a little sophistication to your riffs.

@salsplace Год назад

How did you get a flat 9 (G#) from a C7 (at 3:35)?

@timchalmers1700 Год назад

The 9 of G is A, so a flat 9 is G#. The fact that you're coming from a C chord to a G chord (G is the 5 of C) means that this is a good time to use the flat 9. Did that make sense?