Wedding DJ from Quebec/Canada here. I always find it weird when you guys from other countries talk about ending before midnight. I can't believe it's a thing elsewhere. Here the dance starts at 8-9PM and rave till 3AM sometimes 4AM. We get a lot of drunk people I mean a looooooooooooooooot of stories like yours 😛
@@AaronStrawn I know right. Most of the times it's more like 18-19h wedding if you include the ceremony because we start as early as 10AM sometimes. It is killing you. But: You get to see a lot of people nice and not nice which bring a lot of interresting stories! Later
One time I did the grand entrance so poorly mixing up names that I was thinking about quitting weddings. I was going to fire myself. But then I thought about it and realized that I had done more than 300 correctly and this was the one screw up. I talked to the video folks and they agreed to only save my 2nd take where I got the names correct. So things got fixed ..
The maui 44's have 4 high emitters, really strong ones, then 12-13 mid range in the column. I recommend the Curve 500 TS's if you want a more traditional looking portable speaker setup with similar sonic qualities of the Maui line. The electronics in many of LD's speakers practically eliminate any and all distortion from the signal, the maui 44 that I use I can have input signal in the red and speaker at full volume with little or no discernable clipping/distortion. They really do a great job.
Loving the G3's so far. The first wedding I did with them I was a little sceptical, so I added a Yamaha 15" sub underneath my table. I'd say it was a good combo, but most likely wasn't needed. Thanks for your update on them!
44G2’s are great. Such a quick setup and elegant look (Bought them Jan 2022). Just wish they were 10% louder. I just need more volume even if the crowd count isn’t huge. Luckily I just bring out my RCF nxl24’s over 8004 subs. I replaced the 44g2s with RCF tt515 over tt15subs but thought the tops were harsh when pushed and sent the whole setup back to the dealer. Back to the 44g2 as my smaller setup.
We have 4 of the Maui 28 G3's (2 sets) and I love the sound and the bass has been Soooooo enhanced... BUT.. what is up with the limiter light. Anything above cocktail level and it starts blinking, When you get to dance program volume it is on more than off. I returned one but the replacement does the same thing. In 40+ years as a DJ, I have never had a speaker where when playing at normal level the limiter light is on.. and that includes the G2's. I had a mix of a g2 and g3 while waiting for replacement. G2 playing fine with great full range sound and 8 ft away the G3 is at lower volume (because of the limiter light freaking me out) with the limiter light on like 75% of the time. G2 never peaked once.??? That light is supposed to be your guard and notice to dial it back.. If blinking more than off, to me that is a problem as I can not tell if there is really a problem?
It's hella frustrating to have expensive DJ speakers that seem to really peak at low SPLs, especially when they are advertised to hit in the high 128s. From what I've read and done, seeing the limit blink is ok. Mine never stays solid. If a certain song is keeping it solid longer, I will pull the gain back a bit on my controller. I do a walk-a-round the dance floor every hour or so to get the vibe and sometimes I feel like it could come down too. In all reality bro, when I see a packed dance floor and people having a great time, that's all I care about. Mobile DJs have that challenge of providing big sound but also be portable. So far so good with these
@@AaronStrawn totally with you.. I have been on the less is more kick for a long time. NEVER carried an 18" subwoofer except for proms. Too old for those now, LOL! Mine never go solid either, but still scares me when they are blinking all the time.. I do not think it is peaking, I think that light is set wrong. Like I said , I am like 12 or 13 years with these things from the original to g2 to now G3. The older models if it peaked you turn down the sub or dial back your bass on your board. now if it peaks you are dialing back your mids. This speaker is crazy nice bass for a 12". I tested them beside my partner's EV Evolve E50's and I think the G3 is better.
I picked up a pair of the G3's myself and have used them at a few gigs so far. Definitely impressed by the overall clarity of sound and the design certainly gets people's attention!
I like these G3’s and only wish they did like Bose does with a kinda sub match cable and an extension sub unit only. One cable twist and go for extended bass in bigger rooms. You wouldn’t need the 44 then really… which i guess is there aim 😂🙈
Install those BNC jacks on the side of your booth - it'll look so much cleaner and won't take any console top real estate. That's what I did for mine and it's been AWESOME. Also, simply spray painting the half waves white fixes the awkward look.
@@AaronStrawn Yeah dude. I just drilled holes (I'll check the exact size, but they weren't big) and now they just extend up on the sides. No obstructions and no worries. Hardest part was making sure they were symmetrical on both sides. Then I run the BNC cables together into a basic (non-powered) combiner, then a single to each jack. Easy peasy fat ass squeezy. Happy to help, man! OH! Seal the paint with a laquer or something else to prevent it from coming off. Not a big deal to respray, but it's annoying to need to. Poly coat or whatever. You could probably plasti-dip them, too.
Play for your clients and music based on your expertise. Don’t play for drunks. Waiting for my Maui 28 G3 to arrive. Sound great and heard them at NAMM 2023. Can’t wait to put them on the road.
i play in a duo with backing tracks. and we like to rock and the LD 28 3 sounds great like you said we blink the light to, and it sounds loud and clear and vocals are clear.you can hear low mids mid mids highs. and my bubby and i have been playing together for over 30 years and we are very picky about our sound they are build like a tank.
@@AaronStrawn So I’m looking at the 44’s and the Evox 12’s … which do you prefer.. seems like the 12’s have a better sound on the low end .. your thoughts?
Hey, Aaron, seems like no matter what you do you always get that one person, and believe me it won’t be the last time… by the way are the new Maui’s destroying the RCF J8,s? I’d like to know your thoughts on that.
I cut out another story where the guest was even worse lol. Drunk idiots is part of the gig. So far, I really like the 28s. The look alone sets them apart, setting up is quicker and the top horns are so crisp for speeches.
Hey Aaron - Andy, new subscriber here in Maryland but since I've been shopping for a new column PA, your videos have been super helpful so thanks. Solo acoustic guitar, vocals here so a bit of a different application than DJ - typcially small to medium rooms and larger outdoor wineries are my main gigs where people are listening/talking vs. dancing. I've had one of those OG Bose L1s with the big ass horseshoe base and 2 subs for almost 20 years but looking for something new - love the EV mixers included with the 30m and I wish the Maui 28s had that option. You mentioned in another video using an S1 pro as an extension speaker. Can that be accomplished with the Bluetooth connection on either the EV30m or the Mauis? Thanks again - great work! -A
Thanks for watching bro- glad my vids have been helping. Ok- for columns, the 28s might be your jam. If you wait till early next year, they are releasing a mixer version with 6 channels. BT won't work as an extension- you need to use an IEM or one of those Xvive's
I typically run the 18 subs and 15 tops but after watching your videos, decided to try out the Maui 28’s…first gig was a small venue but for some reason the room sucked up any and all bass. I was lucky to have brought an extra sub because it was definitely needed. The next two outings went fairly well but just having a hard time getting used to the lack of output. Additionally, they smell like hot electrical after each event so unless that’s part of the break in period, I think I’m probably running them too hard. I’m likely going to return them which sucks because they are sexy and so much easier to tote than the 110 lbs subs and 60 lbs tops.
I think if I had been used to your original setup with 18s/15s these would let me down too. For sure you are not melting testicles on the dance floor with the 12" subs. I totally agree with that, and when I walk around, I'm sure it could sound better with a bigger system. But...I still feel like my parties are a success. People are dancing, having a blast and I still have my back lol. Thanks for the response!
Man, I was looking for this review all over the RU-vid and finally you did it. I am right now RCF J8 lover and I am planning to get these white one G3 soon. the issue was to know if they are capable to cover up 300 Plus people. and I just saw that and its looks amazing to me. Maui 44 G2 is the best but heavy. and I have a question does these compete with 15'' Standard 2-way speakers with 18'' Subwoofer, my mostly work is not wedding but Live events where mostly speeches and at the end some kind of music band live performance. I am thinking to get the Mackie SRM215 with 18'' Sub but that setup too bulky. What do you think about?
Thanks for stopping by! Ok- so I would say sound wise and crowd wise they are similar if not a bit better than the J8s. They do not compare to a 15" top and 18" sub. That system might suit you better. When I say 300, I mean mostly for speeches. When the dance starts, there is usually about 20-30% of the crowd on the floor and these can handle that. For a live band, I would either do the traditional tops/subs or the Maui 44 G2s. Those have a 15" sub and I've heard great things about them
@@AaronStrawn Thank you. So I will keep my J8 and Invest on separate 15+18 setup for Live Band kind of stuff. I am not a DJ so My work mostly events where speeches and then at the end music. I know that live band kind of setup bands ask to much stuff and I am not going in that business. you said they are same like J8. means I keep my RCF. I love the look and portability of LD 28 G3.
Amazing you did a 300 person wedding with these in a room of that size. I would have been reluctant. The sound and acoustics in that room sounded well projected in the video. Waiting for my Maui 28s to arrive. One question do you connect directly from your controller or do you use a mixer or any external DSP processing unit? I’m planning to use a mixer, and an external processing unit for equalization since they do not have equalization.
I was nervous too until I heard how great the acoustics were in that room. That makes so much difference. I use the QSC Touchmix 8. Run everything through that and LOVE that mixer
Awesome video. I would like to know if when using the Bluetooth function can you link both speakers via Bluetooth wirelessly or is it a case of blue toothing one side and then system linking via a cable to the other side ???? Both Maui’s do show up on a Bluetooth search and also lets you connect to both. However sound only comes out of one side. Would love to know if this can be done. 🙏
@@AaronStrawn cut outs are my mortal enemy. I have the $2k Sennheiser setup now, but guess what they still send antenna shorter than my limp dick. For long event halls I use a cheaper MiPro setup that has John Holmes long antennas, the mic sucks and plosives are a real issue, but that mf'er does not cut out, EVER.
This was the first time EVER in 5 years I've had that issue. I was at the same venue last night and while testing..same thing. So I pulled out my backup wireless system, set it on my DJ table and it worked fine. I just got the antenna extenders and installed them in my booth. We'll see how that goes
Nice videos, I am new to this so I have a question, I do karaoke parties for 50 to 150 people, what’s the best speakers do u recommend? It should have echo and reverb options… thank you
These don't have a built in mixer for reverb. I'd look at the Bose L1 16s. They have a 3 channel mixer plus an app to add effects. Just make sure the speaker is in front of the singer. With the 180 degree dispersion, they can have feedback issues. Just my thoughts!
How are these g3 for rejecting feedback, I am thinking about replacing my Bose pro 32 they’re horrible at rejecting feedback. Using these for Karaoke system, the singer will be in front of the speakers the way the set up is set.
They have some built in feedback suppression. I run them through my Touchmix which also does this. So I rarely get feedback unless I get a mousy speaker and I gotta crank it lol
Hi Aaron, love your videos but I am sure you should not be hitting limit all night once you get into the dance period. You arr fatiguing your speakers mainly your subs. It may take a while but something is going to crap out could be a capacitor or something because in the amp area it's getting hot. If I where you ans this is setting I did with my setup is bring a small sub either a 12 or 15 and test it out at home at first and see how much headroom you have before your limit light comes on. Maybe you won't need those 44g's.😂
I don't play past 11 PM usually. I just turned down a job that was scheduled to go until 1 AM. My church just got two of the Maui 28 G3's. Used them once so far and got compliments from attendees with hearing aids. *That* is a compliment.
The majority of these system are really good but 300 people is pushing it. I have ran several events with the evolve 50 I won’t do in event no more than 100 people and I run a sub in the back to give it the extra punch it needs. Those system ones you start throwing body’s at them they start getting fatigued really quick if you don’t run them with a sub.
Not 300 on the dance floor. During the event it typically never has that happen. These handled everything I needed to do- cocktail/dinner/speeches/ and the 50-75 people on the dance floor at a time
@@AaronStrawn neither are impressive loud. If you consider the weight and the price this maui 28 isn't the evox j8 killer... The main problem is the fixed column,if 10 people stands in front of the speker you will loose a lot of output. The evox is cheaper and 35% lighter. With 34 kg you can get db technologies es1203, dual 12 " in semi horn loaded wood cabinet, 3 channel amplifier so you can split the tops in 2 part and set the onboard mixer dsp to play in dual mono or stereo output. It has also digital steering.. 1450 euro
Great video. I love how real you are. I'm a single op as well and purchased the JbL Eon 1 Mk 2 based on your review. Absolutly love it for my wedding and background system. With regards to the L shaped room, maybe set up your wedding system near the head table for speeches only? If possible, run a long XLR to that speaker for music and your announcements. Or get one of those wireless things. Also, Try raising your camera aperture to a higher number so your background doesn't go in and out of focus. Unless it's my bandwidth.
I literally thought about messaging you today to make sure you were okay. I hadn't had the opportunity to type your name in all caps very aggressively in what seems like forever
UGH another boring video of your feels......you should take the words gig log out of all your titles and replace them with "My Feels".....dont remember the last time you actually put out a gig log. I'm unsubscribing if you keep talking about your feels, giving you one more chance.