It is the attention to detail that makes D M Kahn's music, videos, productions, the writing, playing, mixing, everything is of the highest quality because he puts in the extra time and effort to go above and beyond , and not in any competitive, be the best kind of way..... i have so much respect for everything i see and hear on this channel
Great insight into your work-flow and mixer routings. Apart from the technical information, you are so modest about both your musicality and your skills on the desk. You are truly The Dub Master. Big Up bro. One Love ❤️💛💚
No way! I have been thinking about picking up alto-sax just this past week! But then i'd watch a RU-vid video of some girl trying to learn it and i felt maybe it's more difficult then i'd imagine it to be. Welcome back. I programmed a sax recently on a song called Max Fury Girl Of My Dreams on sound cloud turned out pretty good i must say!
Always loved D.U.B. since the middle 80s. Your break down and explanations are superb. Keep this up, explaining other elements of recording techniques and laying tracks.
Bravo and thank you, mate.....great sense of composition and arrangement (requires timing.......)......nothing sounds as beautiful and deep than classic dub .....not too gimmicky but meaningful with fx.
Bro, I absolutely love your content. It’s awesome! I live down here in South Florida so I totally feel where you’re coming from… I just got the big six… And I’m trying to learn something from you, bro… I’m using the galaxy 74! Keep making videos bro they’re awesome
Thanks for stopping by!! big six is a wonderful quality board, enjoy that! Be sure to grab the stems to practice dubbing, they’re only $15 (link in video description) thanks!
Very inspiring video, I just add that nothing is simple in Dub, if you know your machines and stems inside out, you can be a Master Dubster😊I was tripping with the live cuts, Blessings from Angola!
there is a crucial fact : before you dub your tracks, you have THE right reggae sound... all your instruments sound wonderfully ... I had seek for a long time just to have this kind of bass sound with my bass guitar ...
DM Khan, can you please explain how can you still hear the phaser with the channel down? As an insert? if so how do you send the return to the other channels to feed it into the reverb? I got a bit confused on this part. Thank you for the video! Big up!
Probably the best explanation of dub effects..unfortunately my space is limited..i have a Roland MX1 mixer but accept that i alsonneed an analogue mixer, i am looking at the Allen and Heath ZED 14 and 16 channel mixers, is it better to get the model with on board effects or not? Thanks in advance Peace from OZ
Great Videos ! It is so clear now and looks so much fun, I will buy a mixer. Do you think a Holy Grail (spring) reverb (ehx) will take line in signal well ? I really enjoy your videos.
I don’t recommend it to be honest, real guitar is the best way. There are some new VSTs that are probably ok… I just just do a triad chord and make it very short and make sure you’re running through an amp sim for some crunch
Is there a big difference between putting the filter on the insert of the return, rather than just having the chain go from the aux out to the spring then into the filter then the return?
It’s definitely a different thing, I’ve done it before but I didn’t find it as interesting as on the insert of the reverb. It’s definitely a viable option though and worth experimenting with!
With my particular mixer I don’t need to use an actual console channel/fader for this. I can export the console via FireWire straight from Mon 2 as a channel output via some buttons on the console. Then in the daw I put the 910 on the input of that corresponding channel and record it. I monitor the record back channel. There’s a little latency but it’s not bad.
If you’ve used the channel insert to send to a piece of gear, you’d return it to the insert (using the same TRS cable). But typically you’ll use a channel input as a “return channel”
Dread at the controls! Can somebody here, or Mr Kahn himself, give me some advice here in a short answer? For 20 years i'm recording very conventional, putting everything on tape. Playing all the instruments myself. Now i'm switching to digital. What is a good daw for Reggae and what midi controller can i use to mix some dub? Remember, i have a ghetto budget, about €600. I bought myself a Daw pc with an i3 core with 32 ram for €500 too, is this sufficient? Bless
Hi DM Kahn I notice you have a different Midas desk 32 channel? what model is it? How do you handle stereo external fx? El Capistan etc. I'm new to send and return, not owning a desk as yet but like the Midas sound
