Liam is sitting in his bedroom studio at the end of the clip, and the record on his lap is Critical Beatdown by The Ultramagnetic MC's. Liam sampled two lots of vocals by MC Kool Keith from that album. The first was "Change my pitch up, Smack my bitch up" from the track "Critical Beatdown" which he time stretched, and the second was "Pay close attention, I take your brain to another dimension" from the track "Give the drummer some". A legendary hip hop album which I have in my vinyl collection.
Yup i can't eve count the number of times people asked me : would you still listen to this music when you're 40?. And here i am aged 38 and still deep into 90's breakbeat/junge/dnb 🙌 Probably when i make it to 80 i would still listen to it 😑
Why wouldn't you? I mean: to the generation that grew up with Elvis, which Liam is mentioning here, it was completely new and fresh. Their parents probably thought it was racket. My mother grew up with the Beatles and the Stones. She still loves them at age 70. The thing is every generation has their "racket", and parents aren't really supposed to like it, are they? I'll be 37 this year and I remember the good times listening to The Prodigy as a kid. It paved the way for my love of electronic music but also hard rock and metal. For us THAT's our "racket". Whether or not we'll be able to dance to it at 80 is another thing entirely. :P
@@iseeu-fp9po Yup I don't understand how kids today are so into this melodyne junk🤷♂️ For me its garbage but they as well will probably listen to it when they're old 🤔
@@iseeu-fp9po For me someone that uses autotune on every song he makes is not a singer. Just like in all these new "rap" shit or as I like to call it pop-hop. Also, I"m into electronic music and I can"t find really anything new that I would enjoy. Even my master Liam makes tracks now I don"t find interesting unfortunely. It makes me sad that I have to listen to older stuff only, can"t catch something fresh and go for a concert for a nice time. All new mainstream songs are soft shit that sounds similar to each other and has to contain these fucking drops... Just like Tsunami or Martin Garrix Animals, or most of NCS. Man I wish I could live in 90s...
Hi jiltedgenerator. Believe it or not but this is from Richard And Judy lol. It was a feature about the music industry. The two parts I have are the only parts with Liam... the other part features Pete Waterman talking about Kylie Minogue.
Many young muscians who went on to success and fame had the full support of open minded Parents, who could either buy them equipment and or let them use a spare room for a studio, or if say the Parents were not well off and middle class, would do what ever they could to support the dreams of the child. The problem for many creative young people comes if they have unsupportive or a narcissistic parent(s), who are jealous of their Children and will do little to nothing to support them or in many cases, sabotage them with negative comments etc.
Guys, I'm going to be 47 next month and believe I am in tune with the 90s dance and rave more than ever. Never lost in touch. There is of course other stuff, but I really don't have anything current in my music library. Either something is wrong or I clearly am getting old!
he took the popular high energy/jungle sound and created modern drum and bass i think most people can agree that The Prodigy was the first major example of modern DNB that caught on with average people
hmm... I can't think of a single prodigy track that I would actually classify as dnb. Definitely influential to that scene though, along with early hardcore, breakbeat, hip hop etc. I don't think you can narrow it down to 1 artist
@@verapamil07 true, but I consider "modern DNB" to have evolved off jungle and started around 96/97... (yeah I know it's a geeky conversation with no real 'correct' answers!)
@@CS-mo7xpyes for sure, I know I only considered a real DnB their SMBU DJ Hype remix from 97 EP. Everything before that is hardcore, jungle, rave etc....
