Why is it that this theme....this film....had such an impact on me that I am still haunted by it to this day?....Now, more than ever, the industry needs visionaries like Tarkovsky....
@@draqqonfly3101 it’s definitely on my list!…Have you ever read Roadside Picnic by the Strugatsky brothers? Stalker is based on it. Another of my favorite Tarkovsky films…:)
this is acoustic music. organ, vibraphone, strings, choir. Considering how old the movie is, I can assure you that those sounds I just mentioned were not created with a synthesizer. ok... maybe: electronic organ or organ-like synthesizer. (But, why use a synthesizer that sounds like an organ and not an organ directly...)
@@danne8797 Its a joke my friend, it flew right over your head, and what the hell do you mean "real musicians" what the hell is "real music" Anything that doesn't involve electronics? You're like one of those fine art snobs
Makes me want to retire somewhere isolated for several years and dedicate myself solely for accomplishing my passions. And spend all the time I have on this Earth in creating something I'm proud of. Something that represents who I am, what I feel, what I dream of. How could one simply stay put and watch the world go by? I just wish there was a way to do something that would just... Satisfy me with having been born. I get no fulfilment from relationships, and I get no fulfilment from simply doing the same things over and over again. I'm really, really tired. One of thess days, I'll pack up my bags and just go somewhere. It doesn't really matter where. I just want to feel alive, feel present. Without anyone by my side dragging me down. Nobody will know my name, I will be forgotten. But I will be out there, doing whatever my idealistic mind, overtaken by wanderlust, wants me to do. Perhaps then, I'll be able to be happy, and I'll be able to die in peace. Eduard Artemyev is my favorite composer of all time. His music has always helped me to understand myself better. I'm glad I could share my thoughts in this small slice of the internet. 06/12/2021
Most of Tarkovsky's works are more like prolonged meditations more than drama, and that's why the music in his films are so crucial - they set our minds into just the right mode for reverie.
Точно! Но - не в электронной музыке. Большинство электронных творений Артемьева - сольно или при участии "Бумеранга" - набор звуков, эксперименты с синтезированием. А вот "Раба любви", "Свой среди чужих..." - ЭТО ШЕДЕВРЫ НА ВЕКА!
Bach, introspectivo... ¡genial! y Eduard Artemiev melancólico y precioso. Gracias por haber colgado esta música de una película que recomiendo encarecidamente a todos aquellos que les guste el cine, la filosofía y la ciencia ficción
Слезы душат меня. Как же хочется принять мир с его гадостями, мерзостями, ложью и красотой, и любовью, и мучительным счастьем. Разрывается сердце от любви.
the end is so oniric and peaceful in this one, the fourth versions that are played all over the movie are quite different, only the last one has this kind of turnover at the end by the way, this movie is one of the best, or maybe the best I've ever seen
esta cancion la siento tan bellisima y triste a la vez.... me siento desamparado en la niebla, a veces como un niño, a veces como un anciano, y se me salen las lagrimas de tanto divagar.
If my late beloved mother appeared in front of me , I could cry with nostalgia , sadness and wistfulness . Inspired by this fabulous and inspirational music , I might have a dream of my late beloved mother Dreaming about my late beloved mother is a blissful time for me From Tokyo of the Land of the Rising Sun 🇯🇵 Dear audience ！ Which is your country ？
I remember lending my dad a dvd of Solaris. He played the organ. When the opening credits started, he went "hmm" in a particular tone. An appreciative "hmm", not a disapproving one (that was in a different tone). A man of many words. But I knew his appreciative "hmm" meant "my brain is partly here: I recognise this as good". I think he thought the actual film silly/too impressionable (metaphysical acrobatics that are ultimately meaningless), but I think he also appreciate this "remix" of the opening credit tune, which appears in the penultimate scene of the film, doctoring Bach slightly but actually in a good way. An appropriate orchestration. And I've said too much. Be as silent as the guy in this picture and the tune will make more sense than all "this".
maybe the movie is like that, but the book is pretty great. Not the best of Lem but a good example of his cosmic cynicism. the whole book is an attemtp to understand something ultimately ununderstandable. the realization of it is taken as a sad ordeal of human limitation, but stanislaw lem goes a step forward giving a quasi-religious explanation to solaris, as if to mock human reasoning itself, quite cool.
Both the book and the movie are masterworks. Lem explores his favourite theme of the futility of trying to communicate or understand what is truly alien, other, a theme he also explored in his rather cruel and cynical way in His Master's Voice. Tatkovsky is more psychological, more metaphysical, and deeper in a certain way. I think it might be my favourite movie.
per me questa è, insieme al quarto brandenburghese di Carlos, la miglior elaborazione ai sintetizzatori mai fatta di un pezzo di bach, c'è compenetrazione totale fra bach e tarkovskij, sono meravigliosi i titoli all'inizio con questo pezzo, incredibile, c'è una trasformazione nei timbri così naturale che sembra quasi la più normale prosecuzione del pezzo, il ruolo di artemiev è stato solo di trovare una "orchestrazione elettronica", eppure lo ringrazio dal profondo per aver creato ciò.
@@krasteff Беда в том, что то, что сейчас "оплачивают своими зарплатами труженики РФ" никакого толка не принесёт ВООБЩЕ. Кроме повышения благосостояния сугубо конкретных "личностей".
E.Artemiev has just put some sintesator voices on the original piece of J.S.Bach for this movie. However the performance of bwv 639 (on a real pipe organ, by an unknown organist) is the best of all I have ever heard.
One of the best compositions in the entire history of music. I believe that comparisons can not made between a trivial commercial piece of today and these immensities. In any case, since I discovered this piece, I could no longer coinceve of my existence.
(Yes, I know I am responding to a comment is 5 years old, but why should the age of a comment matter?). Absolutely agree, but the music is a facet of the culture that it came from - one leg of an octopus if you know what I mean. The culture that produced this music was Christian, and it was 'real Christianity', not like the 'McChristianity' (as in McDonald's) they have in America. (I'm not Christian btw). What does Bach's music say and what does it represent? All of that should be self-evident (and you have already answered it in a way). It's the same as the building architecture. Today, skyscrapers and all manner of modern buildings exist, but can these really compare to the architecture of European cathedrals and churches, of which Bach's music would have graced? Do these modern buildings have character? A soul? What do they say about the culture that built them? The music of today is Justin Bieber and Taylor Swift et al, and something I believe is called 'dubstep' and oh boy I could go on. This music certainly says something about the culture that created it and consumes it, but that is its only value: it has no artistic value. Can dubstep be compared to the artistry of Bach, Mozart and Beethoven? What kind of "octopus" exists now? I'll tell you the truth: the god of the modern world is GDP.
The Morux 1973 Да, это музыка Баха. Артемьев чуть осовременил ее, использовав прием "cantus firmus", которым пользовался и сам Бах в свое время. Артемьев взял тему Баха, и сверху написал свою мелодию.
+jake lake Шутка хорошая, мне понравилась! Если имя было бы Гун то правильно было бы сказать "с Гуном". Но имя Гуно, кончается на "O" поэтому правильно "с Гуно" не дополняя окончание, потому что имя не русское/русифицированное. Это можно хорошо иллюстрировать именами Роберто и Роберт. В первом случае было бы "с Роберто", окончание не меняется. Во втором случае "с Робертом" окончание изменилось. Мне кажется это можно отнести к тому что имя кончаясь на "о" имеет средний рoд, не мужской или женской. Например еще "Гюго" и "с Гюго". Имя "Гёте" имеет средний род тоже поэтому "с Гёте".
Amigos! Ni la novela, ni la pelicula no trata de ciencia ficción. El contenido es un espejo a la humanidad, al ser humano cuál quiere adquirir todo -inclusive las almas de los demás-, a pesar de que no sabe casi nada de sí mismo. La cuestión es filosofica. Sí, podemos morir de la vergüenza, como lo hizó el profesor Gibarian. Es una pelicula de amor tambien. Él se da cuenta, que hubiera tenido que pedir perdon, amar mejor, y con más claridad, pero ya es tarde, ella se murió. Y hoy? Saludos Tibor
Concordo que amigo, filme e livro são diferentes, mas eles "levantam" as mesmas perguntas. Algum tipo de global, complexo. Desculpe pelo google tradutor. Eu não sou poliglota.
Понятие Теплота душевных отношений - Теплота восприятия музыки это единые слова которые позволяют человеку отличить теплое обволакивающее чувство музыки с теплыми чувствами которые эта музыка пробуждает!!!
Thanks Russia for Leo Tolstoy, Feodor Dostoevski, Anderi Tarkovsky, Edward Artmiev, thet influenced and changed my life so far, Спасибо Greetings from Egypt .
BeattapeFactory That is a blatant propagandist idiocy forced upon so many a western citizen. Cold climate =/= depressing attitude to life. In fact the length of the winter drives one towards introspection and a philosophy that seems deeply contradictory at first, but, when understood, is extremely interesting, if not amazing.
Because of its history.. It is history of GULAGs, poverty and betrayal.. Tarkovsky ones said, that to create art, especially poetry, artist must have some strong memories from childhood. That's what happened with Tarkovsky too.
It is somehow sad, but this interpretation gets the tempo and the intonation absolutely perfect. We should not underestimate electronic interpretations like this one and the ones by Tomita.
I know right. It’s such a simple edit but I feel that those high pitched bells make it almost sadder, more nostalgic. Maybe just because I associate this song with scenes from the movie.
Misha Lagovsky More than likely the Mellotron, dear heart.......might be wrong . There is something about that creepy back echo.......it really sounds like the Mellotron
I remember seeing the trailer to this film in the US, back in 1972 and finally got to watch it last year. Does anyone know how can I get the soundtrack to this movie in the US?
