Elgar: Enigma Variations conducted by Elgar (1926) エルガーエニグマ変奏曲自演

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Sir Edward William Elgar (1857-1934)
Enigma Variations, Op. 36
(00:05) 1. Theme (Enigma: Andante)
(01:35) 2. Variation I 'C.A.E.' (L'istesso tempo)
(03:42) 3. Variation II 'H.D.S-P.' (Allegro)
(04:26) 4. Variation III 'R.B.T.' (Allegretto)
(05:52) 5. Variation IV 'W.M.B.' (Allegro di molto)
(06:23) 6. Variation V 'R.P.A.' (Moderato)
(08:17) 7. Variation VI 'Ysobel' (Andantino)
(09:39) 8. Variation VII 'Troyte' (Presto)
(10:33) 9. Variation VIII 'W.N.' (Allegretto)
(12:15) 10. Variation IX 'Nimrod' (Adagio)
(15:07) 11. Variation X 'Dorabella' (Intermezzo: Allegretto)
(17:40) 12. Variation XI 'G.R.S.' (Allegro di molto)
(18:31) 13. Variation XII 'B.G.N.' (Andante)
(20:47) 14. Variation XIII ' * * * ' (Romanza: Moderato)
(22:52) 15. Variation XIV 'E.D.U.' (Finale: Allegro)
Sir Edward William Elgar (1857-1934), Conductor
Royal Albert Hall Orchestra
Rec. 28 April 1926, at Royal Albert Hall, in London
サー・エドワード・ウィリアム・エルガー
エニグマ変奏曲作品36 (謎の変奏曲)
(00:05) 1. 主題アンダンテ
(01:35) 2. 第1変奏 "C.A.E." L'istesso tempo
(03:42) 3. 第2変奏 "H.D.S-P." Allegro
(04:26) 4. 第3変奏 "R.B.T." Allegretto
(05:52) 5. 第4変奏 "W.M.B." Allegro di molto
(06:23) 6. 第5変奏 "R.P.A." Moderato
(08:17) 7. 第6変奏 "Ysobel" Andantino
(09:39) 8. 第7変奏 "Troyte" Presto
(10:33) 9. 第8変奏 "W.N." Allegretto
(12:15) 10. 第9変奏 "Nimrod" Adagio
(15:07) 11. 第10変奏 "Dorabella" Allegretto「間奏曲」
(17:40) 12. 第11変奏 "G.R.S." Allegro di molto
(18:31) 13. 第12変奏 "B.G.N." Andante
(20:47) 14. 第13変奏 "* * *" Moderato「ロマンツァ」
(22:52) 15. 第14変奏 "E.D.U." Allegro Presto「終曲」
指揮：サー・エドワード・ウィリアム・エルガー
ロイヤル・アルバート・ホール管弦楽団
録音：1926年4月28日ロイヤル・アルバート・ホール(ロンドン)

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30 сен 2024

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Комментарии : 9

@marron428 Год назад

ティンパニー練習用（この速さでは無理だと思うけど）。 9:40

@katsuoto4684 Год назад

これは速いですね！

@liauchungren848 6 лет назад

The voice of the majestic British Empire echoes through time in this historical document Elgar conducting his own masterpiece, ENIGMA VARIATIONS. Bravo.

@garethgriffiths1674 2 года назад

Interesting to note how this is played at a much faster pace than in performances by other conductors.

@barney6888 Год назад

Well, that's pretty much that. As an aside, can you imagine if Mahler lived until 1940? I think we'd all be broadsided by his tempo changes. But who knows?

@martincook318 Год назад

Having got a copy of this 1926 Recording Reissued in 1957 by His Master's Voice for the Centinuary of Elgar's Birth on a Red and Gold label Record Number ALP-1464 I feel that this Recording is far better than the 1920-21 Recording as it's more full Bloodied and clearer and it's Coupled with the Serenade for Strings and the Cockanage Overture and all the Recordings were Made between 1926 and 1933:and the Violin Concerto ALP-1456 is the famous 1932 Recording with a 16 year old Yehudi Menuhin and the London Symphony Orchestra Originally issued on six 78rpm Records:Record Numbers DB-1751 DB-1756 and I've been Collecting Yehudi Menuhin's Records both on Pre war 78rpm and LP Vinyl for over forty years and I've got a copy on Pre war 78rpm in the Original Pre war album and the Falstaff BLP-1090 has been Transferred from four 78rpm Records

@notarjoe 2 года назад

I'm not a violinist but I notice a distinctly different playing style throughout many of the passages. It's like a glissando effect that I haven't heard applied on any of the modern recordings.

@martincook318 Год назад

Come to think about it this 1926 Recording is a lot different Compared to the earlier 1920-21 Recording and on this one Sir Edward Elgar was able too express himself a lot more than in the earlier one and one can hear it more so on the 1957 Red and Gold Reissue Record Number ALP-1464 and it was such a shame that we the British Public had to wait until the 1970's to hear the LP Transfer of the 1928 Recording of the Elgar Cello Concerto on(EMI)World Records Record Number SH-175 and it was such a shame that he died before the 1935 Silver Jubilee Celebration's