This is one of those tunes where I wish I had been sat in a corner listening to it being recorded. This stereo remix is solid! Elvis for everyone! Thanks, Radio Wollaton!
It has so much depth now and punch. I hear things I never heard before..Why can’t the folks at RCA do this type of mastering instead of those flat, dull mixes. This recording sounds as if it was made yesterday!! You are the best at what you do!!
Love the catchy guitar riff,punchy piano lines(Boogie-Woogie),and dynamic percussion capturing Elvis Presley at his most electrifying. A timeless Rock n Roll Anthem that cemented his image as a Cultural Icon.Thanks Dad for letting me stack these records on your phonograph record player. Thank you Sir Radio Wollaton for masterwork on remix. 🎧🎹🎹🥁🥁🎸🎸🎙️👍👏🏻
First two chords are unmistakeable and is there anybody who does not know what is coming? Your backing track on this Pat is just so powerful and the guitars and drums are just awesome. This is my second favourite Elvis fifties rock 'n' roll track after Don't Be Cruel. Can picture the film scene to the song as I listen. Did you have to add instrumentation to the backing track to get that sound? So good on the ears!
The warden threw a party in the county jail 지방 교도소 관수들이 파티를 열었네 The prison band was there and they began to wail 죄수들 중에도 밴드가 있어 기염 토하듯 연주가 시작되었지 The band began to-jumping. they began to swing 밴드는 점프해대며 스윙춤을 추기 시작했어 You should have heard the knock down jailbird sing 자네도 그 죄수들의 죽여주는 노래를 들어봤어야 하는건데 Let's rock, everybody, let's rock 노래(락)하자, 모두 같이 노래(락)하자 Oh, Everybody in the whole cell block 오, 감옥 안에 있는 모두들 Was dancing to the Jailhouse Rock 교도소 락에 맞춰 춤을 추었지 Spider Murphy played on the tenor saxophone 거미 머피는 테너 색소폰을 불고 Little Joe was blowin' on a slide trombone 꼬맹이 조는 트롬본을 불고 The drummer boy from Illinois went crash, boom, bang 일리노이 주에서 온 드러머는 꽝, 붐, 뱅 하며 장단을 맞췄지 The whole rhythm section was the Purple Gang 리듬이 딱딱 맞는게 유명 그룹 못지 않았어 Number forty-seven said to number three 47번 죄수가 3번 죄수에게 말하길 You're the cutest jailbird I ever did see 넌 내가 본 죄수 중 가장 귀여운 놈이야 I sure would be delighted with your company 난 그래서 너와 함께 하면 더 좋을거같거든 So come on and do the Jailhouse Rock with me 그러니 빼지말고 나와 같이 교도소 락을 하자구 Sad Sack was sittin' on a block of stone 멍청한 색은 돌 위에 앉아있었지 Way over in the corner weepin' all alone 혼자 구석에서 질질 짜면서 말이야 The warden said, "Hey, buddy, don't you be no square 교도소장이 말하기를 거기 자네 괜찮은척 하지 말게나 If you can't find a partner use a wooden chair" 파트너가 없으면 의자랑이라도 추지 그래? Shifty Henry said to Bugs, for heaven’s sake, 간사꾼 헨리는 미치광이 놈한테, 야 제기랄 No one’s lookin’, now’s our chance to make a break 아무도 안보잖아, 간만에 놀수 있는 챤스라고 하며 꼬셨고 Bugsy turned to Shifty and he said, nix nix, 미치광이는 간사꾼에게, 어 이럼 안되는데, 에이 I wanna stick around a while and get my kicks 나도 좀 끼어 놀다가 몇대 맞으면 되지 뭐 했지
There's no need to do a fake mix on the mono master. There exists, and was officially released, a 2-track version of Jailhouse Rock. It's hard-panned left and right, and only existed to create the mono master, but it has separate elements that should make it easier for AI to create a more convincing stereo mix. It's been on CD a couple times, but can't remember the titles.
I have that one in my collection. Unfortunately the instrumental part is completely different. Some people have replaced that part with the segment from the mono version, but the end result is not good. I often use the mono version as the base for a remix, even though a true stereo version exists. This is because the sound quality of the mono version is often much better. Phil Spector stereo mixes, for example, sound so terrible that I got a much better sounding stereo mix by starting with the mono versions !
Hi Matthew, sorry for the delay in replying, only just spotted your message. I use Steinberg Wavelab and sometimes on other remixes I'll use Cubase as well.
So great to hear all these great old songs modernised with the latest technology, giving them new life and keeping it alive and as it was released. Keep doing what your doing 🙌🙌👍👍
Just back from my yoga class and now this masterpiece! I wish I had had headphones on during yoga. My exercises would have much more rock power 😉 And now "Lawdy Miss Clawdy". Thank you Pat for this outstanding remix.
It isn't really made clear that this is not purely the original record, but a new instrumental background overdubbed atop the original. To call it a remix is misleading.
