"Endless” - Eurorack Modular “Drone” Ambient - [Ft. Blukać Endless Processor, Subharmonicon, Opsix] 

#blukac #subharmonicon #meditation
"Endless" can be found on my album "Worlds Inbetween" now available on Bandcamp, link below,
seaofcables1.b...
A gentle and soothing meditational drone ambient piece this time featuring my newly acquired Blukać Endless Processor,a fairly unique module which takes small samples of incoming sounds and then re-synthesises them into endless audio streams whilst at the same time capturing all of the nuances of the original sound; the resultant streams can then be layered, re-sampled, deleted, faded in or out to build fluid walls of sound. This patch is simply my first brief dabblings with the EP, so I thought why not add a couple of synths plus a few other modules to see if it could be developed into an ambient track, so here it is, warts and all! I do hope some of you find it pleasing; as usual, the piece slowly evolves and develops so do please listen to it in its entirety in order to fully appreciate the track.
[Note: to fully appreciate both the video and the track itself, please set the RU-vid screen resolution (using the small cog wheel icon at the bottom of the viewing screen) to 1080p HD and good quality speakers or headphones are highly recommended]
If you liked the track, please do check out some of my other videos and please Comment, Like, Subscribe and Share on Social media, as this helps me enormously.
Patch Info:-
Pams New Workout clocks everything. Pams also clocks Marbles which in turn provides random CV and gate triggers for controlling the layers, memory buffer size, sample and erase functions of the EP throughout the track.
Nebulae v.2 plays a pre-recorded lo-fi track into Magneto in pitch shift mode and then into the Endless Processor for re-synthesizing.
Both EP outputs are multed and then fed into Databender, Beads (pitched one octave up) and also directly into the mix.
Arbhar plays a granulised sample of the EP output pitched over two octaves into a Dual Dagger stereo filter, panned by Ochd and into the mix.
Hermod (via midi) controls the Moog Subharmonicon for bass duties and a overlying breathy pad from the Korg Opsix.
All sounds then into Big Sky for final reverb and added ambience.
As with all my tracks, no DAW was used and all mixing was undertaken solely within the confines of the modular racks. Recorded into Audacity with just a little compression.
Thanks once again for indulging me and for taking time out to listen to the track
Take care and stay safe,
Keith