Haha that's how I came upon this. Just started django and realized the song was the same. Looked the vid up to confirm. I like how they he incorporates the mule sound in the song.
@@barefootjerryslamdown7237 Ennio Morricone would emulate lots of animal sounds in his scores. He was light years ahead of his time. His score in Bird With The Crystal Plumage was amazing too. Also the full movie is uploaded to RU-vid, it's a badass horror movie
My father and I watched "Two Mules for Sister Sarah" today, my father is an old man to be a father and since I was young my father introduced me to all the bang bang spaghetti films that he knew and loved, and most of them Ennio was present with his fantastic soundtrack. Ennio is my favorite composer since I was 14, today I am 24 and my father 76, thank God for being my father's son. RIP Ennio the best composer of 20th/21st century and the favorite of my bloodline.
Ha anyone ever captured Mexico better, at least instrumentally? Scorpions and dragon flies. Snakes and Redeemers. Heat. Death. Angel ghosts in procession through a Catholic desert.
A thoroughly silly movie, but the music was enough to make me sit down and be quiet. So creative. Soon as I heard that donkey sound I was rapt. I think he's using a piccolo then a bassoon.
There is something about the theme songs from Western movies. You automatically know what kind of a movie it is. You'd never hear one of these song and guess it was from a crime drama or a comedy. They just speak to your soul and say it's a western .
I want to buy this original version of this theme, not a newer version by some orchestra(which there are an abundance of on iTunes), but this one, from the original soundtrack, but thus far it's been impossible to find!
As a side note, this movie takes place in the time when Mexico was at war with France, thats when the 5 de Mayo holyday was born, clint eastwood give the Mexicans a hand fighting the French
The movie is funny and entertaining, but the music is a masterpiece. There's a kind of "fugue" moment when the flutes and oboes go like birds singing. What a creative imgination he had, this signore Morricone !
This is the genius of Ennio Morricone! I personally like more the Django Unchained version, but it's actually almost the same thing.. just my opinion.. love both of course
8 лет назад
Genial. Maybe the best european music composer ever.
Two Mules for Sister Sara (1970) ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- i got Free Gift Cards from WHATCH NOW 💜 bit.ly/3c0qAV7?db2Dbpb 💜 ライブ配信の再編ありがとうです！この日のライブ配信は、かならりやばかったですね！１万人を超える人が見ていたもんね（笑）やっぱり人参最高！まさかのカメラ切り忘れでやら1かしたのもの再編ありがとうです！この日のライブ配信は、かならりやばかったですね！１万人を超える人が見ていたもんね（笑）やっぱり人参最高！まさかのカメラ切り忘れでやら1かしたのもドキドキでした！今後は気を付けないとね5). . !💖🖤❤#今後は気をライブ配信の再編ありがとうです！#この日のライブ配信は、#かならりやばかったですね！#１万人を超える人が見ていたも ん（#笑）#やっぱり人参最高！#まさかのカメラ切り忘れでやら1かしたのもドキドキでした #今後は気をライブ配信の再編ありがとうです！ #この日のライブ配信は、 #かならりやばかったですね！ #１万人を超える人が見ていたもん（ #笑） #やっぱり人参最高！ #まさかのカメラ切り忘れでやら1かしたのもドキドキでした #垃圾
@rlsh72 Yeah, I noticed it immediately, and I laughed out loud in the theatre... Nobody else got it. But I laughed anyway. Morricone's work was PERFECT for the scene.
Yeah Im sitting here watching SH Game of Shadows thinking ok thats at least Once Upon a Time in the West and 2 Mules for Sister Sarah so far, whos music are they gonna bite next ? Only half way through the movie, going back to catch the rest of the rippery. Good flick so far though. But why hoist all these tunes ?
Because Tarantino thinks he's cool if he repeats truly great stuff. But alas he's a cheap rip-off. Just read what Morricone thinks of Q.dlisted.com/2018/11/11/iconic-film-composer-ennio-morricone-thinks-quentin-tarantino-sucks-at-his-job/
just recognized this the same instrumental in django (huge fan of old western, ik ennio morricone composed this but didnt make a connection ps i love tarantino for using ennio 🤘🤘
Shirley McLain, although a good actress, wasn't right for this part. Her looks weren't interesting enough to play opposite the iconic man with no name.
"Et nos inducas en tentationem ser libera nos a malo" [And lead us not into temptation but deliver us from evil] These are the final verses from the Lord's prayer in Latin.
She is probably the only female co star with Clint to not just look all swooney doe eyed at him, and she gave him shit. Way more interesting of a dynamic than the usual nonsense he did with Sondra Locke.
Is it me or am I being asked as a dog to take a different path Into somewhere else. Well as long as I don’t suffer from the evil. Sorry but confessions as public as this one deserve an absolution the size of a plenary indulgence for a novice crafty nun and probably a dressing down by Hollywood and the Ennio Morricone estate for me.
RAZlEL7 Eh, not quite. Tarrantino simply loves to use Morricone's music in his films. As a director, this is a valid decision and he gives the composer due credit. Hans Zimmer on the other hand is a composer himself and passes it off as his own work, with some concessions to Morricone. He also took Morricone's "Man with a Harmonica" and used it for the music of the parlay scene in "Pirates of the Caribbean" (google "Man with a Harmonica" and "Parlay Zimmer").
+BrokenCurtain Most respectfully wish to disagree. Please check out these links first: 1) www.theguardian.com/music/2015/jun/03/ennio-morricone-good-film-scores-replaced-by-bad-and-ugly 2) www.hollywoodreporter.com/news/italian-composer-morricone-slams-tarantino-428954 Hans Zimmer gave not only a nod to, but a direct indication of where he got his inspiration from by placing the music at the exact positions in the movies as was intended by E. Morricone. On any of his soundtracks he diligently points out the original composers and their sources. On the other hand, giving credit to the original composers in the end credits of movies is the responsibility of the movie makers (producers, studios, who-ever), not the musical composers of the soundtrack. That is called : 'giving credit' and 'respect'. 1)The rearrangement of a musical piece for other instruments, or 2) a reinterpretation with a different orchestra is what every composer of film music normally has to do unless they 3) 'steal' the complete score and instrumentalization, maybe even simply copy-and-pasting a musical piece into their movies. The first or the second is what Hans Zimmer does regularly but still gives credit to the original composers. Nothing shameful about that. While Tarantino simply 'steals' the complete piece from a previous soundtrack. Now I wish to ask: who is the more creative? The one who rearranges and records a score with another orchestra, fiddling with the exact placement to apply most stringently to the intention of the original score and the new movie? Or the one who simply copies an existing recording and plops it with random cuts into a movie, without regard to the message it was intended to carry? A thank you goes to +Josh Leithmeyer from another video with Ennio Morricone music where he posted the links above.
BrokenCurtain Zimmer ‘stole’ ‘Kerim’s theme’ from THE SECRET OF SAHARA (tv serie) as well and inserted at the end of ‘The battle’ on GLADIATOR, with slight variations and any credits for Morricone.
Nevermind Sherlock Holmes Movies without Bennidict Cummberbatch. The original movie is great fun, sexy , intense and has witty batter with sexual tension you could eat plus Mexicans! Best Rom-Com Western Ever and a bridge blows up!
Samuel Aguilar...oh ok...guess he had to. There's a long forgotten 1972 flick called Bluebeard with a Morricone score. Im speculating here but the opening track sounds very similar to Zimmers Sherlock homes theme.
