This is extremely helpful. But I wonder if by any chance you can make an updated version of this video with the new Luna Recording System? Thank you in advance!
The unison technology only applies to the 610 in your vocal chain. All the other affects will still be recorded in real time but the 610 will change the impedance of the Apollo to match that of the 610 hardware unit.
Hi Nolan this is another awesome video. I like how you explain things and simplify these short and to the point videos! It makes them very interesting! The question I have for you is after you set up the VOX chain in the Apollo Console and then decide to print into logic, what plug-ins would you use in logic on the vocal channel strip, besides busing the reverb and any time based effects in Logic? Thx in advance
Thank you for the support once again Michael! So, the Apollo Twin actually has a feature in the console app called “monitoring mode” which allows you to hear yourself with the effects while performing but the effects don’t actually get printed in your DAW. I prefer to record this way because it gives me more flexibility in the mixing stage if I need to make any changes. Here is my usual chain in Logic Pro: 1. 610B preamp (Apollo) 2. De-easer (stock) 3. EQ (stock) 4. 1176 compressor (Apollo) 5. LA2A (Apollo) 6. Pultec EQ (Apollo) 7. Valhalla Reverb 8. Delay (waves)
Thanks Nolan for the great information and thank you for the quick response! Your information is very helpful and I’ll be a follower with your up and coming videos!
Great video and very helpful tips! Quick question - what do you think about including the UAD SSL 4000 E channel strip into this vocal chain (and maybe using that built-in compressor in place of one of the two you mention in your serial compression selections)? I see that you already add the Pultec Pro EQ, but I am wondering if the SSL might be another way to go (or if you feel it is unnecessary in the chain you suggest). I guess I could add it to my vocals as a logic pro plugin (I also have the Brainworx SSL E), but I would prefer to do all of my vocal processing in COnsole and only add reverb to the final version in Logic. Thanks in advance for your thoughts!!
@@JonathanLandon-d8n thank you so much! In this video, I just showcased the plugins that come included with the Apollo twin so viewers wouldn’t have to buy any additional plugins. However, nothing is set in stone. If you like the SSL sound and want to have access to the EQ and compression functions all in one plugin, it’s a great choice for sure.
Awesome, thanks a lot man! I just wondered where your 610-B went... it's not shown in the inserts list in the analog 1 channel yet the window of the preamp shows it's on it (see 4:25)
Hey Alexander Geiger, thanks for leaving a comment! I’m glad you found the video helpful. Yes, I just use the tubes cranked up all the way and adjust the output level but that is pretty much it for the 610B.
It depends. For subtractive EQ (cutting frequencies) I use it before compression and additive eq (boosting frequencies) I use after. Here is an example: How To MIX ANY VOCAL Recorded On A Shure SM7B or SM7DB! ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-IdPE_heqmtk.html
I have a question, do you recording your vocals with effects like eq and comp on your console app ?, or is it just a setting and then you mix it later ?
Thank you so much! 😊 Make sure that the MUTE button on the actual channel strip is not selected. UAD MON mode will not print the effects but should still allow you to hear them in real time.
nice video i would wish you would get rid of some of the Room, ind your studio, so you would get the Review of what they do more Clearly. but it was i nice video.
Thank you! This was one of my first RU-vid videos with my old setup. If you watch my latest content, the reverb issue has been minimized quite a lot. I appreciate the honesty and for you taking the time to leave a comment though 😊
Hey, I have the Apollo solo so far. It sounds pretty good but with autotune I wanted to have extra autotune sound on it am I supposed to mess with presets? I swear I’ve tried everything.
I would look up the tutorials on how to use the Antares AutoTune which works with the Apollo. I believe you can find it in Universal Audio’s RU-vid channel.
Hi , im planning to buy an Apollo audio interface. Ill make a rap songs so only the mic im thinking to plug in. So Apollo solo is a good choice or not ? Thanks.
Hi yok, yes!!! I'm a big fan of all the interfaces made by Universal Audio including the Apollo Solo (amzn.to/40DgRen). The biggest reason why I love Apollo interfaces is because they come bundled with many awesome plugins and you'll be able to record with the UAD plugins in real time with no latency. However, if you don't care about the zero latency, you might save some money and go with one of their Volt Series Interfaces, like the Volt 276 (amzn.to/42g5fiP) which still comes with a 610B style preamp and 1176 style compressor built in.
Thank you so much! 😊 My favorite reverb is the Valhalla VintageVerb: valhalladsp.com/?gad_source=1&gclid=CjwKCAjwoa2xBhACEiwA1sb1BJ19dGIG8MVk3ey4xrFx-gGsZ4n33tjYmP_Tpt2URwg7SxSkOUfAhBoC1JMQAvD_BwE
Yes, I use this chain for recording vocals. Then, in post production I use a DeEsser, subtractive eq, maybe a bit more compression (if needed), additive eq and reverb.
I’m using the quad core version so idk how many plugins the duo can handle. My suggestion would be to look up reviews on RU-vid of the duo core just to be sure.
Hey Pablo Solo, thanks for leaving a comment! That’s a trick called “serial compression” which means having two compressors working half as hard as one compressor doing all the work. The 1776 brings down the high peaks while the LA2A balances the overall performance.
@@pablosolo I believe so! Serial compression just means using any two compressors in series so technically yes. However, the most common combination I’ve seen, has been the 1176 and LA2A.
That’s tough to know but there can be many factors. What mic do you use? What’s the distance between you and the mic when recording? Are you using a windscreen on the mic? A Kaotica Eye Ball filter? Are you recording in a closet? Is your room acoustically treated? What plugins are you using? Those things can drastically affect the sound.
@@homestudioacademy I use the AT2020, I have an anti pop, I record in the corner of my room with an acoustic panel behind, and I am trying to record well with your vocal chain console
@@lionel3294 avoid recording in the corners of your room because a lot of bass builds up in corners. Try moving the mic towards the center of the room and see if you can notice a difference.
Yes but I only use the tube cranked all the way up with the 610B preamp. If I was not using it on the chain, my gain would be much lower. But of course, everyone has a different voice and dynamic performance so your settings may differ than mine based on your own application.
plug in s will never do what the actual hardware can do. not even close. they are great i get it and cheap but the actual hard ware is why its priced so much higher
@@mothergoose4231 you’re right that plugins are not the same as the actual hardware but I would argue that 99% of people listening (audience) won’t know or care about the difference.
@@homestudioacademy well you should educate them with the truth. It’s not your job to go with the masses. It’s our job as artist to stick with the truth. They should care and we should show them why.
There artist getting number 1s on records made in the box in bedrooms and hotels. I think it’s time we stop focusing on the specifics and focus on the art and craft
Hey Peterm3964! Of course the hardware is better. However, most beginner home studio owners don’t have that kind of cash to invest in equipment when starting out so the Apollo Twin is the best alternative for getting those sounds in my humble opinion.
@@juljasmah exactly my point! I’m not bashing the hardware because there is definitely a place for it (mostly commercial studios) and some people want to have the real thing. However, for 90% people, I think the convenience out ways the benefits of the hardware and most* people listening to your music won’t be able to tell the difference or care which gear you use.
The difference between software and hardware is definitely noticeable but not a must have even if you’re running a commercial studio. If you know how to record clean signals and have skills in mixing - your absolutely fine. Same thing with microphones. Do you really need that $5000? You can definitely match the tone to some degree. The listener/consumer won’t have any idea anyways.
