The technical service and logistics of Eurovision is a feast in itself. I'd love to see a good documentary about making off of the whole show. Also, the camera filming the close-ups is hang on a drone?
@@properlygaming4031 they’re literally ‘volunteers’ they choose to do this job, no one is forcing them. And to be honest, I’d pay to be stage crew at Eurovision lol
@@peeryoutube Show businesses should not be allowed to have free labor while EBU makes dirty amounts of money for a fat pay check. With mentality of wanting to pay to be used by someone for free, you may as well never work for any money at all
@@properlygaming4031 Uhh sorry, this is not just 'any business', it is Eurovision, I am a life long fan and this would be so much fun for me. But you clearly aren't part of the ESC fandom so you won't get any of it. The fact about you complaining that volunteers exist shows that you just love to create drama, please leave this comment section, thanks. No I wouldn't pay anyone to work for them, I would with ESC though, if that is what it takes. I know that sounds crazy as an outsider, but deal with it.
Pedazo de voz , un directazo y buena puesta en escena, para mí que hubiera quedado entre las 5 primeras. Quedo novena pero mejor novena que décima o la 22.
Roberto Carlos the bending pole is oriented by the way she moves her body. Like, if there’s more weight or her right, she will go to the right. So yeah, she did it herself !
She does that herself, which was why she couldn't have the microphone attached to her hand by safety wire. She had to switch hands in order to create the swing. If she would drop it, she wouldn't be able to pick it up without a special help.
