Its really smart (swiss) engineering: only the axis-lock and the servo motor for the 360 degree spinning is electric. everything else is man powered and just physics. Otherwise you would need a fairly powerful motor to create the trampoline effect, for example, and you would have one more source of error, which could also be very dangerous in the event of a malfunction.
@@vetschoni Thank you. Yeah I totally see that you wouldn't want the jump part to be automatic. Also really clever to make it so that you need the weight of two people to move it, so that there's no danger of Nemo shifting it unintentionally.
@@ann18o96 Exactly. And I think they built the spinner so that if it's unpowered, the axis will lock, and only when it's powered will it unlock. So even in the event of a complete malfunction, the spinner would just not move its axis, and Nemo wouldn't be hurt. Greetings from Zürich by the way. ;)
@@ann18o96 Thank you. We would love to host the ESC and ESC-Fans from all the world. However the competition is strong this year. But we're all keeping our fingers crossed for Nemo. 😀
I could see very brief glimpses of them during the semi-final, but so brief I wasn't sure if they were camera men or someone else, but I could see it was people dressed in black. when I first saw an audience view from the rehearsal, I knew it was those two guys I had seen. The final was flawless, didn't see any glimpses at all.
The idea of the small circular stage is fantastic. It suits the song so well and yet it's a simple idea with great visual effect. I loved seeing how it works. Thanks for uploading the video.
i’m still reeling over this performance. The vocals, the instrumentals, the lyrics… but also props to the stage designers, the lights designers, the camera crew, and those hooded figures running around moving the platform. The result is flawless, nothing too complicate yet visually stunning. it’s one thing to see it as they intended it, and another to see the behind the scenes. it makes it even more amazing. i can’t stop listening to this song, and watching the performance.
The real winner just opened his mouth. The vocal abilities of the angels and demons all in one. I bow my head to your incredible talent. Love to switzerland.
Holy shit, I didn't notice there was two guys in black helping him with the plataform, I thought everything was automatized 🤯3:00 This part always gives me goosebumps
This is such a cool video! Thanks for sharing it with us! Sometimes when you pull back the curtains & see everything that goes on behind the camera, it can be disappointing - but in this case, it just makes the whole process of the performance even more impressive!
Пишут, что у Немо редкий тембр голоса - Heroic baritone или драматический баритон, по немецкой оперной классификации. 24 года этому талантливому человеку 🌟
Wow! Now when I see how that performance was actually done and how much movement there was involved which was not so clearly visible on TV, the whole thing got even more impressive!
Looking at this performance in this way (rather than the broadcast) I feel like the appeal of it was that they addressed the entire arena through the choices made in the performance. They could have just sung the song in the standard way where they’re always facing straight down the middle of the arena, but because of the spinning disc they literally faced every single person in the arena. Completely brilliant performance.
If you've been to gymnastics class you can absolutely do that. You need back muscles for that I think, and a good balance obviously. But for a short time I can probably reach about what Nemo did. I wouldn't try to wiggle and sing all on a moving platform tho xD
Maybe just NEW Phantom Opera balade for solve humanity's tempting timeless problem question Love 's In the unclear consciousness night situacion stay ? so master code protocol for see and listen.. This song with artistic attention for thinking about new view so as hidden mirror - image for true-blue new song guide to united cultural welcome sight ? // With sharing wishes Rutereni Iren, 2p24.
