I have a variable ND+CPL it helps a lot in my latest wedding film work where it was a midday wedding and cut the glare and harsh light. Also it helps me in my other project; waterfalls so I can compose it with smooth flowing water.
@@dunnadidit oh a cheapy Neewer Slim MRC Variable ND+CPL with my Zeiss 16-35 F4 on my A7 III. It works well no colour shift or something like that X thing when you adjust variable NDs. Main thing is I don't have to stack multiple NDs to get that creamy smooth waterfalls when I do long exposures shots and for video it's great when filming outdoors when I can no longer go below 100iso and at big aperture.
Will that help with the glare on my glasses. My last video my glasses glare was pretty bad. How much light does it typically cut? Also, this loop was really good.
