Thank you! Turning down Intense... That's a nice tip! BTW, I was asked (and I wondered myself) if it'd be possible to modify this plugin to tame plosives? DePlode? :D
I had this sitting in my plugin list for a while. What a nice way to demonstrate this. Love Chris's plugins all the way! Cheers (...and subscribed :) )
I highly recommend EasyEffects (pipewire) for those who wants to apply filters like de-esser, compressor, gate, noise reduction, etc. directly to your live microphone input. This is great for obtaining that radio voice for your live conference calls. Makes my Røde NT-USB Mini sound fantastic.
Great video. Would be great if you could demonstrate some other plugins by Chris too, as you explain them better than the designer can - as Chris acknowledges! I particularly like Tape6 by Airwindows & use it on everything!
Im just getting into airwindows. very interesting stuff. is that harrison mixbus or ardour? i love mixbus but its sorta buggy and a cpu hog. but its great for mixing and mastering & high sound quality
Hey! I use Ardour. Mixbus is built on Ardour with proprietary DSP processing added - I never tried it, as it's just not up my alley. Also - every competent DAW that uses 32-bit floating point audio processing will have perfect sound quality (unless something is really messed up) - there's no secret sauce needed to achieve that. This is how digital audio works - it's perfectly transparent by default. I guess Mixbus has that "sauce" added for emulating a hardware mixer, though using Airwindows Console plug-ins you can simulate analog summing in Ardour or any other DAW for free. It is open-source code as well :)
I think that's a really cool idea. I was looking for a good way to remove plosives for a long time, and I think maybe a variation on this algorithm could finally do that cleanly?
@@unfa00 I use the Kenny Gioa (Reapermania) method of getting rid of plosives: basically, just slice and zoom into the plosive and reduce the volume of that tiny seqment. It becomes too short for the ear to register it & works a treat - problem solved!!
I've used Pin Connections on the Track level to route the unprocessed signal to the left channel of the x42 Simple Scope Stereo, and then passed the processed one to the right channel (or reverse, it doesn't matter). In SiSco you can click Common Y offset button and that'll make the two waveforms overlap additively, so where they are on top of each other you see yellow, and either green or red where one is present but not the other. To route the dry signal I had to swithc pin connections fro Debess to manual, add an extra output, and route the input directyl to it, bypassing the plug-in. This way I had both dry and wet signals passing down the processing chain so I can connect them to the Simple Scope for visualisation. I hope that helps?
great stuff i use it as first slight de esser on vocal mixes; ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-VM2CZasVu14.html i use it kinda different to u though do tube2/buttercomp/pressure5/varimu next
DeBess is a part of my recording/streaming setup so I am pretty sure all dialogue was processed with it, unless it's the pre-recorded demo text that was deliberately recorder raw. Why?
so your mic won't pickup the frequencies in a sibilant sound ? sounds like you need a better mic .. sibilance is actually a tool used by writers like Shakespeare and some guy named Bob Dylan but what the heck would they know, one don't always want a total absence but to be able to control it