Everything GREAT About The Matrix Reloaded! 

Never thought about it like that! As good an explanation as any, and I never hated the cgi just always thought it was a bit funny

So how come the Matrix wasn't revealed the moment anyone went to a moderately sized concert and started noticing everyone looking like PS2 models?

@@misterwishart Witness memory wipe, or just a rationalised (by humans) anomaly within the matrix. You see stuff like that in the Animatrix.

@@juanita-dark - So every single large gathering, across the globe, of which there would be a bunch every single day, was all either erased from memory or rationalised? ....keeping in mind that numerous cities across the globe will have more people than that on their main streets everyday. And even in the first Matrix we saw crowds of people larger than in the Smith fight. (no chance it was just a special effect that looked crappy, rather than trying to rationalise with some deeper meaning?)

The matrix reloaded is truer to the vision and filmmaking style of the wackowski’s. The original is a masterpiece, it’s flawless, sublime, it’s only flaw is that it is a studio film. What I mean is, they had to simplify aspects of the script so that the audience could understand the concept of the matrix. Machines using humans as batteries was incorporated as a rewrite of how the machines enslave humans because Warner brothers didn’t understand the wackowski’s original notion of machines harvesting humans via biofusion. The original film is tight in execution, exposition and exploitation. It’s the perfect synthesis of cerebral storytelling, metaphysical subtext, cutting edge visual effects, groundbreaking special effects, everything works cohesively as a “movie”. Reloaded is far more left-field in nature, hence the discrepancies in storytelling and filmmaking compared to its predecessor. The film suffers from over written exposition, execution varies it feels more pretentious then profound but it’s because this is the matrix at its most authentic. It’s not the sequel we deserved but the one we needed. I appreciate it so much more now then I did upon its release. The film has aged well, when you perceive it with clarity. The writing involving characters such as the architect, the oracle, Morpheus, the Merovingian, is exquisite. The juxtaposition between the matrix and Zion contributes to the authenticity in world building. The stakes concerning the impending invasion of the machines is suspenseful to say the least. I think reloaded is one of the best middle chapters of any trilogy. The middle chapter is supposed to be the most problematic out of the three for a reason. You could say it’s fate but fate it seems is not without a sense of irony.

**cheers psychotically**

@@procrastinator99 It was more fun that Carrie-Ann Moss is enough of a bad ass to get through all her training and injuries, obviously her being hurt isn't fun, sorry for the poor word choice.

@@CobaltKitty I got what you were saying totally fine.

@@procrastinator99 Ah okay sorry, didn't wanna get my point twisted. ^^

Yet another super fun fact about Carrie-Anne Moss: For The Matrix Resurrections, she had to literally learn how to jump from a 40-storey building while on wires and without a stuntwoman (something pretty dangerous to do), and she nailed it, had to re-learn how to drive motorcycle after 18 years as well as having to do all of her action scenes herself. For a 52-to-53 year-old woman who had not done anything related to martial arts since Revolutions, whose body had suffered from giving birth to three kids and whose main interests are yoga, aerobics and pilates (the polar opposite of martial arts), she excelled at her action scenes. It was more painful than before but, not that it wasn't painful 20 years ago. She still did it nonetheless. It's amazing what a determined person can do. PS: Forgot about the fact that she literally had to shave all of her hair for that pod scene in Resurrections.

It’s a fun sequence yes but they should have switched who was fighting who. Morpheus and Trinity should have been fighting the randoms in the chateau and because they’re mortal it would have raised the stakes whenever one of the henchmen pulled one of the weapons off of the wall. Neo should have fought the Ghost Twins because they have powers that are beyond everyone else he’s fought, even Smith. It would have also have raised the stakes and forced him to use his powers as the One in new and creative ways

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Why would anybody go to the 'RU-vid comment section' to click on a p#rn link

@@thedoctor4327 yeah imagine him trying to hit them and then just phasing all over the place

@@thedoctor4327 No! Just no! I’m not gonna put a whole text in saying why not but switching who is fighting who is the dumbest thing I red on RU-vid. Morpheus and Trinity fought the twins and the only thing they could do was run.

Came here to see if anybody pointed this out lol

Like the blue latex puppycat is the hottest latex creature in Changed

Monica Belluci breaks the fabric of reality.

@@sirg-had8821 merci^^

Meh. She's no Christina Ricci my dude.

@@rachelburke5505 I had no idea what you were talking about and now I am furpilled and scarred for life. You bastard.

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Same here. The third movie is the problem, really. This movie had the best action sequences, the most interesting info dumps, and then the ending (I'm of those who theorized a Matrix within a Matrix) was deliciously provocative. I like the Jesus/Oedipus imagery and storyline in the third movie, but built-in WiFi didn't do it for me as an explanation. So I am happy with the memories of six months of theorizing and prefer to forget the third movie.

IMO it falls entirely off the rails after they get the key maker. Everything from that point - the architect, the using powers in the real world, etc. - damns the whole franchise. Before that it had some issues but nothing that was franchise wrecking. Also they WAYYYYYY overuse the bullet time. There's more bullet time in the intro of Reloaded than in all of the first Matrix and it cheapens it's impact.

@@acimand Matrix within a Matrix is something the creators didn't like but it was the only logical solution. Honestly, I would entirely be down for that explanation being used to pretty much retcon the 3rd movie. Neo and Trinity didn't die because that whole thing happened a level down.

@@BlazingOwnager I mean the architect thing is thematically pretty much the same thing as Matrix within a Matrix. Basically rigging the game to make sure humans keep subconsciously making the same mistakes under the delusion of rebellion as a means of keeping their resistance in check showing that the comforting chosen one will save us all narrative is not really the key to liberation.

Imagine if someone announced their transformation fetish on week 2

@@rachelburke5505uh what?

@@rachelburke5505 ????

The matrix reloaded is truer to the vision and filmmaking style of the wackowski’s. The original is a masterpiece, it’s flawless, sublime, it’s only flaw is that it is a studio film. What I mean is, they had to simplify aspects of the script so that the audience could understand the concept of the matrix. Machines using humans as batteries was incorporated as a rewrite of how the machines enslave humans because Warner brothers didn’t understand the wackowski’s original notion of machines harvesting humans via biofusion. The original film is tight in execution, exposition and exploitation. It’s the perfect synthesis of cerebral storytelling, metaphysical subtext, cutting edge visual effects, groundbreaking special effects, everything works cohesively as a “movie”. Reloaded is far more left-field in nature, hence the discrepancies in storytelling and filmmaking compared to its predecessor. The film suffers from over written exposition, execution varies it feels more pretentious then profound but it’s because this is the matrix at its most authentic. It’s not the sequel we deserved but the one we needed. I appreciate it so much more now then I did upon its release. The film has aged well, when you perceive it with clarity. The writing involving characters such as the architect, the oracle, Morpheus, the Merovingian, is exquisite. The juxtaposition between the matrix and Zion contributes to the authenticity in world building. The stakes concerning the impending invasion of the machines is suspenseful to say the least. I think reloaded is one of the best middle chapters of any trilogy. The middle chapter is supposed to be the most problematic out of the three for a reason. You could say it’s fate but fate it seems is not without a sense of irony.

Are you really sure it wasn't your teacher's idea all along?

This makes a lot of sense tbh

Yeah, that makes sense.

Like Morpheus said, all their power is based in a world built on rules. The laws of physics can be calculated down to the finest detail,(for example the kickback of weapons, the speed of the bullets, the angle and rate of fire) but the red-pills they are fighting are not nearly so orderly. Like you said, our innate unpredictability means they cannot be truly certain of our next move, hence why they can be caught off guard. But another part of it is the fact that red-pills are effectively program worms, sequences of code that aren't just anomalous, but completely alien. According to the agents, the red-pills _should not exist._ Humans are batteries, they are compliant, they are controlled, they- ( *click* ) _"Dodge this."_ *System error. Reload.* This paradox of resistance is what keeps throwing these programming bots for a loop (no pun intended): their operating code dictates that humans should not even be able to _talk back_ to them, so humans that are capable of killing their avatars isn't just wrong, its wrong in the sense that _Cthulhu and the Old Ones_ are wrong. The Agents will fight, as they are instructed and bound to do, but they are still fighting what, in their capacity for comprehension at least, amounts to Eldritch Abominations, Things that Should Not Be. (Sorry if that got a little creepy, I tend to get carried away. :)

@@skylightdarkseal9517 Don't apologise for the creepiness. That was the best part.

That's what I was thinking - bullets are following what is effectively a straight line for our purposes here and that's easily computed. Keep away from that line and you're good. Hand-to-hand can get a bit more complex.

Holy cow, I never noticed that before! That's awesome!

@@Leprechaunproduction Right? I don't care what people say, I loved this sequel! My personal favorite of the three.

Imma have to watch that scene more closely.

Ohh yeah!!! Nice catch!!

Not to mention, the Twins are technically illegals within the 'new' Matrix, as they are a rudimentary relic of the 'older' one. It's like two gangs briefly stopping their fight to shoot at the cops.

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-9NuOmhbiPjY.html that’s why. They’re terrible. You just don’t understand film.

I don't think they're great, but I do really like aspects of them each. In my opinion, they're flawed, but the good outways the bad.

Same. I don't have the baggage people who watched these as they came out have bc I didn't watch these until well after they were all out. I also didn't know about the zeitgeist of "These movies are bad, you don't like them.'' I was able enjoy them as a collective single story rather than piece by piece and I agree that they do flow rather well. I also don't get why people didn't understand what The Architect was talking about. I had no problem with it.

@@latenightlogic no. We are not mad. I have my opinion. You have yours. I understand there are a lot of flaws, but I seriously enjoyed what they were trying to do. And that freeway scene was fantastic. The third one I definitely struggle with more, but again, aspects of it, I enjoy.

@@latenightlogic ok? Liking things is more fun. Have fun trying to convince people something they like is bad. Even if you're right, what does it do, make people enjoy things less? Move on.

I've always loved that scene. Humans connecting on the most basic level. Plus the music is absolutely epic.

Yeah I genuinely don't get why people don't like it, dancing is a very human thing across all cultures and especially when combined with the drums and percussion instruments being used in the cave which is something that very early humans were known to do

@@nathanabbotts9588 I just don't think people were ready for these movies in 2003. If they came out today I would imagine they'd get way less hate.

I also loved the Zion scene and I'm frankly surprised to hear it criticized. To me it really is just people, at their simplest, showing that they're brave and they're strong and they're alive in the face of everything. It's one of my favorite scenes, however much I say that about at least half the movie.

@@nathanabbotts9588 Right? Shit from 18 onwards everyones idea of a great time is to drink, listen to music, dance and get down. It's the most human thing ever. A cave rave with that music would be incredible

The fight with Seraph is basically 2FA

I always thought that was a given, I didn't even clock the "matrix within a matrix" thing until someone mentioned the theory to me.

Same, I always thought it was obvious that the machines simply ran on the Matrix, and Neo was simply connecting to them through a wireless connection to the matrix. Plus, having the real world be a second, larger matrix just doesn't work, because then it's just a bunch of people in battery pods pretending to fight for free will.

@@mydragoncreator7092 It really is, heck, they connect to the matrix via a "pirate signal" from their ships, it's all done wirelessly. Neo just has the 5G in him. :P

@@GPsarakis Yeah, plus Neo has machinery in him, it's how he plugs in when on the ship, it's really not that crazy to assume that he just used the part of the machines installed on him to do it.

You know, that's even majorly supported by Neo dreaming of events that will happen in the Matrix while he's not plugged in at all.

Yeah, but I can picture the CGI company be like: "Ugh, boss? The CGI doesn't look good, it will flop." "Nah, just chunk it up to Matrix not capable of handling that, they will think it was on purpose!"

I dislike how post-hoc that is. Imagine if the scene had shown that overloading. Every time a new wave of Smiths rushes in, patches of the scene suddenly go pixelated and only slowly recover as more resources are allocated, faces blatantly glitch one at a time from live action face film to the CGI models, things like pigeons and background clutter glitch out and are simply removed to conserve resources. It would've been much cooler to watch, and would've provided an explanation during the scene. However, it would still suffer the problem of not explaining later stuff with even more Smiths.

It was just the quality of the effects at the time. They hold up better than most do. If they were going for a fault in the matrix the should of made it obvious like things glitching and neo looking at himself wondering why he looks rubbery. If that was what they were going for make it obvious to the audience. The average movie goer will just look at this and think the effects were bad.

Sort of the same thing you would get if you tried to run the Matrix on a 20 year old laptop. (That statement alone reminds me of how old I really am. Since I remember the world without internet but my mom could still somehow pay her bills on our Commodore 64. My brother set that up.)

Yeah regardless of the explanations and/or criticism. When I was a kid, that was the landmark action scene of the time, it was just so cool for the era.

fuck, thats a good point.

I think his point in that scene is both more subtle and more obvious. He's highlighting the fact that Neo and the crew... aren't actually making any choices. The Oracle told him "go here and do this... or don't". That's not really a choice; "don't" means Zion will be destroyed. He's pointing out how the Oracle is using the knowledge that she is keeping from them to keep them under her control. She offers the illusion of choice. The Architect offers a similar choice: everyone dies, or a bunch of people die and everyone else remains a slave. That's not supposed to be a choice, and the whole purpose of the system of the Matrix is to funnel humanity's options to that: agree to continue to be slaves, or we annihilate every last one of you. Neo is only really able to make choices when he has power, when he can offer the Machines something they can't get otherwise. And the Oracle knew that, which is why she created Smith to begin with: to be the threat that the Machines that they would *need* Neo to defeat. To unbalance the equation.

Interesting you bring that up because the truth is... She absolutely did. Idk if you've already heard about this bit of lore previously, but if you managed to sus it out on your own then I have to say, "well done". You must be a pretty intuitive, intelligent, and highly attentive person. Usually only turbo-nerd superfans know about this little detail, and generally only due to all of the deep-dive videos that exist out there discussing this topic. Good form sir/madame, I say good form indeed.

🆔ⓈⒺⓍⓈⒽⓄⓅ🔞↷ᶜˡⁱᶜᵏˡⁱⁿᵏ👇 ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 🔞 👉 nude.snapgirls.today/PIIT ❤ RU-vid: This is fine Someone: Says "heck" RU-vid: Be gone однако я люблю таких рыбаков Интересно забавно девушка смешная 垃圾 ライブ配信の再編ありがとうです！この日のライブ配信は、かならりやばかったですね！１万人を超える人が見ていたもんね（笑）やっぱり人参最高！まさかのカメラ切り忘れでやら1かしたのもドキドキでした！今後は気を付けないとね. . ! 💖🖤 ❤️#今後は気をライブ配信の再編あり がとうです！#この日のライブ配信は、#かならりやばかったですね！#１万人を超える人が見ていたもん（#笑）#やっぱり人参最高！#まさかのカメラ切り忘れでやら1かしたのもドキドキでした,.💖🖤 #在整個人類歷史上，#強者，#富人和具有狡猾特質的人捕食部落，#氏族，#城鎮，#城市和鄉村中的弱者，#無`'#守和貧窮成員。#然而，#人類的生存意願迫使那些被拒絕，#被剝奪或摧毀的基本需求的人們找到了一種生活方式，#並繼續將其DNA融入不斷發展的人類社會。.#說到食物，#不要以為那些被拒絕的人只吃垃圾。#相反，#他們學會了在被忽視的肉類和蔬菜中尋找營養。#他們學會了清潔，#切塊，#調味和慢燉慢燉的野菜和肉類，#在食品市場上被忽略的部分家用蔬菜和肉類，#並且學會了使用芳香的木煙（#如山核桃，#山核桃和豆科灌木 #來調味食物

@@user-oj6qk4hj6g He didn't mean THAT kinda babble you goofy porn bot, but colour me amused. I LOVED the Architect, but I was a English Lit student. My friends all just kinda widened their eyes and went "wot?"

Fun Fact: I loved this breakdown so much I memorized it. Also, I watched the movie twice, in theatres, in order to fully understand what he was saying

One of my favourite things about that exposition dump is how he spends like 10 minutes pontificating on the nature of the matrix and the one, using egregiously obscure vocabulary until the last line "-- She is going to die and there is nothing you can do about it." It always hits.

@@allature *nods agreeing* That and the cameras all going "bull shit" with our Neo shows he's got some sort of "sense" of humanity. Everything else felt kind of like showing off, but also attributed more to minute specifics. His relying on as you said "She is going to DIE and there is NOTHING you can do about it" is a very blunt twisting of the knife. Rough fellow. "What do you take me for? Human? *pish posh* "

I'd say the fundamental problem is this: the Mythology of the Matrix was never deep enough to be explored. The Matrix-the-film created exactly enough backstory and lore to justify itself and the story it was trying to tell. But it wasn't good worldbuilding. It was like a movie set; it looked great from a particular angle, but if you see more of it, it looks quite fake. Good worldbuilding needs to start off with a proper foundation. And The Matrix-the-film wasn't really that. The trick The Matrix pulled off was to straddle a very fine line. It was a film about a group of people in a world, but the elements of that world were designed to fit into allegorical ideas that the audiences could relate to. Here's what I mean: In the world of The Matrix, seeing past illusions and systems of control literally allows one to leap high and if you're good enough, to even fly. But this also is analogous to the idea of seeing past illusions and systems of control in the real world that gives you power in our world. It's a perfect mix. Indeed, the most frequently maligned part of The Matrix-the-film, the whole "people are batteries" thing, is a place where the analogy breaks down. On the allegorical level, this is a great idea. People build systems of control for this exact reason: to extract energy from the underclass and build their own civilization off of it. But within the universe of The Matrix... that's just not how thermodynamics works. It doesn't make sense that the Machines would do this. My point is that the sequels, in focusing on trying to build on a world that simply is not designed to be built on, manage to both have relatively weak worldbuilding *and* lose the balance that The Matrix-the-film managed to strike.

​@@GeneralBolas , like...I GET that it's basically the pinnacle of hand-waving away what is otherwise a pretty legitimate critique, but seeing as you brought up the battery allegory/issue...Morpheus DID say the Machines had worked out a new/special form of fusion when they started up the process of farming humans.

^^^

The CGI from 2003 is bad, has always been a stupid argument. The CGI is great (for its time) and the fight scenes were fantastic

@@Mathue360 also the agents being rubbery is fun when you think of them as having ragdoll physics inside the matrix.

The matrix reloaded is truer to the vision and filmmaking style of the wackowski’s. The original is a masterpiece, it’s flawless, sublime, it’s only flaw is that it is a studio film. What I mean is, they had to simplify aspects of the script so that the audience could understand the concept of the matrix. Machines using humans as batteries was incorporated as a rewrite of how the machines enslave humans because Warner brothers didn’t understand the wackowski’s original notion of machines harvesting humans via biofusion. The original film is tight in execution, exposition and exploitation. It’s the perfect synthesis of cerebral storytelling, metaphysical subtext, cutting edge visual effects, groundbreaking special effects, everything works cohesively as a “movie”. Reloaded is far more left-field in nature, hence the discrepancies in storytelling and filmmaking compared to its predecessor. The film suffers from over written exposition, execution varies it feels more pretentious then profound but it’s because this is the matrix at its most authentic. It’s not the sequel we deserved but the one we needed. I appreciate it so much more now then I did upon its release. The film has aged well, when you perceive it with clarity. The writing involving characters such as the architect, the oracle, Morpheus, the Merovingian, is exquisite. The juxtaposition between the matrix and Zion contributes to the authenticity in world building. The stakes concerning the impending invasion of the machines is suspenseful to say the least. I think reloaded is one of the best middle chapters of any trilogy. The middle chapter is supposed to be the most problematic out of the three for a reason. You could say it’s fate but fate it seems is not without a sense of irony.

Yeah I can definitely understand criticisms of how the narrative is presented. It seems intentionally esoteric, and especially difficult for first time watchers to understand. But the narrative itself is really compelling imo. And yeah the action set pieces are great, anyone targeting that in particular as their gripe are just looking for attention.

It honestly frustrates me that everyone reacting to The Matrix franchise for the first time on RU-vid skips it because it in many ways it is a far superior follow up to the first movie than either sequel movie

I know I'm being a little nitpicky with this, but the section you're referring to is The Second Renaissance (Parts 1 & 2). However, I agree that it's up there with Final Flight of The Osiris as the best part of the Animatrix. The history and lore expansion builds on what the first movie gave us, and yeah, seeing the brutality of the machines final reckoning of our species was haunting. Imo, for the most part, it's good to great, but parts like Kids Story and Matriculated (which I think is the one with the surface team in the real world reprogramming one of the machines?) I found boring. World Record was fun, but throwaway, as was the one with the detective (the name of which I'm blanking on ATM). The rest were decent. Regardless of my opinion, on the whole, it does add some depth to world, so I would also agree that it should be a required part of a trilogy (soon to be quadrilogy) run.

@@oddball87 Fair enough man. It's been ages since I last saw it lol.

The matrix reloaded is truer to the vision and filmmaking style of the wackowski’s. The original is a masterpiece, it’s flawless, sublime, it’s only flaw is that it is a studio film. What I mean is, they had to simplify aspects of the script so that the audience could understand the concept of the matrix. Machines using humans as batteries was incorporated as a rewrite of how the machines enslave humans because Warner brothers didn’t understand the wackowski’s original notion of machines harvesting humans via biofusion. The original film is tight in execution, exposition and exploitation. It’s the perfect synthesis of cerebral storytelling, metaphysical subtext, cutting edge visual effects, groundbreaking special effects, everything works cohesively as a “movie”. Reloaded is far more left-field in nature, hence the discrepancies in storytelling and filmmaking compared to its predecessor. The film suffers from over written exposition, execution varies it feels more pretentious then profound but it’s because this is the matrix at its most authentic. It’s not the sequel we deserved but the one we needed. I appreciate it so much more now then I did upon its release. The film has aged well, when you perceive it with clarity. The writing involving characters such as the architect, the oracle, Morpheus, the Merovingian, is exquisite. The juxtaposition between the matrix and Zion contributes to the authenticity in world building. The stakes concerning the impending invasion of the machines is suspenseful to say the least. I think reloaded is one of the best middle chapters of any trilogy. The middle chapter is supposed to be the most problematic out of the three for a reason. You could say it’s fate but fate it seems is not without a sense of irony.

I actually like that.

I always thought it was the matrix struggling to handle what's going on. A in matrix born program that can bend the code around it conflicting with hundreds of viruses, it's like the rendering and processing is having a lot on the table.

@@mistamemewide thank you😂

I always thought it looked awesome because at the time it was kind of the best cgi I had ever seen.

@@vil3on yeah to be honest I never really noticed it until it was pointed out to me

I love that because before he spells it out, it communicates that he's *so* done with this "One" business since he has survived six of Neo's predecessors. He's not impressed.

@@GiselleGauthier "yeah, okay, I get it, you can do cool tricks, cool, have a cookie"

@AFL Rookie yeah, Chad Stahelski. He was mainly used for any major wire work that was required; two examples from The Burly Brawl alone that spring to mind are the big forward flip Neo does into the courtyard and the wall slam before he rips the pole out of the ground towards the climax. I think Chad also did stand in for Keanu in some shots purely due to being faster than him, but don't quote me on that. For the most part, tho, Keanu dedicated himself to doing the majority of the work, which impressed Chad enough that, when he moved to directing and started preproduction for John Wick, he was pretty adamant that Keanu was the only fit for the role. If you can get a copy, hunt down either the initial 2 disc DVD releases of Reloaded and Revolutions (which might be a little difficult to find these days) or the Blu-ray trilogy boxset. Either one will have the behind the scenes docs, but I think the Blu-ray editions have different ones to the DVD releases (I'm not sure if they carried all the DVD BTS features over to Blu-ray).

Good points. Fast cuts and shaky cam just screams hack action directing.

I'm with you, I love the action in this movie!

Yeah, I really like Reloaded as well. To me The Matrix vs Reloaded is basically like A New Hope vs Empire Strikes Back. One is fun and stylish, the other is darker and deconstructive. There's no right or wrong there, it's just a matter of taste. (Revolutions I'm a lot more mixed about, although I do love the ending.)

The matrix reloaded is truer to the vision and filmmaking style of the wackowski’s. The original is a masterpiece, it’s flawless, sublime, it’s only flaw is that it is a studio film. What I mean is, they had to simplify aspects of the script so that the audience could understand the concept of the matrix. Machines using humans as batteries was incorporated as a rewrite of how the machines enslave humans because Warner brothers didn’t understand the wackowski’s original notion of machines harvesting humans via biofusion. The original film is tight in execution, exposition and exploitation. It’s the perfect synthesis of cerebral storytelling, metaphysical subtext, cutting edge visual effects, groundbreaking special effects, everything works cohesively as a “movie”. Reloaded is far more left-field in nature, hence the discrepancies in storytelling and filmmaking compared to its predecessor. The film suffers from over written exposition, execution varies it feels more pretentious then profound but it’s because this is the matrix at its most authentic. It’s not the sequel we deserved but the one we needed. I appreciate it so much more now then I did upon its release. The film has aged well, when you perceive it with clarity. The writing involving characters such as the architect, the oracle, Morpheus, the Merovingian, is exquisite. The juxtaposition between the matrix and Zion contributes to the authenticity in world building. The stakes concerning the impending invasion of the machines is suspenseful to say the least. I think reloaded is one of the best middle chapters of any trilogy. The middle chapter is supposed to be the most problematic out of the three for a reason. You could say it’s fate but fate it seems is not without a sense of irony.

Most hate is just that, hate. An emotion that warps a person's reality and twists their perceptions. Once twisted it's hard to see anything clearly. Love works the same way. That's why a professional reviewer tries to leave personal opinions based on their feelings out of a review. And then they judge the movie based on facts that come from experience of analzying endless numbers of movies. Most of my favorite movies aren't very good compared to others but I like them anyway.

yes, it did exist as a movie. what’s your point?

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*Yes, there was a plot, characters, movement, sound and everything. Just wasn’t that great of a movie*

@@iainsteele5737 that it's awesome!

Same!

That is because they ARE awesome!

They don’t look goofy.

@@christoferprestipino7433 I meant the CGI parts

@@phenix1947 oh, well yeah, there’s no denying that.

goofy? do the ones today not look absurd and unreal? (I haven't really even seen that many newer ones, but the ones I HAVE seen indeed seemed implausible and laughable to me. but yeah. I;m old:)

I took the matrix as both modern retelling of the story of buddha and a warning. 'All that fancy talk of rebellion is carefully curated for the sake of controlling those voices. 'You may rebel in the ways we find most marketable. be that profit, or in scaring your parents into voting the way we want them to vote.'

I agree, I think that it needs work (not that I know how to fix it) but I really like what it was trying to do! Too many sequels are just the original with more action. It really kept going with the story and made it a lot more interesting to me personally.

Yes. Yes to these

The matrix reloaded is truer to the vision and filmmaking style of the wackowski’s. The original is a masterpiece, it’s flawless, sublime, it’s only flaw is that it is a studio film. What I mean is, they had to simplify aspects of the script so that the audience could understand the concept of the matrix. Machines using humans as batteries was incorporated as a rewrite of how the machines enslave humans because Warner brothers didn’t understand the wackowski’s original notion of machines harvesting humans via biofusion. The original film is tight in execution, exposition and exploitation. It’s the perfect synthesis of cerebral storytelling, metaphysical subtext, cutting edge visual effects, groundbreaking special effects, everything works cohesively as a “movie”. Reloaded is far more left-field in nature, hence the discrepancies in storytelling and filmmaking compared to its predecessor. The film suffers from over written exposition, execution varies it feels more pretentious then profound but it’s because this is the matrix at its most authentic. It’s not the sequel we deserved but the one we needed. I appreciate it so much more now then I did upon its release. The film has aged well, when you perceive it with clarity. The writing involving characters such as the architect, the oracle, Morpheus, the Merovingian, is exquisite. The juxtaposition between the matrix and Zion contributes to the authenticity in world building. The stakes concerning the impending invasion of the machines is suspenseful to say the least. I think reloaded is one of the best middle chapters of any trilogy. The middle chapter is supposed to be the most problematic out of the three for a reason. You could say it’s fate but fate it seems is not without a sense of irony.

Also a win! Cheers!

Will you defend it in a mech suit that has absolutely no protection for the pilot by firing endless streams of bullets at critics who swarm around doing nothing for like 45 minutes?

KNUCKLE. UP.

I can say the same, I love them both.

They're my favourites, tbh.

@@BlazingOwnager The mecha suits aren't meant to protect. Zion is always supposed to be annihilated.

Or, better yet: the bullets fly completely depending on Matrix laws, so Agents are able to bypass them. But the red-pilled people? They move independently and are breaking the Matrix's laws, especially Neo. The Agents have to depend on their enhanced physique and reflexes to keep up instead.

I was that same age when I first watched Reloaded. *_Aaand that’s how I got a transformation fetish_*

The score is definitely an underrated aspect to me, I think it really enhances the movie. And I love this movie as a sequel to the Matrix, I definitely think the first is the best but the second has never disappointed me.

That's just fine. Watching movies is about enjoying yourself, not proving you have the Bestest Opinion Of Them All.

Mine are not green

Mine are not green

@@HelloSadness101 *Then your in a country that doesn’t matter. Hence why your own name beckons sorrow. Lol jk. But it is an American movie, and at the time of the first and second matrix the dollar was the strongest currency and preferred around the world, so we count the money as green.*

@@nova2512 you’re* Learn to spell, American, lol jk.

@@JOSHCHIMICH *That is cause I’m American but not the shitty education like you might think (I went to private school). That is the iPhone autocorrect. I usually don’t have time to really read over what I write because on top of America’s shitty education, we also have shitty healthcare. If it was better my 86 year old grandmother with ridiculous amounts of dementia would be able to have the help she needs to stay out of one of America’s other black eyes, nursing homes. But sadly we need another 50 years or so.*

Revelations was terrible but that laugh was amazing.

It's also the fact that for it's time, this is actually extremely advanced CGI. But not advanced enough to make it "invisible", so to speak.

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@@Shaiyo5 Yeah, I remember back in the day when it released on DVD I would watch that scene over and over being amazed. Shit looked great in DVD quality

Definitely! Don't know why people hate on the sequels as much as they do, I at least thought they followed up well.

I also like to think some number of people in the Matrixverse 'act' the way they do at least partially because of Neo's status. To them The One is practically Jesus, so it seems reasonable that a good chunk of the people who've met Neo or even so much as heard stories about him would try to emulate their savior in whatever ways they can.

That was the angle I was hoping they'd go into. Morpheus himself says that humanity won't be free till the matrix is destroyed. So, what's going to happen to all those people still plugged in? And he even himself says that humans "scorched the sky". The machines are literally giving them the tools to survive and thrive, and only go after them when they become enough of a threat to the machines again.

What was the name of the episode

@@wakandaforever616 Extremis

Did you double save?

@@RandmAnimal manual and a quick.

Great catch

You're definitely not alone in that

Holy shit yes, I actually explained to a friend years ago after realizing that what made the two films feel so disconnected from the first is that the more oppressive, uneasy atmosphere of the original and the noir/horror elements were pretty much removed in favor of increasing the action and sci-fi elements

While i agree about the 2nd film, the 3rd always felt extremely dark to me. Even darker than the first one, both in essence and in aesthetic. I'm saying that knowing that I've actually watched it yesterday evening... Yep, felt much darker

IIRC the original movie was supposed to imply that there are multiple layers of matrixes but the studio made them dumb it down

The writers never liked the Matrix within a Matrix idea because they are hack frauds. The first movie is like this dark, noir well paced slow burn. The second movie is a special effects laden superhero movie that smells it's own farts.

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If Morpheus can take them, Neo would have had absolutely no problem with them. That's the problem with God characters, it's hard to REALLY challenge them. Or are you looking at it intellect-wise? Admitted, Neo would at first try to brute-force his way but once he saw it was having no effect he would have gotten, as you said, creative, and maybe just altered their code to depower them. In the meantime, wolfie boys and vampires would have had a real bad time trying to catch up to the Keymaker and while regular lead might inconvenience them they probably wouldn't have gotten through the garage door in the first place, seeing as you can just kick them back through the door (again, if they even catch up to them) and slam it on them, leaving them in the chateau. IF They managed that, being sliced apart is a lot more than an unconvenience, as is being smeared across the asphalt in a massive car crash.

Also, The Twins made a much better hunter, being able to phase through stuff, which made sense narrative-wise. Meanwhile, being hard to kill, the vampires and wolverines made for a perfect distraction for Neo to slow him down because although the Merovingian was playing cocky, he definitely knew his men wouldn't be able to stop Neo, whereas the Twins would have had a chance to capture and/or kill the Keymaker.

I was so confused when I saw your name and pfp

The Doctor your comment is the most incorrect and stupid thing uve heard someperson say