Thanks Doug. The only pedal I truly miss from my old pedalboard was my Andy Timmons Halo. I used it just as it was setup from factory on the Halo setting. I appreciate you taking the time to make this wonderful content for us.
Another great video Doug & thank you so much! There are so many great choices and discovering the possibilities on the TMP is endless! Can't wait for Friday's reverb! On another question I am learning & dabbling more on the Fender TMP app.& Was wondering if you can explain how to download IR's?? As always I appreciate all of your help!
Hey Doug, great video! I'd like to see a video about the TMP's Flanger Mono (Boss BF-3 Flanger). I own an actual BF-3 and I love it. With all all the knobs set to the middle (12 o'clock on a clock face) it produces a lush, swooshing, beautiful flanging effect. There is also a small volume increase when engaging the actual pedal. However, the Flanger Mono on the TMP seems to behave wildly different than the actual pedal. When all the knobs are at half, it does not even sound like a flanger, lacking that distinctive swoosh. Rather it sounds more akin to a chorus or vibrato effect, and the effect is very subtle overall, while the BF-3 is very pronounced. One reason this seems to be is because the Rate knob acts much different than on the actual pedal. On the TMP, when I pull the Rate all the way down to the lowest value, 0.1, then it actually sounds like a proper flanger. At a rate of 0.1, it sounds fairly close to the BF-3 at half on the rate knob. The BF-3 can then of course go lower, producing long, drawn-out swooshes, while the lowest the TMP can go is 0.1. I've largely just been using the Electric Flanger, because I can't quite figure out how to get the Flanger Mono to do what I want it to.
On my Boss GX100 when you turn the time all the way up it changes to different note times, whole, quarter, eighth etc. I was hoping TMP had this option.
