Is it difficult to compose shots at the Nakanoshima Museum of Art? Here are some photo spots from Takahiro's perspective. Let's avoid taking the same typical shots that everyone takes
Yes - the architecture of many (especially modern) museums invites you to take photos. This building that you present to us here is a wonderful example of this. Your pause in front of the Monet and your expressed thoughts about this painting from the special perspective of a photographer made me smile sympathetically. I like how you talk about proximity/distance to the subject and the associated changes in color saturation depending on lighting and visibility conditions. It's also interesting that you question the idea of being able to convert such a motif into a photo. Not only since today have I known how you think about the play of colors and light in your photos, how you often take changes into account only after the fact and only feel a certain satisfaction with the resulting photo after more or less minimal post-processing. And what meticulousness (e.g. with this wonderful photo 5:48 ) you put into it until it seems optimal to you ;-). In my opinion, it is, among other things, this “conscientiousness to express your own aesthetic feelings in a photo” that makes your own photographic work so special. Kind regards - Monika
Thanks so much Monika. "conscientiousness to express your own aesthetic feelings in a photo” It's a very pleasing comment. For me, it's one of the motivations for taking photographs, a feeling of serving beauty.