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Forearm Rotation Piano Technique, Part 1 

Pianist Magazine
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From Pianist magazine, go to www.pianistmagazine.com/
Concert pianist and teacher Graham Fitch gives a lesson on Forearm Rotation. This lesson complements his full-length article inside Pianist No 86. This is the first of a two-part lesson.
The masterclass takes place on a Steinway Model D concert grand
Graham Fitch is expressing his own views on the principles of forearm rotation, which has been a part of a piano technique long before Matthay started to write about it in 1912. While the principles in this video were shown to Graham by a student of Mrs Taubman he is not, nor does he claim to be, teaching the Taubman Technique. He has the utmost respect for and heartily endorses the work of Dorothy Taubman and her followers. If you wish to know more about the Taubman Technique and to find a certified teacher, please visit www.golandskyinstitute.org

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17 сен 2015

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Комментарии : 36   
@MrTreacle55
@MrTreacle55 8 лет назад
This is the clearest explanation I have heard. Very helpful. Thank you.
@hannahm9327
@hannahm9327 2 года назад
He seems to teach the Taubman approach, I’m so impressed!! I was injured very badly and this technique helped me more than any doctor. 🙏🥰
@victorliu5901
@victorliu5901 8 лет назад
Another excellent tutorial!! Fitch provides lots of useful and practical insights on piano playing.
@beanjeff
@beanjeff 8 лет назад
Great teacher
@tamspianoprogress7642
@tamspianoprogress7642 3 года назад
This video is brilliant! I’m working on my technique with hand exercises at the moment, so this video is very helpful. Everything is very well explained and well demonstrated too.
@michellesnyder4514
@michellesnyder4514 8 лет назад
Thank you for all your videos. I like the way you play piano and teach.
@declanomad
@declanomad 8 лет назад
Well done Graham Fitch, excellent instruction, crystal clear with a lovely new introduction. I´m so pleased that you are explaining the techniques with anatomical explanations. I think that basing technique on the anatomical facts of the human body, as did Dorothy Taubmann who you refer to makes total sense. Jo Allard taught an anatomically based method for saxophone and clarinet, and saxophone and clarinet playing has improved greatly over the last decades thanks to him. (By the way, I also learn from videos of Emma Leiuman whose piano method teaches how to deliver musical imagination through anatomical movements.) I have taken classes with various teachers and they have all told me what to do, with very little information on how. The other day I was told to practise Hanon 1-20, lowering the wrist on every fourth note, to learn wrist relaxation, a practise method which obviously has little basis in anatomy. Thanks.
@rosalindenglish
@rosalindenglish 8 лет назад
So clear and helpful. Thank you
@SintexEra
@SintexEra 4 года назад
Graham Fitch is the best; thanks for this!
@juanguillermopereiravasque1507
Excelente profesor!!
@michellez7774
@michellez7774 8 лет назад
very helpful video ,thank you very much
@silviemusik
@silviemusik 6 лет назад
I love this
@CaptainCaveman782
@CaptainCaveman782 2 года назад
Really worth watching the demonstrations at 0.5speed , I notice at 6.54 he also slide his fingers along the keys as he moves out. Great video as always
@joehobbs9535
@joehobbs9535 7 лет назад
Genius.....so grateful for your clear explanations!
@roanmccormick2297
@roanmccormick2297 6 лет назад
Great masterclass Graham! When you moved to the black keys playing the same Hanon pattern in C# did you use your thumb or the index finger for the C# fingering? Thanks!
@guannanmelb
@guannanmelb 5 лет назад
3:59 If you wanna skip to the best part.
@guannanmelb
@guannanmelb 5 лет назад
Awesome right?
@APFELSTRUDELL
@APFELSTRUDELL 2 года назад
very good video ! do you have a video about the left hand movement (i'm talking about the repetitive and up tempo oom-pah oom-pah (bass chord bass chord) that is used in STRIDE PIANO .My technique is ok under 200 bpm,but Its very difficult for me to play faster than this 200 bpm....cause tensions in the shoulder,the left arm,etc.....I think your advices could be very useful ,cause I want to progress in this particulary move.thank you
@jasonb6214
@jasonb6214 8 лет назад
Great video! Just curious, what is the piece played during the introduction?
@jakekeighley8081
@jakekeighley8081 8 лет назад
+Jason Black It's Schumann's Piano Sonata op11 no1 in f# minor
@jasonb6214
@jasonb6214 8 лет назад
Thanks, I appreciate it!
@egormischerin2423
@egormischerin2423 5 лет назад
What is that music in the beginning?
@simondavidsmith
@simondavidsmith 5 лет назад
Beginning of the Schumann F# minor sonata (Op 11)
@ii6804
@ii6804 5 лет назад
I'm confused when to play in wrist lateral movement and when in Forearm Technique?
@ii6804
@ii6804 5 лет назад
For 5 fingers position both technique seem appropriate
@edwardweaver1467
@edwardweaver1467 3 года назад
Is He teaching with matthay's work?
@amitev
@amitev 6 лет назад
What are the tones used in the exercises?
@PianistMagazine
@PianistMagazine 6 лет назад
Hi Adrian. Could you expand on your question for us?
@amitev
@amitev 6 лет назад
The exercises shown at 6:05 in this video.
@PianistMagazine
@PianistMagazine 6 лет назад
It's called the 'Hanon' finger exercise. Graham uses exercise number 6, which you can find more information on here: www.hanon-online.com/the-virtuoso-pianist-part-i/hanon-exercise-n-6/ Hope this is of use to you!
@amitev
@amitev 6 лет назад
Pianist Magazine thank you very much!
@lawrence18uk
@lawrence18uk 4 года назад
Really ineresting about the history, ie Harpsichord technique, where the keys are much lighter, and there is no such thing as 'loud' or 'soft' since it doesn't matter how hard you press. Now, I wonder what injuries harpsichord players are apt to sustain??!
@oksanapechenitsyna5781
@oksanapechenitsyna5781 3 года назад
Stephen, they didn't. Because they weren't concentrating on how high and at which angle they need to rise their fingers. Instead, they were thinking of music, and listening intently to what they were playing. And, oh joy, they weren't taught by modern professors. Imagine, being taught by... Bach ? Everything in his lessons would be done in a name of music; ie polyphony, form, character. Touch, that was possible even then. Forte and piano on a modern instrument are done by EAR CONTROL and ear prediction and imagination. I really pity you and this lot here who 'lives off' this kind of tuitions. Besides, did you have an injury yourself? Sincerely wish you didn't. Not a single word about the importance of weight of the hand... without which a pianist strains a hand unnecessary. Good luck of course.
@oksanapechenitsyna5781
@oksanapechenitsyna5781 3 года назад
And oh - Ganon ! Outdated u-musical staff, why spend life, that is so short, playing it? When a great pianist left us fabulous musically exsercises that cover every possible aspect of technique. Brahms. 53 exsercises. The downside is that you will need a really good musician to explain how to play them. Otherwise, they might be difficult to master. You are welcome.
@pianoimpact7699
@pianoimpact7699 5 лет назад
And then shoulder rotation suddenly makes it all just so complicated
@TehWinnerz
@TehWinnerz 4 года назад
Graham is a total G, I wonder if he's ever owned a gun cos he GANSGTA
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