It's mental how many camera feeds they have access too at any given moment, now I understand why sometimes we see a Stroll replay instead of an overtake on track.
so many cameras and we still didn't get a decent shot of the Alonso-Perez finish line battle. even on their channels they have reposted a fan's video from the stands.
Last Sunday was crappy again. To suddenly switch away during the exciting battle between Alonso and Perez to the finish of Verstappen who was 8 seconds ahead of No. 2 Norris and who was again 20 seconds ahead of No. 3. So they show that boring finish, so that the viewers can’t watch the moment supreme had to miss more than 10 seconds of the fight between Alonso and Perez. Really crappy TV production👎
@@sundaydriver15 Last Sunday was crappy again. To suddenly switch away during the exciting battle between Alonso and Perez to the finish of Verstappen who was 8 seconds ahead of No. 2 Norris and who was again 20 seconds ahead of No. 3. So they show that boring finish, so that the viewers can watch the moment supreme had to miss more than 10 seconds of the fight between Alonso and Perez. Really crappy TV production
@@henkjanvanraikonnen5073they have to show who comes first and second no matter how boring that might be, because it’s the most important moment of the whole sport 🤷🏻♂️
Watching the race, you wonder sometimes how they can fluff stuff up. But then you get a look behind the scenes and now I'm impressed they manage to achieve a coherent broadcast at all! What a huge array of things to manage in real time and get constantly correct/optimised for a flowing broadcast.
@@dominicviner6619 That race the tv direction was handled by TMC, a French company responsible for the world feed for the Monaco Grand Prix each year. After that year they renegotiated the contract and now is handled exclusively by F1 themselves. So that particular error/incident wasn't the fault of the F1 tv direction team.
Great insight Matt! As someone who loves the BTS and technical side of large scale broadcasts, this video is a winner 👌 I could sit and watch the gallery all day
I was fortunate enough to get a tour round the Biggin Hill HQ last year, and it is crazy how much goes into the broadcast. You've done an excellent job at highlighting the talented people that bring us the sport every week!
@@CharlieHC I cold emailed the right person I guess? Always been fascinated in the F1 broadcast, so thought I’d try my luck and managed to get in touch with the right people.
@@joesassoon54 Yes I am also really interested in the media centre, I’m lucky to live 20 mins away I’ve been looking at potential careers and there are a lot of jobs to do with IT which is a subject I am currently studying, I’ll see where my qualifications take me and I would love to work there
That is huge... With all of this, it is hard to imagine how hard it would be to upgrade streaming to 4k, how much hardware needs to be upgraded to handle 4x-8x multiplied stream bandwidth or proxying it in real-time into this system...
Please please please make a video about F1 software. You showed off a mind-boggling amount of custom software that powers that facility, and I would like to learn about it. Do they handle software engineering in house? What do they build, vs. what are they buying from 3rd parties? So many questions!
Dude this video could not have come at a better time. I was just talking with my friend yesterday about how insane the production must be, and really wondering how its all done. This answered everything I wanted to know about how the production works. Hats off to you for providing it in such a succinct and understandable way too. This video is amazing.
Man, as someone that wants to do TV broadcasting/video editing someday for Formula 1, this video was an absolute pleasure to watch. Seeing all the behind-the-scenes stuff was so unbelievably cool, thank you so much for documenting this. Hopefully I'll get to work there someday, as it's my dream job to do motorsports video editing.
If I'm not wrong I remember that the remote broadcasting of the international feed was a thing planned around 2023-2024 season as one of the Net Zero 2030 targets, but the COVID deal anticipated the whole program. Plus, it would be interesting to see where they have their whole historical video and photographic footage archive. Brilliant video behind the scenes!
Outstanding!! I’m always very curious about how things work down to the smallest detail and your report answered a lot of these kinds of questions I’ve had. Really well done thank you.
Thanks Matt, a great insight from Biggin Hill and how the data is transmitted from all around the world to litttle old England. As a video compression Engineer I have been to a lot of live sports events and Broadcast companies all over the world, but I would love to see behind the scenes at F1. Fantastic work by the whole team to deliver that amount of video/audio/data week in and week out. Thanks for the video
one of the most impressive thing about f1 is that the editor for their youtube channel - the highlights to FP/Quali/Race always come out within an hour of the actual event, their real time editing is unreal
Great piece of content. I am a Vision Broadcast Engineer for NEP. It’s great to see how F1 has created their unique remote workflow and managed to pretty seamlessly introduce it during covid without many major issues. Knowing how intricate remote broadcasts can be: massive respect One thing I’d like to know, I did see some OCP’s in the video but my guess is that these were for the local studio camera’s. Am I correct in assuming that shading is done locally on track due to delay? I have done shading on a camera remotely in the Netherlands during the olympic games in China, but that was only for a flash interview. Can’t imagine you can shade a sports production with so many frames of delay
I love your content around f1 and great to see that f1 opens its doors to show someone around. Never ever have I seen any footage of their headquarters. 😍
I was lucky enough to get a tour of the broadcast centre at the '15 Canadian GP. I was blown away then, but it's amazing to see how much it's progressed. Having a remote UK based operation is so much better for staff and helps ensure even better levels of consistency for each broadcast.
Wow now I understand why when an on board camera has water or dirt or oil on it, you then see that going down. I always thought that it was just the wind blowing the water or dirt downwards. It's incredible the amount of technology they have. You would think the wing camera is like a glorified webcam but it's way more than that. It's incredible that F1 does all this in-house
A lot goes into the production of broadcasting the race and what goes behind the scenes. Thank you for making this video and I'm glad F1 invited you to the HQ!
What a great vid. It blows my mind how they turn all those screens into a broadcast that is so good consistently! Yes, they miss something every now and then, but its still brilliant. Also , didn't know that Alex Jacques actually works for F1TV and not Channel 4. So the Ch4 commentary is actually jut the F1TV comms I imagine DORNA who handle MotoGP have a similar set up somewhere as well
If you get invited back, you should ask about if they'll ever go for less wide-angle lenses to show the speed of the cars more. Or just, generally choosing better camera angles focused on battles rather than going for fancy camera shots.
This is the best video I've seen in the whole year! Congrats! By the way, when an F1 car enters the garage, the onboards signals are cut. Is this an automatic process, or there is someone there turning them on/off?
Matt - Great content! Since you have seen (and done) this - might you consider reaching out to other sports (football; US/NFL football; hockey; etc) to explain their logistics in bringing their content? /keep up the great work!
Cool stuff, amazed about the fact they are using a ND and Gradient filter on the camera. Wish the feed from the car's camera wasn't only 720p. It's time they moved to 1080p...
Damn that’s so nice of them allowing you to enter and show how things work behind the scenes. Would’ve Beene extremely cool if they’ve shown a clip or let you film during the race or a practice session, since we would’ve seen how chaotic it gets when you have multiple people talking trying to get out the best broadcast they can
