Тёмный

Franco Corelli & Renata Tebaldi: Già nella notte densa (1973) 

phalenopsis1
Подписаться 36 тыс.
Просмотров 131 тыс.
50% 1

Franco Corelli as Otello
Renata Tebaldi as Desdemona
Listen to Corelli's "Vanara splende" at the end for the better effect instead of "Venere splende" :-)
OTELLO
Già nella notte densa
S'estingue ogni clamor.
Già il mio cor fremebondo
S'ammansa in quest'amplesso e si rinsensa.
Tuoni la guerra e s'inabissi il mondo
Se dopo l'ira immensa
Vien quest'immenso amor!
"Quando narravi"

DESDEMONA
Mio superbo guerrier! quanti tormenti,
Quanti mesti sospiri e quanta speme
Ci condusse ai soavi abbracciamenti!
Oh! com'è dolce il mormorare insieme:
Te ne rammenti!
Quando narravi l'esule tua vita
E i fieri eventi e i lunghi tuoi dolor,
Ed io t'udia coll'anima rapita
In quei spaventi e coll'estasi in cor.
OTELLO
Pingea dell'armi il fremito, la pugna
E il vol gagliardo alla breccia mortal,
L'assalto, orribil edera, coll'ugna
Al baluardo e il sibilante stral.
DESDEMONA
Poi mi guidavi ai fulgidi deserti,
All'arse arene, al tuo materno suol;
Narravi allor gli spasimi sofferti
E le catene e dello schiavo il duol.
OTELLO
Ingentilia di lagrime la storia
Il tuo bel viso e il labbro di sospir;
Scendean sulle mie tenebre la gloria,
Il paradiso e gli astri a benedir.
DESDEMONA
Ed io vedea fra le tue tempie oscure
Splender del genio l'eterea beltà.
OTELLO
E tu m'amavi per le mie sventure
Ed io t'amavo per la tua pietà.
DESDEMONA
Ed io t'amavo per le tue sventure
E tu m'amavi per la mia pietà.
"Venga la morte!"

OTELLO
Venga la morte! e mi colga nell'estasi
Di quest'amplesso
Il momento supremo!
(Il cielo si sarà tutto rasserenato: si vedranno alcune stelle e sul lembo dell'orizzonte il riflesso cerulo della nascente luna.)
Tale è il gaudio dell'anima che temo,
Temo che più non mi sarà concesso
Quest'attimo divino
Nell'ignoto avvenir del mio destino.
DESDEMONA
Disperda il ciel gli affanni
E Amor non muti col mutar degli anni.
OTELLO
A questa tua preghiera
"Amen" risponda la celeste schiera.
DESDEMONA
"Amen" risponda.
OTELLO
(appoggiandosi ad un rialzo degli spaldi)
Ah! la gioia m'innonda
Si fieramente. . .che ansante mi giacio.
Un bacio. . .
DESDEMONA
Otello! ...
OTELLO
Un bacio. . .ancora un bacio,
(alzandosi e fissando una plaga del cielo stellato)
Già la pleiade ardente al mar discende.
DESDEMONA
Tarda è la notte.
OTELLO
Vien. . .Venere splende.
(s'avviano abbracciati verso il castello)
OTHELLO
Now in the dense night
Every noise is silenced.
Now my furious heart
Is appeased in this embrace and grows calm.
Let war thunder and the world be engulfed
If after such immense wrath
Comes this immense love!
DESDEMONA
My superb warrior! How many torments,
How many sad sighs, and how much hope
Led us to these tender embraces!
Ah! How sweet it is to murmur together:
Do you remember!
When you told of your life in exile
The fierce events and your long sorrows,
And I listened to you with my soul
enthralled
In those fears and with ecstasy in my heart.
OTHELLO
I described the clang of arms, the fighting,
And the bold rush into the mortal breach,
The attack, hanging like horrible ivy on
The rampart by our nails, and the
whistling arrow.
DESDEMONA
Then you led me to the shining deserts,
The burning sands, your native land;
Then you told me of the sufferings
undergone,
The chains and the slave's sorrow.
OTHELLO
Your lovely face ennobled the story
With tears and your lip with sighs;
On my darkness descended glory,
Paradise, and the stars to give their blessing.
DESDEMONA
And at your dark temples I saw
The ethereal beauty of genius shine.
OTHELLO
And you loved me for my misfortunes
And I loved you for your pity.
DESDEMONA
And I loved you for your misfortunes
And you loved me for my pity.
OTHELLO
Let death come! Let it take me in the ecstasy
Of this embrace,
The supreme moment!
(The sky has become completely serene: some stars can be seen, and at one side of the horizon the azure reaction of the rising moon.)
Such is the joy of my soul that I am afraid,
I am afraid that I will not again be granted
This divine moment
In the unknown future of my destiny.
DESDEMONA
Let heaven dispel all sorrows
And may Love not change as the years change.
OTHELLO
To this prayer of yours
May the heavenly host answer "Amen."
DESDEMONA
May it answer "Amen."
OTHELLO
(leaning against a step of the ramparts)
Ah! Joy engulfs me
So fiercely . . . that I lie breathless.
A kiss . . .
DESDEMONA
Othello! . . .
OTHELLO
A kiss . . . another kiss,
(rising and looking at the starry sky)
The glowing Pleiades already descend to the sea.
DESDEMONA
The night is late.
OTHELLO
Come . . . Venus is shining.
Embracing, they go toward the castle.

Видеоклипы

Опубликовано:

 

25 янв 2011

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 220   
@65attila
@65attila 8 лет назад
What Tebaldi and Corelli lost most singers NEVER HAD..
@g_vezz
@g_vezz 7 лет назад
I AGREE....perfectly said.
@Zva26
@Zva26 6 лет назад
Both of them were at the end of their careers here. Tebaldi had already made her farewell appearance at the Met and Corelli had a couple of seasons to go. Their best vocal days were behind them, but what sounds they could still make! They could still deliver the goods; Tebaldi still had beauty in her voice and Corelli, though a little rough sounding, could still ring the rafters. They ended their careers so sensibly and in such a dignified manner. Aristocrats both.
@A-M-Novozghilov
@A-M-Novozghilov 7 лет назад
Мой кумир и учитель. Франко Корелли, тенор с баритональной окраской голоса. Мечта каждого исполнителя достигнуть подобного мастерства голосоведения. Не постижимо и не вероятно понять, а тем более повторить то что мы видим и слышим в этом фильме. Этот тембр однажды запомнился мне и уже десятилетия не даёт успокоиться и десятилетия помогает мне преодолевать самые сложные вокальные дерзновения, которые предлагает мне мой зритель и её величество сцена. Верю, что каждый достойный вокалист знает историю Франко Корелли. А начинающим вокалистам, просто необходимо видеть и знать как это прекрасно и духовно отдавать свой талант, данный тебе Господом Богом, всем людям, всего мира...Рената Тебальди, так - же великолепна! И за это Слава Богу!! С верой и уважением к вам, мои друзья А.М.Н.
@baltoman24
@baltoman24 11 лет назад
While it may be that both Tebaldi and Corelli are slightly past their primes, they remain exemplars of the true Italian sound, and magnificent to hear. They are competing with their younger selves- an impossible feat. Both have the vocal stature for their roles and will remain immortal in the minds of music lovers. Thank you for this superb posting!
@Jdtdiva
@Jdtdiva 8 лет назад
Wow, the squillo in both their voices is always thrilling. I miss that today with the famous singers now a days. They rarely have moments of any squillo at all. The sound is so well placed in the mask (particlularly with Tebaldi here) and so many overtones in each sound. Exciting indeed. Tutti Bravi
@daphnebeloved
@daphnebeloved 7 лет назад
So agreed!!!!
@ErfeanFalcorck
@ErfeanFalcorck 3 года назад
Because they don't sing "into mask" :)
@luigicorvi1661
@luigicorvi1661 2 года назад
VOCALLY THATS ABOUT THE BEST YOU WILL EVER HEAR. THESE TWO GREAT ARTISTS SPINNING THEIR LEGATO OUT TO AN ENTHRALLED AUDIENCE WHO LIKE THE ORIGINAL 1ST AUDIENCE OF THIS MUSIC.......WERE ALSO HEARING FOR THE FIRST TIME THIS SPUN GOLD OF MUSICAL MAGIC NEVER HEARD BEFORE. WHEN LISTENING TO THIS IS ALWAYS AS IF COMING ACROSS SOMETHING INCREDIBLE FOR THE FIRST TIME.....THIS IS THE ART THAT HIDES THE ART!
@PinaOliva-dp1ig
@PinaOliva-dp1ig 10 месяцев назад
Una sorpresa Franco Corelli in Otello. Due voci meravigliose. Penso a cosa abbiamo perso e che tesoro avremmo avuto ora. Grande Corelli. Voce unica! ❤❤❤❤❤❤
@vanzofaust
@vanzofaust 8 лет назад
Singers in their prime today don't have the technique to sing like this. Bravi.
@ann-mariedvardsenalexis8491
@ann-mariedvardsenalexis8491 8 лет назад
we need a revival of the old bel canto schooling
@operabilia
@operabilia 8 лет назад
Absolutely but how? With bad teachers, ignorant agents and crazy stage directors ... What a challenge.
@marapaltrinieri5667
@marapaltrinieri5667 2 года назад
It's not only technique
@vanzofaust
@vanzofaust 2 года назад
@@marapaltrinieri5667 Of course it's not only technique but without technique, such artistry would not be possible. Technique is the foundation.
@iuvil
@iuvil 10 лет назад
Wake up me dear friends!!! before criticizing these two gorgeous artists...listen to the crap singers of nowadays.....These are two artists that are singing after 20 years of difficult careers ...for me they are simply giving a great singing with a great passion!
@g_vezz
@g_vezz 7 лет назад
The greatest.....No where will you find this passion today not to mention the beauty and size.
@antoniomartinazzo5847
@antoniomartinazzo5847 5 лет назад
Well said, Radu. And I would like to add more than 20 years of career without sound-enhancement.
@maggiedeveney
@maggiedeveney 4 года назад
antonio martinazzo just so! Excellent point!
@monicaramponi2578
@monicaramponi2578 2 года назад
Stupenda lei stupendo lui insieme somo il meglio che si potrebbe desiderare.
@luigicorvi6668
@luigicorvi6668 6 лет назад
So many negative comments.Ist .....Tebaldi and Corelli are not circus performers.They were singing a concert together.A concert is not an opera, or an opera workshop.If you cannot see plainly and hear clearly the interaction when they are singing together.......then you probably need to visit the docter.You need help...........Tebaldi and Corelli need no excuses.
@sugarbist
@sugarbist 4 года назад
imo, I think the incredible Corelli would have been a GREAT Otello. His voice had the perfect color for the Moor, and he had that driving force needed in the Esultate, Ora Per Sempre, and Si Per Ciel, as well as the soft darkness in the Nium Me Tema and the Dio Mi Potevi. There is nothing he could not do with his voice.
@renepaccard7914
@renepaccard7914 Год назад
Bonjour deux voix superbes un grand plaisir a écouter ce duo immortel comme ces grands de l opéra qui brillent a jamais au firmament des grandes étoiles bravo et merci a vous vraiment
@tenorschofield
@tenorschofield 10 лет назад
Simply marvelous a "master class" on stage!!!, both where among my favorite lyrical artists ever...thanks for sharing this divine video. Muchas gracias!!!, Bravo!!!
@Qaz999
@Qaz999 9 лет назад
great voices. Corelli's last fermata is wonderful.
@luisrenejuarezestevez175
@luisrenejuarezestevez175 6 лет назад
la pareja mas espectacular de la ópera...maravilloso momento...
@pieritlyon
@pieritlyon 11 лет назад
Very interesting exchange of views and opinions on the great Franco Corelli, which remains the best of all the tenors in everything I play and the whole context of these, in voice, intepretacion power, performance and figure, all the makes the best, overall, no one has emerged as equals or surpasses it. In any case it is fair to say that in all the views are some reality, unless it was believed, they say all those who knew him really. (MY ENGLISH IS BAD)
@trem0lo
@trem0lo 8 лет назад
LOL at their reactions to the opening cello quartet.
@jimkeeler1488
@jimkeeler1488 7 лет назад
CAN YOU BLAME THEM...!
@sarahaprincesa
@sarahaprincesa 7 лет назад
ahaahah
@davidsimmons654
@davidsimmons654 7 лет назад
trem0lo they lookin like "Jesus Christ!"
@doperasinger
@doperasinger 5 лет назад
Absolutely horrible intro...
@amb1548
@amb1548 5 лет назад
Jajajaja qué grandes
@laoniricArte1
@laoniricArte1 13 лет назад
Interpreti Irripetibili!!! che ci trasportano al tempo quando si "respirava" in cuore L´Opera!!! Grazie Mille!!! Carissima *phalenopsis1* per questo Indimenticabile Ricordo!!! *******Infinite******
@KatieKaboom21
@KatieKaboom21 8 лет назад
Corelli and Żylis-Gara are my favorite Otello and Desdemona!
@sanjamarinkovic9040
@sanjamarinkovic9040 4 года назад
Absolutely!Awesome...
@martinliebig8677
@martinliebig8677 2 года назад
Indeed! No comparison to Zylis-Gara!
@thetenors8344
@thetenors8344 7 лет назад
Peccato non averli potuti ascoltare dal vivo . Due Immortali !
@jeaninemahieu5164
@jeaninemahieu5164 Год назад
Merveilleuse et inégalable Renata Tebaldi !!! Splendide Desdemona !!! Sa voix de velours est unique !!! C'est la plus grande soprano lyrico-spinto du monde.
@johnoregan3494
@johnoregan3494 8 лет назад
@LABIENUS Thanks for Your response to my comment and thanks also for being such a big fan of the great Corelli.I would respectfully suggest You would watch the rest of this concert .I am sure You will see from this that there was nothing wrong going on between these two immence singers who after all went on tour together and who sang together on many more operas and concerts during their illustrious careers.Bear in mind also that Franco was still top of the roster at the Met.since 1961 Mr. Bing certainly realized how great Franco was so I do not make any apology for the statement I have already made thank You.
@leontyne2
@leontyne2 11 лет назад
What singers of today, 2013, can come even close to the magic that these two create in their vocal splendor! The answer: Not anyone I can think of! The singers of today can't hold a matchstick in comparison to these two artists!
@grig035
@grig035 Год назад
I sincerely feel that Radvanovsky can -- and I actually saw Tebaldi, am grateful for that, and admired her. Radvanovsky strikes as every bit as special. Truly. When it comes to the part of Otello, that's a lot harder to fill, no question. The last truly great one was Vickers, in my view, although Heppner occasionally had some good nights, and I saw Skelton do a compelling assumption in recent seasons. I admit I found Domingo somewhat monochromatic, although he was certainly amazingly consistent! Corelli never did it, though we all wanted him to, and after seeing an unforgettable Alvaro in 1968, I really thought he was ready. Didn't happen.
@orion8835
@orion8835 8 лет назад
stunning and extraordinary energy and technique and quality.
@violettavalery857
@violettavalery857 7 лет назад
Grandi interpreti!! Grazie per questo video che ci fa ascoltare un inedito Corelli nell'Otello.
@user-vt5qn2tl3o
@user-vt5qn2tl3o 5 лет назад
Корелли божественен и прекрасен, как принц из сказки!
@user-dd8zm4dm7s
@user-dd8zm4dm7s 2 года назад
Ничто не вечно. Умные личности уходят вовремя. Спасибо за талант.♥️
@musicapassion299
@musicapassion299 3 месяца назад
Deux des plus grandes stars de l opera du xxeme siècle
@joseberenguer1916
@joseberenguer1916 2 года назад
Gran dúo
@rozalyan4923
@rozalyan4923 2 года назад
В 52 года голос Корелли...Спасибо за видео..
@130575Elena
@130575Elena 2 года назад
Спасибо за возможность увидеть моих любимых, гениальных певцов.
@itob.9231
@itob.9231 6 лет назад
Una meraviglia! Immortali
@vanmusician
@vanmusician Год назад
I was fortunate to hear them both in their primes. Tebaldi in concert and Corelli as Romeo. I will never forget the gasp from the audience when he made his entrance in black tights. The Italians called him 'Golden Thighs'!
@pieritlyon
@pieritlyon 11 лет назад
Recordemos que en el MET, apenas se ponían a la venta las localidades cuando Corelli actuaba se agotaban; desde que debut, el fue un extruendoso éxito y lo fue durante los 16 años, momento que Corelli decidió retirarse, lo explica en una entrevista a la pregunta sobre su retiro " Me encontraba muy cansado, extremadamente nervioso con todo y considere que mi voz no tenia la frescura que quería, para entregar lo mejor al publico". Durante años le solicitaron volver, solo dio algunos conciertos.
@johnoregan3494
@johnoregan3494 8 лет назад
Franco was coming towards the end of His glorious operatic career here and still singing better than any other tenor then and now.This was a concert not an opera so there was no need to do any acting here He and Renata had this duet well thought out.There was no need for any of the touchy feely stuff which seems to be the most important part of opera today hence we will never get the opportunity to hear voices like Corelli. Pertile.. Caruso.. Gigli. Lauri Volpi. or Del Monaco ever again because the emphasis is more on how they look sexually and not on the voice . That is why the tenors of today have tiny tinny voices with mikes stuck all over their bodies.Glad I got that off My chest.
@Labienus
@Labienus 8 лет назад
+John Oregan No one is a bigger Franco fan than me, but it is unrealistic, and foolish to say at this point he was singing better than any tenor-then or now. One could make that case in his prime. Oh come on, as i said above they look like they just had words-yes it's a concert by they look positively glacial. Compare this to the Bing Gala, with Zylis-Gara (would was a last minute substitute) Well what ever the precise reason, and I think it's complicated there certainly aren't any great tenors today. Mikes stuck all over-there used to be a guy always making that argument-but if that is the case why can't you hear these singers in the house??
@Labienus
@Labienus 8 лет назад
Nice comment-but your point is not clear?It seems to be, Corelli was great, but you liked Tucker even more-was that it ?Which is fine but that's all you seem to be saying.Of course, it was an era of great tenors-and any one of the mentioned tenors would have been a huge star today-possibly excluding Peerce-do to his appearance, and Morell because of his voice-but both would still have had major careers. On this level it is a matter of who turned you on more-but at least in hearing them live-Corelli also looked like a god, and could act, if he wasn't too nervous-other than Canio Tucker never looked the part, and was a liability as an actor. I had the highest regard for Tucker's voice, but annoying mannerisms could creep in, and he lacked that Italiante authenticity that was Corelli's birthright. Your list of tenors of that era left out both the young Pavarotti, and Domingo, and not all are on the same level.....but its biggest missing name is the great Jon Vickers, probably one of the greatest opera performers ever
@johnoregan3494
@johnoregan3494 8 лет назад
I sincerely hope that Arthur Diggs will learn from those very wise comments of Yours all of which I am in total agreement Thank You
@sugarbist
@sugarbist 2 года назад
Very accurate John, but I don't believe the commitment to the art form exists today the way it did in the past. There are perhaps too many distractions today, but I'm not sure.
@Nicla64
@Nicla64 12 лет назад
Beh i brividi vengono sempre per un'aria cosi' bella,pero'...le voci sono un po' sciupate...io che sono un amante della bella voce della Tebaldi,qui mi fa venire un po' di rimpianto....pero' che classe!! per Corelli vale lo stesso...
@pieritlyon
@pieritlyon 11 лет назад
Muy interesante el intercambio de opiniones y pareceres sobre el gran Franco Corelli, que continua siendo el mejor de todos los tenores en todo lo que interpreto y en todo el contexto de éstas, en voz ,potencia intepretaciòn, actuación y figura, todo ello lo hace el mejor, en su conjunto; no ha surgido uno que lo supere ni lo iguale. En todo caso es justo reconocer que en todas las opiniones hay algo de realidad, menos de que era un creido, lo dicen todos quienes le conocieron de verdad.
@cantongilbertodi8129
@cantongilbertodi8129 Год назад
Meravigliosi.
@mpiarosati
@mpiarosati 8 лет назад
All'inizio si sono girati verso il sassofonista che ha stonato tremendamente, loro bravissimi non si sono scomposti!
@enzocardinale5028
@enzocardinale5028 3 года назад
Sassofonista?! 😂
@user-bc5lc8sg9y
@user-bc5lc8sg9y 8 лет назад
Fantastici!!!
@pieritlyon
@pieritlyon 13 лет назад
phalenopsis1 vi ringrazio molto per questo video. Due liria dà grande del mondo, soprattutto in Italia .. EL GRAN MAESTRO FRANCO CORELLI IL MEGLIO ANCORA, NON SUPERATO ANCHE voce uguale, belle e potenti abilmente applicato, le note più belle e potenti alto e il più diminuendo pefect e sostenuta, sulle prestazioni e megnifica foto sono rimaste le migliori e più completo significato. Il Renata Tebaldi Grande, SEMPRE INTERPRETAZIONI perfetto e bellissimo
@juandelacruzlopezgomez4619
@juandelacruzlopezgomez4619 7 лет назад
Extraordinarios Cantantes de Opera, nada que envidiar a nadie
@stephpwall
@stephpwall 12 лет назад
This level of artistry has vanished from the face of the earth
@DCFunBud
@DCFunBud 11 лет назад
Where did they get those musicians?! That screech at 0:17 would be enough to send me walking off stage.
@MEMORIA1316
@MEMORIA1316 3 года назад
❤️ la faccia di Corelli
@lukasmiller486
@lukasmiller486 6 лет назад
7:46 They're thinking "Let's hope the orchestra doesn't flub it up at the end."
@FranciscoFerrerGaliana1930
@FranciscoFerrerGaliana1930 6 лет назад
Maravillosas voces inolvidables..¡¡
@johnoregan3494
@johnoregan3494 8 лет назад
@Petter Nillson Jussi Bjoerling had one of the all time great lyric tenor voicesl and .I respect very much your liking and admiration for such a great tenor.
@wolframg1
@wolframg1 6 лет назад
SUBLIME VERDI,OTELO,TEBALDI UND CORELLI UND THE TOKYO ORCHESTRA AND DIRECTION
@zoltanneszeri345
@zoltanneszeri345 8 лет назад
Callas és Di Stefano 1971 évi Párizsi koncertjéhez hasonlitva az Ő párosuk még mindig őrzi a régi formáját.Szép.
@sugarbist
@sugarbist 11 лет назад
Corelli was about 52 here and passed his vocal prime.However I think he would have done a marvelous Otello.
@jesusmunoz2400
@jesusmunoz2400 2 года назад
Pero nunca fué tan osado de pasarse a la cuerda de baritono para alargar su carrera. Como Spinto fué único.
@sugarbist
@sugarbist 2 года назад
@@jesusmunoz2400 Yes Jesus, Corelli never went the way of becoming a baritone after he retired as a tenor. In My Opinion, Domingo was a tenor singing in a baritone key. I don't believe that there is anything in Domingo's voice that sounds like a baritone, when comparing him to great and good baritones like Guelfi, Warren, London, Merrill, Bastianini, Cappucilli, Milnes, MacNiel, Gobbi, Bardelli, and Capecche
@jesusmunoz2400
@jesusmunoz2400 2 года назад
@@sugarbist Totalmente de acuerdo. Además como tenor para mi fué sobrevalorado. Puro marketing.
@sugarbist
@sugarbist 2 года назад
@@jesusmunoz2400 Tal vez, pero era un gran tenore.
@jesusmunoz2400
@jesusmunoz2400 2 года назад
@@sugarbist Para mi Domingo ha sido aprendiz de todo y maestro de nada. Bajador de arias, trucador de agudos en grabaciones de estudio, verismo indiscriminado en todo su repertorio, canto engolado en muchos momentos, monocorde, incapaz de hacer medias voces, corto en el agudo.
@dlagrua
@dlagrua 2 года назад
Corelli and Trebaldi were both in their early 50's when this was recorded. Perhaps a bit past their prime but still excellent. The Japanese orchestra was not helpful. Two of the greatest opera singers of all time. Catch the Ed Sullivan appearance on You Tube for the greatest performance ever.
@FranciscoFerrerGaliana1930
@FranciscoFerrerGaliana1930 8 лет назад
magnifico Dúo
@krrainey77
@krrainey77 7 лет назад
1. Love her hair 2. How awful are the orchestra 3. Thanks for sharing
@danielakerman8241
@danielakerman8241 2 года назад
The orchestra is truly awful. And those two giants are champs, regardless of what aging inevitably took from them.
@lorenzocafiero9385
@lorenzocafiero9385 Год назад
Non ho mai ascoltato un'interpretazione più bella di questo brano. Grande commozione
@iubanne
@iubanne 12 лет назад
hai ragione. . .in quegli anni avevano già giocato gli anni d'oro, inoltre tra loro c'era un pò di freddezza....non uno sguardo....lui ha accennato un sorriso...regnava un'atmosfera cupa....forse la direzione....non saprei
@marapaltrinieri5667
@marapaltrinieri5667 2 года назад
It's the dark side of love
@marapaltrinieri5667
@marapaltrinieri5667 2 года назад
Due voci innamorate l'una dell'altra
@matteocurtotti2635
@matteocurtotti2635 3 года назад
bell
@matteocurtotti2635
@matteocurtotti2635 3 года назад
che coppia vincente!
@tonneinsbillardclub1308
@tonneinsbillardclub1308 6 лет назад
fabuleux.....
@orfeopecci
@orfeopecci 8 лет назад
Franco Corelli, Otello de lujo...
@portaix
@portaix 7 лет назад
Orfeo Pecci j
@pieritlyon
@pieritlyon 11 лет назад
. UN MAGNIFICO "OTELLO" HABRÍA SIDO EL GRAN MAESTRO FRANCO CORELLI, INTERPRETO DUO Y ARIAS DE ESTA OPERA, LO HIZO EN FORMA MAGNIFICA. La grabo y dejo para después su publicación, no lo hizo nunca, quienes fueron testigos de la grabación dicen que fue sublime.Eso de que "ni se miran",, ciertamente, algo pasa, en ningún caso es vanidad de alguno de los dos,el Gran Corelli, era muy cordial y gentil, nada engreído, si un proteccionista, le preocupaba mucho entregar a la audiencia lo mejor de sí
@stevetexon
@stevetexon 11 лет назад
YES, sensitive, tender and loving duet. Otello in this duet has no suspicion at all of Desdemona's alleged infidelity!!!
@TheDaiwafishing
@TheDaiwafishing 9 лет назад
QUESTA SI PUO' CHIAMARE LIRICA!!!
@Fede842
@Fede842 6 лет назад
Corelli il più grande in assoluto.
@jesusmunoz2400
@jesusmunoz2400 2 года назад
Que pena que nunca interpretara este papel completo. No entiendo el motivo. Hubiera sido un Otello de lujo.
@birgitnilsson
@birgitnilsson 11 лет назад
El gran Corelli era bastante engreído y desagradable. Lo conocí y lo traté en N. York. Pero ello no le resta grandeza y enorme relieve a su brillante carrera.
@charlesrhodes1358
@charlesrhodes1358 4 года назад
The tuning of the strings at the beginning is abysmal.
@Liederfreund
@Liederfreund 11 лет назад
I understand what you mean by criticizing this performance, but to me it seems rather strange to attach the tenor who left the stage 30 years ago, is no longer with us, and whom we know as one of the greatestand unique tenor voices of the 20th century, i.e we esteem him today not by some of his not the best performances but by his whole and truly outstanding work on the stage and in the studio.
@maggiedeveney
@maggiedeveney 4 года назад
Liederfreund well said. I applaud your balanced approach! Corelli was a gift to us...
@TonyPartington
@TonyPartington 4 года назад
I would submit that these comments are not attacks but rather observations. Corelli was an absolutely amazing singer. So much of what he did was wonderful, even iconic. This just happens to be a rather poor performance of some of the greatest music Verdi ever wrote. And it is not just Corelli. Tebaldi seems ambivalent at times and I notice that neither of these singers are using any of the marvelous vocal dynamics they were each so famous for. Finally, the tempo is ridiculously fast. All this is, of course, my opinion. And happily, we are all of us allowed to have one. Ciao!
@Liederfreund
@Liederfreund 11 лет назад
Do you really believe that the audience gathered there to see in what direction they would look? I suppose, the people were happy to listen to them live, and in this case anything besides the music and their great voices was a question of minor importance.
@alexgomez2
@alexgomez2 11 лет назад
Nasal? Please indicate what points. Corelli was everything BUT nasal. He was pure resonance. I just watched this video and found one single instance where the great Franco Corelli sang "too nasal."
@pieritlyon
@pieritlyon 11 лет назад
birgitnisson, muy interesante lo que usted informa;si era bastante engreído, en realidad sabemos que méritos para serlo los tenia de sobra, lo de desagradable no se que decir, no dudo de lo que usted dice pero en las múltiples biografía y relatos de quienes lo conocieron y lo conocían de años dicen todo lo contrario, más bien que era muy tímido muy amigo de sus amigos los que en gran medida eran desde su juventud y de la universidad, estudiaba ingeniera naval, Que suerte la suya de conocerlo,
@lamusicadelsigloxx
@lamusicadelsigloxx 6 лет назад
Qué pena que a Corelli ya le fallaba un poco la voz, por el esfuerzo de spinto tantos años. Para mí, el mejor de largo. Su Nessum dorma pone el vello de punta.
@g_vezz
@g_vezz 7 лет назад
I use to think we would have them forever...xo
@stevetexon
@stevetexon 11 лет назад
I would hate to think that because of a language barrier with the audience, that Mr. Corelli would think he could just blast away vocally totally ignoring his partner in such a sensitive and emotional duet!!
@Liederfreund
@Liederfreund 11 лет назад
It seems to that they was not going to show any visible contact having stood one behind another. Where do you see a begging for eye contact? During the duet they both look mainly towards the auditorium. If Tebaldi would wanted him to look her in the eye, she would have to turn more than 90 degrees, but she never did it. For me it is absolutely obvious that they both wanted only to sing (as if they make a record in a studio). And it is absolutely normal for concert performances,
@Chilair1
@Chilair1 11 лет назад
the strings are so out of tune! Their reaction in the beginning of the video is so funny!
@matthieudegott3154
@matthieudegott3154 10 лет назад
They were looking around for help, because the cello was so false at the beginning!!! Can't you hear?
@filrofi
@filrofi 12 лет назад
Per quanto riguarda Corelli la voce era ancora intatta, anzi era molto piu calda e squillante. Lui a terminato la sua carierra con la voce splendida. Grande anche la Tebaldi, ma si vede che sono preoccupati dall'eseguzione del pezzo.
@christianlibrul
@christianlibrul 11 лет назад
What a shame Corelli never did a studio recording of OTELLO. (At least we do have McCracken's.) How great would he have been without the stage fright?
@JackRance1910
@JackRance1910 11 лет назад
I admire Corelli and find him wonderful even here - all I say is the truth - he is not in his prime. I meant "not that bad" considering the state his voice was in by this time. I do not think Corelli is "not that bad" just that he does very well even when his voice is not at its best. I think that was pretty obvious from my comment. I do think that there are certain tenors' admirers who cannot face the fact that their idols might have been well advised to have retired a little earlier.
@SuperArkleo
@SuperArkleo 11 лет назад
Looks like they "love" each other in this duet so much that singing about love they are not even looking at each other...How they were able to perform together under such circumstances? Still, many-many thanks for uploading this clip.
@marapaltrinieri5667
@marapaltrinieri5667 2 года назад
Yes
@phrispirit
@phrispirit 11 лет назад
I don't believe it's "nasal", but bright and open. He sang much more like this in live performances, but when you hear it in the theater, without close-miking, it sounded just right. He took much more liberties in the studio and it sounded stunning. Jan Peerce would be a good example of nasal.The stings WERE a bit frightening in the intro!
@gunterjauch9051
@gunterjauch9051 4 года назад
Singer of today don't have this kind of technique breath control
@panpypoo225
@panpypoo225 9 лет назад
Grandissimi!! (meno male che oggi traducono meglio....nel sottotitolo ci sono molti errorei...)
@Liederfreund
@Liederfreund 11 лет назад
We know he could act in quite a different and contacting way (see the same duet with Zylis-Gara; I like it more than this), and if he did not do so, then most probably there was a serious reason. Why not forgive him for this? I think, such blaming expressions as “what a shame” or “no excuse” are undeserved reproaches for such a hard-working perfectionist as Corelli. I would rather use “unfortunately” or “what a pity” :)
@stevetexon
@stevetexon 11 лет назад
Let me relate one story from personal experiece. At a mid 60's Met matinee performance of Don Carlo, he missed his stage entrace in the big scene with the 6 deputies before King Phillip. He was arguing with his wife Laureta in his dressing room. NEVER did I see such an ego.
@lauravolpi8
@lauravolpi8 8 лет назад
CSODÁS DUÓ!
@bellagola
@bellagola 9 лет назад
Cantano bravissimi ma la musica troppo veloce e non capisco perché non vedono insieme?
@craigcollins6904
@craigcollins6904 11 лет назад
On what do you base that he had such an ego? Did you know him? Ever study with him? Also, how did you know that he was arguing with his wife? I know from firsthand experience, that SHE is the one who did the arguing and hen pecking not him. I studied with Corelli. Of course he had some ego. No one could have any kind of career, much less the one he did without an ego, but I can only tell you that you are totally wrong about his having such a strong ego.
@pieritlyon
@pieritlyon 11 лет назад
Todos tenemos momentos malos, es posible que sea ese momento que paso el opinante con el Gran Maestro F. Corelli; sugiero que lean biografías de él escritas por quienes le conocieron lo suficiente para confirmar lo contrario, si era muy tímido, también, un proteccionista por su carácter, tal vez por ser ingeniero naval cuando se presento al concurso lírico mas importante de Italia, lo gano, a los meses estaba interpretando opera, su carrera fue vertiginosa, magníficamente exitosa mundial mente.
@hazelssister
@hazelssister 11 лет назад
Renata is 51 here and Franco is 52
@birgitnilsson
@birgitnilsson 11 лет назад
I´ve loved them both, I still do. But nevertheless, I must acknowledge their voices are worn out, and they have perceeptible difficulties in breathing and sustaining notes.
@Pikatrix90
@Pikatrix90 11 лет назад
But of course ''always''. Especially since Tebaldi was always so ''relaxed'' and ''subtle'' on stage herself isn't it ? There are various recordings of Corelli in operas where he's anything but ''stiff'' but I suppose that what constitutes good acting is a subjective matter. However, if his ego was so ''enormous'', I wonder why Tebaldi sang so often with him at the Met and elsewhere. After all, was she not in position to choose ?
@pravdapetrova4203
@pravdapetrova4203 2 года назад
НЕПОВТОРИМА ПЕВИЦА И АРТИСТКА!! АНГЕЛСКИ ГЛАС НАИСТИНА!!
@DCFunBud
@DCFunBud 11 лет назад
The Great Corelli has had better performances. Tebaldi was wonderful.
@henrifrombarcelona
@henrifrombarcelona 11 лет назад
they look very preocupated by the way the music starts!!!
@chaten65
@chaten65 9 лет назад
Schade das Corelli nie Otello kompplet auf der Bühne gesungen hat.
@nosehook324
@nosehook324 3 года назад
Er hätte bestimmt ein guter Otello abgegeben mit Tebaldi als Desdemona!
@stevetexon
@stevetexon 11 лет назад
We agree that vocally he was supreme, with Rock Hudson good looks, and I do look at the overall career which was stupendous! Of course I forgive him for a bad night, and I was first to say that something serious was bothering him. But it did highlight his one bad habit of belting without sensitivity, and ignoring others on stage on many occasions.
@Liederfreund
@Liederfreund 11 лет назад
This is a concert (not operatic) performance, which doesn't require any particular acting, let alone touches, embraces, kisses, etc. Singers may act (see, e.g. the same duet with Corelli and Zylis-Gara) or may not. Maybe they chose the latter option especially for Japan audience...
@stevetexon
@stevetexon 12 лет назад
In this particular rendition of this magnificent OTELLO duet by these two colossal and iconic superstars, there is a complete lack of emotional interaction between the two. This is totally Mr. Corelli's fault, as he is so incredibly self absorbed with himself that he never even looks at Ms Tebaldi even once, let alone touches her! I am astounded at how even with subtle cues from Ms Tebaldi, he just stands there and belts out the tones, ignoring her and avoiding any interaction. What a shame!
@TonyPartington
@TonyPartington 4 года назад
Spot on!
Далее
Franco Corelli: Silenzio, cantatore (1971)
3:37
Просмотров 28 тыс.
Verdi MACBETH La Scala 1976 + ovation 2 mn
9:07
Просмотров 5 тыс.
Franco Corelli - La vita e inferno
6:42
Просмотров 187 тыс.
Janona
4:09
Просмотров 1 млн
Хьо гале
3:44
Просмотров 138 тыс.
BABYMONSTER - ‘FOREVER’ M/V
3:54
Просмотров 31 млн
5УТРА - Белая полоса
3:13
Просмотров 185 тыс.
JANAGA - Интервью (Official Music Video)
2:38
Просмотров 533 тыс.