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Friedrich Kuhlau - Piano Concerto Op. 7 (1810) 

Bartje Bartmans
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Friedrich Daniel Rudolf Kuhlau (German; Danish sometimes Frederick Kulav) (11 September 1786 - 12 March 1832) was a German-born Danish composer during the Classical and Romantic periods. He was a central figure of the Danish Golden Age and is immortalized in Danish cultural history through his music for Elves' Hill, the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. To this day it is his version of this melody which is the definitive arrangement.
Piano Concerto Op. 7 (1810)
1. Allegro
2. Adagio
3. Rondo: Allegro
Felicja Blumental, piano and the Salzburg Symphony Orchestra conducted by Theodore Guschlbauer
recorded: Salzburg 1969
Brana Records BR0016
During his lifetime, Kuhlau was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Considering that his house burned down destroying all of his unpublished manuscripts, he was a prolific composer leaving more than 200 published works in most genres.

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6 сен 2015

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Комментарии : 41   
@ineednamesugestions2259
@ineednamesugestions2259 Год назад
My favourite hobby is finding small composers work
@jimhall167
@jimhall167 6 месяцев назад
The first major work that I learn as a tot was a Kuhlau Sonatina. I play it much better now than then after about 62 years of practice! This concerto was indeed a revelation to me, a beautiful jewel! I recently returned from Denmark, but was disappointed not to have heard any reference to this great Danish composer. The Rondo was a sheer joy!
11 месяцев назад
Friedrich Kuhlau: Piano Concerto Op. 7 (1810) 00:00 Allegro 15:42 Adagio 23:49 Rondo: Allegro
@divox9pqr
@divox9pqr 3 года назад
Not only are there references to Beethoven’s first, but Mozart as well. He’s solidly in the classical period.
@hectorreynoso6308
@hectorreynoso6308 4 года назад
such a beauty. I surely like the cadenza on that first movement. The second movement is sublime
@AhmedAllampiano
@AhmedAllampiano Год назад
This is like beethoven piano concerto no 1
@hectorreynoso6308
@hectorreynoso6308 4 года назад
That Rondo (III) is such a delightful jewel, Thank you for posting this concerto, it is new to me. I love it
@RaymondRobijns
@RaymondRobijns 7 лет назад
Nice, very nice. As somebody wrote: Kuhlau reminds me of my youth - so long ago. Bartje, thank you for this.
@kevinteichroeb6997
@kevinteichroeb6997 3 месяца назад
Definitely a tip of the hat to Beethoven's Piano Concerto No. 1 in the first theme.
@MassimoMalavasi
@MassimoMalavasi 8 лет назад
Kuhlau always reminds me my younger years
@xresdkj
@xresdkj 7 лет назад
Excelente postagem! Parabéns!
@user-sc7ux2zl5m
@user-sc7ux2zl5m 2 года назад
Во всех трех частях элементы из 1 концерта Бетховена. Ностальгия по раннему Бетховену и Моцарту для господ 1810 года.
@user-ru8vy1uz7c
@user-ru8vy1uz7c 5 лет назад
Браво блестящий концерт
@agustinurbina5231
@agustinurbina5231 8 лет назад
I'm studying this :3 quiet sweet :P
@owensmith830
@owensmith830 4 года назад
Just perfect.
@tomasalberti9331
@tomasalberti9331 2 года назад
His music sounded very clasicist even when it was the Romanticism age
@adlfm
@adlfm 8 лет назад
Nice piece, but is it me or are the similarities with Beethoven's first concerto just coincidental?
@bartjebartmans
@bartjebartmans 8 лет назад
+Albert de la Fuente Kuhlau knew Beethoven personally and adored him. Kuhlau was nicknamed in his lifetime as the "Beethoven of flute" as he wrote a large repertoire for that instrument.
@TheMaestro2005
@TheMaestro2005 8 лет назад
Judging by the range of the piano in this piece, i think its safe to say he wrote this after Beethoven's concerto
@TheMaestro2005
@TheMaestro2005 8 лет назад
Also having the dominant chord played with the 7th in the bass line is an early Beethoven trait particularly when he's in C major. His symphony, concerto, overtures all do this when in C
@brendangordon2168
@brendangordon2168 6 лет назад
In some ways, I think this concerto is better than Beethoven 1. It's a shame Kuhlau only wrote one. BTW, Orchid Classics put out a CD with Beethoven 1 and the Kuhlau concerto (Marianna Shirinyan on piano with the Copenhagen Philharmonic) so you can compare the two easily!
@metteholm4833
@metteholm4833 6 лет назад
Kuhlau was basically self taught and Beethoven was his god. It is very close to Beethoven - almost a rip off, but it was part of Kuhlaus learning process.
@deliansociety
@deliansociety 7 лет назад
An interesting concerto firmly in the Viennese Neoclassical tradition, with welcome echos of Mozart and early Beethoven. Who composed the cadenza in the first movement- - Kuhlau or someone else?
@riffraftmusic8669
@riffraftmusic8669 5 лет назад
I always enjoyed playing his easier pieces. "Who composed the cadenza in the first movement- - Kuhlau or someone else?" My question, too. Scintillating!
@xgiacomocalore6490
@xgiacomocalore6490 4 года назад
I don't know why, but this concert remembers me first Beethoven's concert.. who first wrote concert?
@farrelpermadi5471
@farrelpermadi5471 4 года назад
Beethoven, he wrote it when 1798, and Kuhlau wrote this at 1810, it means Beethoven's Piano Concerto No. 1 much more older than Kuhlau Piano Concerto
@rafaellazaclaros934
@rafaellazaclaros934 4 года назад
But it is true both concert has similities. first, the keybin C mayor. 2. up scale C mayor in main theme. 3 rd. orquentation and depolomennt. They have similiar ideas, first theme and clasical motive
@maximilianb.8789
@maximilianb.8789 Год назад
28:10 maybe ;)
@davideluciano6119
@davideluciano6119 3 года назад
0:35 wtf
@cthulhutentacles4994
@cthulhutentacles4994 3 года назад
The oboe had a bad day lol 😆
@maximilianb.8789
@maximilianb.8789 Год назад
23:48 rondo
@Losttt447
@Losttt447 2 года назад
3:27 Solo
@harryandruschak2843
@harryandruschak2843 7 лет назад
"Like" on 29 October 2016 :)
@knownfact4905
@knownfact4905 3 года назад
Nice, aside from all the testosterone ads
@user-zn7kp9fi6c
@user-zn7kp9fi6c 3 года назад
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
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