Fujifilm GFX 100S is The Most Accessibly Performant DMF Camera on the Planet 

That Fuji made quite an impression on your Hair I see.

I never hear GFX reviewers mention the aspect ratio of the sensors. And though one can approximate any ratio on any sensor, I so often find the in-built 4:3 frame, a compositional breath of fresh air-open, yet concise. That’s what keeps me coming back to the GFX, combined with the near limitless detail available in the colossal sized prints I love to create. Prints you can press your nose to, as they envelope your peripheral vision, and still no pixels in view. True presence to the moment. What a wonder.

I'VE BEEN WAITING MONTHS FOR THIS VIDEO! YAY!!!

Listening/Watching while I edit an amazing set of images on this late, drizzly Tuesday morning.

Gorgeous images and another thoughtful, informative and fun review! I especially love your images of Lancaster County - my mother is Amish and you capture that rural setting beautifully. Thanks again Hugh!

Beer budget, champagne taste. I love that turn of phrase. Honestly, I'm not terribly interested in this camera but I could listen to your talking all day, and your image quality is a delight to behold. Keep hitting record!

As always, excellent video Hugh. I love my GFX 100 and when she met her soulmate(s) Zeiss Otus lenses....... they ALL became a modern-day "Harry and Tonto" classic.

Thank you. I plan for a used GFX-100s to be my next system purchase. When I first saw the GFX system images, I fell in love. I have an idea what I would do with it, but you remind me - can I do it with what I already have? I need to try.

Great idea and execution of the intro zoom. Super cool.

Great review. Agree re the tilting viewfinder. Ever since I had the Minolta DiMAGE A2 I hoped we would see that in later mirrorless cameras.

Another marvellous, classy presentation.

The music for the GFX 100s Lightroom waiting time was fantastic, I actually hoped it would take a long time. Nice tune 😁...the differences between the two were interesting. I had seen the GFX 100s at one of the Fujifilm flagship stores in Istanbul (yes, Fujifilm has real stores, one of their own and one of many here in Turkey). When I saw the image quality at the store, I was smitten, to say the least. Being an XT 4 owner with a small lens collection already built up, the xf 16-80, xf70-300, xf50-140, xf23mmf2, xf18mmf1.4, and the xf50mmf1.0, I quickly became interested in the 100s. The best resolution I am able to attain is with the XT4 + the XF 50mmF1.0 pairing, both of which have produced good pictures, but nothing on the scale of what I had seen on the 100s. And to be honest, I enjoy the art of photography for myself, I don't publish my photos; the madness is simply for myself. But for me, there has been this personal obsession with the minute nitty gritty details. I would give the 100s some choice adjective to provide a new and alternate description DMD, id est: discrete microscopic detail.

It's on my list, really excited about this one.

My D850 is such a fantastic camera it's literally capable of everything. Including blocking all of my gear acquisition syndrome. Everytime I consider getting the 100s I just shoot the D850 twice and the GAS goes away.

If you produced a photobook with just rural scapes of Lancaster, I’d buy it! Rich tones and soothing compositions. Love my GFX 100S! A big reason I bought it!

nice pictures brother. great review and insights too.

As ever, highly entertaining review of the not so big Fuji. You are spot-on in two respects others are just not quite picking up on. First, tilt EVF. We paid for it on the 50S. It was a consumer choice at vast expense. As you say, it came into its own with the walkabout capabilities of an image stabilised body. Only the need to give the original 100 some reason to continue to exist dictates the absence of at least a 3.6 m dot detachable evf. I have never made the transition to hand-held shooting using an LCD. Dinosaur that I am, the tilting evf is just a shooting joy on the 100. Second, the ability of this sensor to dispense with much stitching. One only needs to see an OOC 65:24 ratio jpeg blown up and printed large ( it is still using about 50MP) to realise that the creative possibilities without needing to spend stacks of time in post have jumped up with this camera.

That intro was amazing!

As usual great video. Thank you.

Enjoy your video, particularly the introduction with the stills imaging and the background music. They want to bed when I was very impressed with because I only heard one other individual make the same statement. I believe you were talking about the focusing and maybe the speed of the GFX100 S. What impressed me was your comparison with other medium format camera and not with a full frame camera which you did not even mention, but with a medium format camera. I only heard one other reviewer make that statement. I’ll just call him the fat man for now. He said a lot of those who are doing reviews on Fuji medium format camera ,have no Knowledge of what a medium format camera is. It was the still images at the beginning of this video and the musical background that brought a smile to my face. Now isn’t that something?

Thankful for your videos and unique style.

Another camera to add to my when I win the lotto list. Mind you I upgraded from the 7100 to the Z5 in November last year and it has just blown me away with how good it is and with the 50 1.8 lens it is just FECKIN WOW. Hell I even bought a 7 artisans 35mm 0.95 manual lens, which is a bit weird as i am going blind but using a manual lens, and it is just such a dreamy lens. Might look into the 7 Artisan Leica lenses and see what they are like, bet they are way cheaper than a Leica lens

What a great breakdown of the current technical state of photography hardware.

Hi, just came across this much earlier video on the GFX100s, really enjoyed it. What EVF were you using? I didn’t think that the EVF-TL1 was compatible with the 100s…

The pixels on my Nikon D850 are enough; I bought the futureproof 100S because of the unmatched tonality.

Great video! TY! I own the GFX 50R and it’s absolutely incredible! I now own the 110mm fujiflim lens. It’s hard to nail ever shot. So I use a monopod. Nothing matches medium format!

Just love your style. You had me by the end of your first sentence.

I love your videos. I watch your reviews of gear from brands I don’t use. Interesting, entertaining and thought provoking. Thank you to Claudia and you for your time and effort. The capability of this photography machine are jaw dropping. In the right hands an audacious instrument. I loved the images and music of your slide show. Great job. The big but.. I am in the 99% who do not want to pay for entry into this system. For me like Leica. I sort of appreciate the capability of this system, because of you and this video. It is much more than I need. In the right hands this machine could produce marvels. In my hands fish bait. I am content with APSC. Full frame offers me nothing I need and want. Same for a system that is bigger and heavier than full frame. I can watch this photography pornography all day long and not be tempted with GAS. I am a fan of using the right tool for the right job. As an amateur street photographer who will never be paid for creating an image, this is the wrong tool for the job at hand. Terrible analogy. Yesterday I used an Instax for three hours. I created horrible image. My face is sunburnt. Lesson to self. Don’t go out in the sun without a hat. Learned I don’t like this instrument. Despite the lens stating it was 60mm, it seemed much wider. Lack of control made me want to pull out the hair that has already taken a hike on my dome. I still had a grate time. I was the 1st to arrive at the event and Last to leave. Thanks Fujifilm and Glazers Camera. The point being put a camera in my hands and I’m happy. Even the wrong camera for me will illicit this response. I picked up a Panasonic S1 with the 50mm lens at a presentation and promptly put it down. Too heavy for me. Too heavy for me to play with in the store photographing a model. Too big. Too heavy. Too much camera for me. I fear the same can be true for the GFX100S. Review Canons, Nikons, Sony’s, Pentax, Ricoh (no GRIII review?), and Leica. I will watch your reviews. As you’ve said, these days the manufacturer’s don’t produce bad cameras. I will be entertained and informed by your ability to create lovely images. I will appreciate your analysis of the choices and compromises the manufacturers have made. I will not be tempted to leave the APSC worlds of Fujiland or Martyland. Please continue your reviews and share your thoughts. The only thing that makes me said is I can consume your content faster than you can create it. Completely off subject. Will soon be 70. Miss Brooklyn. Seattle is not even close to being NYC like. I return to NYC the middle of September to walk the streets. Not this year. Not enough people on the streets yet. I love being there and wish I could live there. I appreciate the better weather here. I love and support my NPR jazz & blues station here. I love that people are vaccinated and wear masks here. It is great we have two good camera stores here. I drive past one six days a week while going to work. The other store is a 20’ ride to the city. The photo opps are limited here. I’m here and appreciate what I have. I don’t live in a tent on the street or in my car on the street like so many. I can still purchase camera bodies without my wallet crying. Life is good. Maybe we will walk the streets of the old country some day. I’d like that. Mask on Nurse Marty

Professional commercial, architecture (though they need a wide zoom in the 18-20mm-35-40mm range) reproduction, and mid to high end fine art photography where you sell limited edition prints in galleries are the markets the GFX 100 and 100S are mainly aimed at. Not street/family/wedding/portrait/pet/sports/events/wildlife/amateurs/happy snappers, ect. I think Fuji's hope is that photographers will consider a GFX 100s system instead of the high MP FF for the work described above. For anything you dont' need longer than 300mm or super fast AF or AF tracking for or anything in a studio (all of which the majority of commercial work fits nicely in), a GFX 100/100S is the better choice due the larger sensor, better bit depth, and higher mp which adds a huge amount of versatility. And at $6K a 100S is basically the same price as flagship pro DSLRs and less than an A1. The lenses aren't really that much more either in the grand scheme of things given there superior optical performance. So a large number of pro photographers in the middle to upper end of the commercial market can afford to run a GFX 100S kit. Many can afford a GFX 100 too. Anyone who would be on a Phase One or Hasselblad MF system but for price and/or the terrible AF and handling will be very interested in a GFX 100 or 100S based system. As will be many who bought a 5DS/D850 instead of the 1DX/D6 type body due to the resolution not the price.

Wonderful session which I enjoyed very much! Quick question. Is the EVF-TL1 compatible with the 100s? I can only find specs relating to the GFX100. A bit of uncertainty until I saw you using it here. Just want to verify that. Thanks in advance!!

I love the pictures and videos you took.

I tested the cam in my studio(as I mentioned earlier) for portraits. The camera works really well in the studio with the tilting screen. What I am missing in your review is the dimensions of the sensor. I don’t like the 3:2 dimensions for portraits. I crop all most every picture square like my old Hasselblad(I really mis that format and quality ) of just leave it in 3:4. This where the camera for me stands out. The image quality superb. What I really hope that fuji would change in the camera: if you change it to 1:1 you can’t shoot raw. I wish and hope that they find a way to have a raw reading of the sensor in 1:1. Saves a lot of cropping and disk space and so time and money in post. Thx for the review again! Keep up the good work!

Hugh, thanks so much for this! Another great video, and on what appears to be a great camera. As a caveat, I do not own a 100S, but from studying quite a few of the full res RAWs you can download from various photographers, it also seems to me that there is an aspect to its image quality that actually under-appreciated in the reviews (if that’s even possible on such a hyped camera). The IQ aspect is this: the absolutely gorgeous and realistic color reproduction and tonal range. To me, the representation of subtle tonal transitions in both light and dark areas of many photos is just jaw dropping. No exaggeration. So, one area where I disagree with most reviewers is on the statements that 100MP is “only” getting us a bunch of detail that most people don’t need. To my eye, those 100MP also seem to be giving us color, tonal subtly and dynamic range that is at least close to the best you can get anywhere. Would you agree? Or, am I off-base here? Thanks again. Keeping pumping these puppies out. All the best, John W

Wonderful images Hugh :)

Look at the hair on this kid!!! Love it!!! Happy Passover to you and your lovely wife Claudia!!! Hod bless you always!!!

I've shot the wonderful 645z for years, but the 100s is calling my name!

Oh very good push through 😎🤙🏻

Cool. I think you convinced me to take the 100s for your workshop in the fall. In the mean while I will drag it to Utah next week to test my ultimate landscape kit (100s, 23, 45-100, 100-200 and XT4 with 70-300 for reach). As always love your highly intertwined and intellectually stimulating reviews.

Hugh, I like your reviews and all but I could have saved a lot of time listening to 40 min of use cases and comparative economics in today’s camera market. All I needed were to see the images you led off with - THEY WERE SIMPLY STUNNING. I’m also glad to see you overcome your dependence on Acros by using what appeared to be Velvia for that rich saturated color. Great work!

Hi, I've been your subscriber for a while now. Love your videos. I'm in a confusion about selecting one among fuji x100f and x t2. Can you help me out?

Very thoughtful review. My strange brain heard your last sentence as: "Sign up for the GFX system and prepare to be odd." As a Fuji user, this resonated with me as being true. :)

What kind a lens u sing on street photography in this video? Thanks. I want to get now gfx 100s ii..

Dynamic range and tonality out he wazoo is why I shoot GFX... My preference is the 100 over the 100s at this point, mainly because of the tilting EVF...

I've owned D850's, currently own an A7RIV and A1(for wildlife) an SL2-s and am on the verge of obtaining an SL2 but when I see images (good images from good photographers) made with the 100s and GF glass they stir something in me... almost to the point of tears.

Makes me really wonder about my Hasselblad X1Dii purchase in October last year! I'll just rest on the one technical advantage Hassy still has with leaf shutters with strobes. I did like the lenses better from what I've seen in the reviews; never tried the Fuji stuff myself.

Love the images from 9:17 to 10 min ! Any not for a moment do I think you could have not made them with any other camera you own.....BUT ......SOMETHING about that camera brought it out of you . Kudos !

That is some serious information recall!

I live in Europe , Croatia. and you are a person and artist because of who I would think to move to USA and start photography career . I am an architect but you have soo awesome knowledge and artistry that I learned many things even from watching your videos ☺☺❤ .. Thank you!!!! great videos

Anyone know if GFX 100S has automated focus bracketing function? I have conflicting information from Fuji on that point. Thanks.

This is one of your best ever. I love it. 68 yo photograph from Montreal, Canada.Thank you.

Hugh - that opening zoom was EPIC! Too much camera for me, but if you can afford it I imagine it’s a difficult proposition to ignore 😊

It has an interchangeable view finder and focusing screen?

All, personally i need, is gfx 50r-2 with same body, ibis and 50 mpix for 4k$. Thnx for the review.

First and foremost, once again, an excellent review Hugh. Second, the B&W out of the camera are amazing...credit the photographer! Lastly, I'll have to re-watch this several more times to really figure out, is this camera for me? I love it!! But is it for me? Tough problem to have!!! Thanks!!

I want to care about gear, I really do. But increasingly, looking at photographic gear is like looking at sports cars I'll never buy, and wouldn't make me a better driver if I did.

Hugh, i am looking at this camera but also come accross the hasselblad. the hass has a old AF system but color they say is better as is the image. i am unsure about this. can you edit gfx to the hass color, how big is the difference and is it a fan base discussion?

Excellent. Liked the images. 👍 As to being accessible, nah, price (with lenses) and size ... But if one have the money 🙂 Happy with my setup (and hopefully the 61Mpx 35mm camera pre-ordered. Yes, from the 3rd party lens company 😉) Video on large Mpx sensors doesn't make sense with current technology, need global shutter (or perhaps stacked)

Nice and comprehensive video, Hugh, and loved the shots from PA. Just to add some additional context and counterpoint: 1) I see the GFX100S as clearly the most compelling value proposition in the MF segment that is the "other half" of Fujifilm's Blue Ocean strategy, given they've become the predominant market incumbent in their first blue ocean, the mirrorless APS-C segment. So, they've executed on those two strategic goals very effectively. 2) Lots of folks make comparisons to the market offerings in the red ocean of high-res FF market segment, but honestly, I don't see those FF customers as potential customer for Fuji's MF offerings. The main reason being that those FF owners have already bought into their respective lens systems, and as Thom Hogan accurately says, _"...the bodies come and go, but the lenses stay."_ Rather, I see the Fuji MF as compelling for hard-core professional *commercial* photographers who really need what MF can really give them. Not just resolution, but superb control over a broader and finer range of tonality as well as finer control over a range of DOF. As Ming Thein says, "that Medium Format look". Photographers e.g.. Wayne Johns, Karl Taylor, Damien Lovegrove, Kevin Mullins, or Thomas Heaton. Movie production, high-end composite or "art" photographers, e.g., Renee Robyn or Steve Richard. Industry fashion or product photographers whose shots of fashion garments or luxury items are going be displayed 6 feet tall in the Duty Free areas of international airports, or, architects that need MF not only for their clients, but also...to enter their work into *Architectural Design Competitions.* Those guys need everything MF can give them. So, I see Product and Architectural photographers like Rob Grimm, Jeff Totaro, or Tony Roslund as potential customers, also. Cheers!

Was just wondering what the eyepiece/loupe is called at 9.06 of your video and where I can get more info on it. Thanks Christine

I had decided, on the launch of the GFX 100, and having attended a Fuji supported event to get hands on with the camera, that I did not need 100 MP. The same still holds true.

Or if you really want to see magic get a Fuji G690 6x9 film camera for like $400

Greetings, thank you for the informative review. I am between theS1H and the GFX 100s for videography especially. Although the S1H is ideal for video, I cant get over the image quality of the GFX 100s. Is there anything you feel is missing with the video side of the Fuji? Other than a micro HDMI and a small battery, I cant think of much reason not to go with the Fuji. thoughts?

I was in the market for high resolution camera to upgrade my d850 and A7 R 4, and got the chance to play with the GFX100s many times when shooting out with friends, it's fantastic landscape camera, i just wish it has a half decent AF system, especially tracking moving object, it is lacking so far behind anything else in the market for just 1/3 of the cost. Fuji really need to step up in the AF tracking system across their entire system. And by the way, this is just "cropped version" of medium format rather than the tradition size of Medium Format.

Oh my goodness, what is that amazing long cup you are looking through? The evf?

Hello, What interesting thoughts. I like the idea of IBIS but does it all make sense for me. No I still love my Hasselblad X1D ver 1, Five lenses I have. I was not tempted to version two. The cost of swapping system just dose not make sense. I may update the X1D if it had a tilting screen and IBIS then I would have to think. But you have done a very nice review. How is the colour since? Keep well, keep safe and enjoy you time.

Quick question. Are all the images here from the GFX 100s? Because ay approx. 9:00 it appears you are using the GFX 100 (the adjustable viewfinder!).

Terrific review. And appears to be an outstanding value. Hmmm....

The best voice on YT 👌

I definitely don't need 100 megapixels, and I would be more than happy to buy this camera if it had 50 instead. The reason I want it is everything besides the megapixels. IBIS, 16 bit accurate color, medium format perspective (makes wide angles look so nice)... 100 megapixels is nice, but it's more of an added bonus.

This camera has been the bane of my system replacement plan since you first showed it to me! I want all that resolution and ease of use for my landscape photography, but for the same money (and a large lens bag to carry all the resolution substitution devices) I could get the R5 and the L Triad and be good for everything and my occasional yawning alligator (at the safe distance). It is a puzzlement!

For my use case, I'm sticking with my 24 Mpx Leica SL2-S. The Fuji looks like a great camera, though.

Yes it is!

I would love a gfx camera, they seem so great. I especially love that you can shoot in the x pan crop, that seems super neat and fun. I will most likley never be able to afford one though. I guess ill sit here with my xt camera and stack of xf glass and be sad....poor me.... hahaha none of it matter to me for what I do, its only wants, not needs. I love the fuji user experience and am more than thrilled with my apsc camera.

What a journey! Hugh understands... RU-vidrs can't just review a camera; it is on the reviewer to take classic pictures. The epic videography didn't hurt either. :D

The hair is on point. Exquisite.

I was thinking about getting the Fuji GFX 100S, but when I found out that the EVF did not have a goo enough resolution for my use, I hold back, that was very good I did, I saved a lot of cash, so now I have Sony A7RIV, Sony A7RIVA which are good enough in resolution for most of my work, if I need more resolution I can rent a 150 megapixels Phase One on those rare occasions. The are so many very good to excellent Lenses for the Sony E-mount system, I have some, fx Sony 14mm 1.8 GM, Sony 24mm 1.4 GM, Voigtländer APO-Lanthar 35mm 2.0 Aspherical, Sony Zeiss Sonnar 55mm 1.8, Voigtländer Macro APO-Lanthar 65mm 2.0, Sony 135mm 1.8 GM and Sony 200-600mm 5.6-6.3 G, you just do not have so much good Lenses for the Fuji, The Sony are more compact and lighter, so it is a joy walking around both on short strolls and on very long hikes. Hasselblad/DJI have stalled too much, Hasselblad/DJI should have answered Fuji with a X2D with 100+ megapixels Camera, now it can be too late, I am very sad to see what is happening to Hasselblad Cameras, I have had Haselblad film Cameras for many years and I arranged visits to the old factory in Göteborg, Sweden for enthusiasts Photographers as well as professional Photographers for many years when there still was a soul/spirit in the factory of Victor Hasselblad.

I just bought one cause i really want to carry it with me all the time with my Leica monochrome ...i have two phase one ,the XT and the IQ4150 ,both are amazing cameras but kind of heavy to carry around with you all the time.I love medium format and normally i just carry one lens with either of them cause i can crop all i want from a frame without loosing sharpness and contrast.But their weight if walking around for hours is a big no no for my age.....

Does The GFX has the IBIS when it comes to shooting a video?

Wow! Excellent! I now, am sure, that this "IS" the correct Camera, to trade up to (From Canon 6D). I will mount it on a Sinar P2, Using the Sinar P SLR accessory, (Adapted, to use the Fuji, from the Canon) and use "Rodenstock" Digital Lenses. This system, will be used for Architecture, and Landscape work, as I use the Tilt ,Swing, and Rise and Fall, movements, of this Camera. Thank you for this very "In depth" review. Very well done!

It takes many years to figure out what camera(s) and what lenses suits one's eye and requirements. The GFX100 series I use only for Street |Urban and landscape shooting. ALl the rest is better handled by the Leica S. The reason for the GFX in Street is the cropability factor- matched to a 23 or a 45 lens in crowded situaitons - you end up with multiple images of interest - stuff you never saw whilst actually shooting what you were seeing .... As for display - try the images on an 8K 75inch QLED - I'm almosyt over printing now that sxcreen resolution and coplour range is where it is with screens. interersted in yoru view on this. atbPete

May consider it. I have 50r and ... Wow. We'll see. Regards

I'm seriously interested in the GFX100S.

What a great video. Thank you. (I got the MF bug with a Fuji 645 film camera - I know I dont need a GFX 100S but ..)

The Fujifilm medium formats dance around their competitors in terms of bells and whistles, but the Hasselblad images are simply otherworldly stunning! Sorry Fuji, I'm sticking with the X1DII.

This is some serious knowledge.

I wish , that someday they will create only digital back, like hassy did. For example for 3k , or even 2 maybe ? 26 mp, standart byer filter... i think there ll be fans and sells for this solution

Thanks for yet another great review - and even more for the accompanying images. More camera than most people NEED, that is for sure.... outstanding nevertheless. The rich and saturated Fuji colour is always so vibrant, and the B&W tones so smooth (yet, those images actually make one appreciate even more how great the Leica Monochrom truly is!).

CAN any of your lenses keep up with resolution here? It would be interesting to see such a Test/Review &Comparison, if any "Lens's Resolution" actually is able to show these 300mb images at the end actually. No one has done such a review yet.... on that scale...

What about me, you ask? Well...I'm just a hobbyist, so I will stick with my 4x5 view camera (Wista and soon to be added Shen Hao), Horseman 6x9 roll film backs, and eight view camera lenses, ranging in focal length from 65mm to 250mm, a kit not well suited for the streets I admit. But I can always hire middle-aged models for urban landscape images, provided we can somehow avoid unfortunate run-ins with ill-intentioned street folks. As for digital, Sony promises to release three new cameras this year (so I have read). One or two of them may be in the a7 series, to which I will most likely attach Zeiss and/or Voigtländer rangefinder lenses. So I guess I won't be buying Fuji's excellent GFX 100S anytime soon.

Life is terminal and way too short. If you want the 100 Mpxs of goodness then get them. Screw need. I know it has given me pause, but I had already wrapped my head around a camera in that price range. I’m not totally convinced on the glass though, and really, that is what you are buying into with any camera system. The glass. I would like to see some faster glass and some longer focal lengths before I would be all in. Too picky? Maybe. I’m just not there yet, and I still have at least another year before I will be ready to buy anything. There is no telling what is coming down the road. Meanwhile the SL2 still calls to me like the mythological Sirens of the ancient Greeks. BUY ME, BUY ME, BUY ME................

As deduced by you hair, It seems the usage of this camera gives a big electrical static charge...😉 Solid review. Thanks

You mentioned a compare with GFX to a 4x5... You might get some interesting results with the GFX using a Cambo Actus or Arca Swiss M2 (for your tilt/shift). So if you do end up doing that comparison, please rent one of those with the appropriate adapters.

Did he get shocked today? Too much electricity going on in that studio. I hope to eventually get one this year for my birthday. Some medium format for detailed product type of photography and portraits

Is my Mac Probook enough to do the job?

Cool dude

The Sigma fp L image has been the nicest one I've seen in the last 2 years. Sigma needs to build a body more suitable for content creators. If not, what is the point? Fuji looks good but when a 35 mm sensor can outshine a MF sensor, we really are living in a new age.

Nice photos regardless of the camera

II will get a used Nikon D850, a 500mm/5.6 and a 24 to 70mm/2.8 Zoom. Then I start to translate to GFX100S system for landscape with a prime wide angle lens and a normal Zoom lens. I'm giving up on Nikon because they will not release a Hybrid D850. It will cost me 10000$ But It cost 25000$ to switch to digital 12 years ago.

Awesome camera! Though I would like to have it, my inexperienced assessment is that I probably don't need it. Which leaves more money for vacation. Or god forbid I actually donate to someone in need. Hmm......

You are brave to be so logical about all of this.