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George Balanchine’s Les Ballets 1933, Nijinsky’s Faun, Picasso’s Parade - Château Chenonceau 10 

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AVANT-GARDE BALLETS: “The Afternoon of a Faun” (1912), choreographed by Vaslav Nijinsky (as Faun) for the Ballets Russes; “Parade” (1917) choreographed by Léonide Massine (who also danced) for the Ballets Russes, with costumes and sets designed by Pablo Picasso; “Les Ballets 1933”, six performances all choreographed by George Balanchine (see below)
MUSIC:
Ludwig van Beethoven - Waltz Farewell to the Piano, Luis Sarro (musopen.org)
Claude Debussy 1893 - Prélude à l'après-midi d'un faune, Natalia Ensemble (musopen.org)
Franz Liszt 1881 - Valse no. 1 from Valses oubliées, Vadim Chaimovich (musopen.org)
Wolfgang Amadeus Mozart 1791 - Ave Verum Corpus, Orchestra Gli Armonici (musopen.org)
Maurice Ravel 1908 - Rapsodie espagnole - 1. Prélude à la nuit très modéré, University of Chicago Orchestra (musopen)
Erik Satie 1917 - Music for the Parade Ballet
Pyotr Ilyich Tchaikovsky 1887 - Mozartiana - III. Preghiera, Orchestra Ensemble Forza Autumn Concert 2013 (Encore)
SUBJECTS: vanguard artists, neoclassical design, surrealism, avant-garde ballet, New York City Ballet
PERSONAE (in order of appearance): Emilio Terry (José Emilio Terry y Sánchez, 1890-1969), Pablo Picasso, Igor Stravinsky, Olga Khokhlova, Léon Bakst, Lydia Nelidova, Vaslav Nijinsky, Christian Comte, Rodin, Charles Jude, Marie-Claude Pietragalla, Adolph de Meyer, Charlie Chaplin (Sunnyside), Freddie Mercury, Sergei Diaghilev, Léonide Massine, Jean Cocteau, Erik Satie, Gary Chryst, Jacques Bonjean, Christian Dior, Salvador Dali, Boris Kochno, Christian Bérard, George Balanchine, Galina Siderenko, Ludwig Van Beethoven, Nicolas Nabokov, Tamara Toumanova, Roman Jasinsky, Pyotr Ilyich Tchaikovsky, Alexandra Danilova, Frederick Franklin, Maria Tallchief, Suzanne Farrell, Christopher d’Amboise, Alberto Giacometty, Wolfgang Amadeus Mozart, Roman Jasinski, Tilly Losch, Pavel Tchelitchew, Franz Peter Schubert, André Derain, Henri Sauguet, Henri Matisse, Lucienne Kylberg, Darius Milhaud, Bertolt Brecht, Kurt Weill, Lotte Lenya, Caspar Neher, Edward James, Lincoln Kirstein, Allegra Kent
BUILDINGS: Théâtre des Champs-Élysées (Paris), Savoy Theatre (London)
See my Playlist: • Architecture and more
LES BALLETS 1933
The six performances of “Les Ballets 1933” (see: www.balanchine.org).
The short-lived company was founded by Boris Kochno and George Balanchine, financed by Edward James. Choreography George Balanchine. Premiered 7 - 19 June 1933 at the Théâtre des Champs-Élysées, Paris, and 28 June - 15 July at the Savoy Theatre, London. Conductor: Maurice Abravanel
Ballets:
1. LES VALSES DE BEETHOVEN (The Waltzes of Beethoven),
2. MOZARTIANA,
3 L’ERRANTE (The wanderer),
4. FASTES (“Memorable days”, Ovid)
5. LES SONGES (The dreams),
6. LES SEPT PÊCHÉS CAPITAUX or Anna-Anna (The Seven Deadly Sins / Die sieben Todsünden), ballet chanté (sung ballet), (surrealist) scenery and costumes: Caspar Rudolph Neher. First performance June 7 (Weill & Brecht's last collaboration)
Music: Kurt Weill, libretto Bertolt Brecht from a scenario by Edward James and Boris Kochno,
Cast: The Two Annas, Lotte Lenya (singer), Tilly Losch (dancer); The Family, Heinrich Gretler, Otto Pasetti, Albert Peters, Erich Ruchs (singers); corps de ballet. Singers and dancers appeared together on stage.

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17 авг 2015

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Комментарии : 7   
@user-bj2nl9fq3x
@user-bj2nl9fq3x 3 года назад
потрясающие декорацыи костюмы танцовщики актеры имела счастье воочию видеть гениального Д. Баланчина на гастролях в Киеве благодару за уникальные видео
@normajidahmohamedlop5828
@normajidahmohamedlop5828 8 лет назад
A very fulfilling video, thank you very much.
@elizabethkendall4795
@elizabethkendall4795 8 лет назад
This is terrific. Thank you.
@RorianTube
@RorianTube 9 лет назад
Splendid !!!!
@betapicts
@betapicts 9 лет назад
Rorian Guimaraes thank you
@kathymyers7279
@kathymyers7279 7 лет назад
that was Meryl Ashley not Suzanne .
@betapicts
@betapicts 7 лет назад
www.balanchine.org/balanchine/display_result.jsp?id=495&sid=&searchMethod=&current=&stagings=1&refs=1&tvs=1#stagings //It was revised in a new version, with costumes by Rouben Ter-Arutunian, by New York City Ballet at the New York State Theater on June 4, 1981 as part of the Tchaikovsky Festival, and danced by Suzanne Farrell and Christopher d’Amboise.
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