Gerald Clayton - Strasbourg St. Denis LIVE Piano Solo Transcription - Roy Hargrove Quintet

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PDF available at www.wesleychin.com/solo-trans...
Transcription of Gerald Clayton's piano solo from the 2007 New Morning Club (Paris) performance of Roy Hargrove's Strasbourg St. Denis.
Original Video: • Video
Composed by Roy Hargrove (1969-2018 RIP)
Transcribed by Wesley Chin
Roy Hargrove - Trumpet
Justin Robinson - Alto Saxophone
Gerald Clayton - Piano
Danton Boller - Bass
Montez Coleman - Drums
#RoyHargrove #GeraldClayton #StrasbourgStDenis

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Опубликовано:

25 апр 2019

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Комментарии : 37

@Muzikman127 4 года назад

Gotta be one of the all time coolest piano solos

@nathansnyder1595 5 лет назад

Finally a transcription of this! Thank you so much

@gunnar838 4 года назад

gerald clayton, very good musician, a free calm musical spirit that feels much deeper and knows how to approach the journey of life musically in a zenistic way, my compliments gerald and greetings from the netherlands, gunny

@user-rz1me2yi8f 5 лет назад

you rock! I love this jam.

@frankiemidnight4218 4 года назад

Awesome work! Thank you

@kolincheung6853 5 лет назад

Thank u Sir! It’s really awesome!!

@1pepsom 5 лет назад

Super !! Thank you sir !

@jelanbulger2268 5 лет назад

You are a genius

@alphonsodesselle212 6 месяцев назад

Thx sooo much for this!!

@smoothenbol 6 месяцев назад

thanks a lot, great transcription man

@saxman2281 4 года назад

Great Work! Keep it up.

@Koko_mimi_mom 3 года назад

정말 ....아름다운 솔로 그자체

@patpao6933 3 года назад

grazie

@tomwhaley3335 3 года назад

Wow 😳

@jeremiecanet2410 4 года назад

What is he doing at 1:39 ?? (Harmonically)

@WesleyChinTranscriptions 4 года назад

My best guess is that the Gmaj7 he plays acts as some sort of tritone sub for the Dbmaj7.

@davidskey 4 года назад

It's a tritone substition on the Dbmaj7. He does basically the same thing in bar 15 (:34) by outlining Amaj(b9) over the Eb7(b9). From a music theory perspective it sounds so cool because so much of the solo is just grooving on the Ab pentatonic and then he throws in these two curveballs with the tritone subs - really underscores how cool a tritone sub can be.

@straizys 3 года назад

it is a tritone sub, but the idea is that he's simply continuing his phrase which he started bar before.. I don't think here is the moment where he actually pressed Gmaj7 and then thought about what to play. nah.. he had this ending of his melody which appeared to fit Gmaj

@cremigelauchsuppe9260 4 года назад

Hey man, the original video of the concert got taken down as you might know. Did you download it because i really really love it and I wanna hear it again at any cost. just the audio would be perfect. And really thank you for the transcription.

@haffkpp4858 4 года назад

www.dailymotion.com/video/x3kngpj

@ITSMERlVER 4 года назад

Wow did it really?? That’s upsetting

@sthompson2839 4 года назад

Thanks so much for asking!! I saw the original vid too, and was wondering why I couldn’t find it again.

@sthompson2839 4 года назад

HAFF Kpp Thanks 💯!

@justinkim8678 2 года назад

All the jazz fans cried that day

@thomas56ist 4 года назад

Thank you a lot, but there is a question, how can we analyze the melodie bar 39 ? Thanks

@WesleyChinTranscriptions 4 года назад

He treats the Dbmaj7 as Dbm7 instead, continuing the progression of ascending minor 7 chords.

@thomas56ist 4 года назад

@@WesleyChinTranscriptions Oh yes I see thanks ! For the Eb7(9b) he is using diminished scale ?

@WesleyChinTranscriptions 4 года назад

He is highlighting the #9 and b9 sound over the Eb7 chord in bar 39. Both of these chord tones are found in the half/whole diminished scale and altered scale.

@jimpikles 4 года назад

Do you have the original video saved? It's gone off youtube.

@fartherbeyondschnider3465 6 месяцев назад

Does anyone have midi that could chnage it like that

@ericcoligado8655 4 года назад

Are you set up for payment or contribution?

@harrybmichell 5 лет назад

Is there a pdf of the transcription?

@straizys 3 года назад

this one is obviously not about the notes.. neither exact rhythm.. just listen. it's simply about feeling the groove - you can't transcribe that in the score :) there is nothing fancy in the notes or rhythm that he's playing here

@franciscopetracco5553 2 месяца назад

there is tho. so much creativity texturally and every time theres the 2-5-1 in AbM he plays it a little more out with interesting substitutions. not necessarily fancy but really accurate and fitting