Giorgio Moroder - Scarface: Original Motion Picture Score *1983* [FULL SOUNDTRACK] 

[Synth/Ambient/Electronic/Orchestration/Score/OST] "First you get the money, then you get the power, then you get the soundtrack." Here is the complete official expanded film score to Brian De Palma's iconic mobster epic "Scarface" composed entirely by the legendary Giorgio Moroder. This video brings together all the score material composed for the film including the rare source cues and unreleased material that were used as ambient pieces in the movie (some cues were originally found in 2006's "Scarface: The World Is Yours" video game but are now officially released). Forty years after the release of De Palma's enduring early '80s crime drama "Scarface", starring Al Pacino, Michelle Pfeiffer, and Robert Loggia, La-La Land Records has presented fans with the entirety of the film's operatic synth pop score, finally released as a limited edition package in conjunction with the Universal Pictures Film Music Classics Collection (only 5000 copies exist). Film scores heighten emotions and create the mood for scenes, driving action and drawing tears. For De Palma's '83 remake - that arguably surpassed the original - of Scarface, he sought out the "Father of Disco," Italian composer, songwriter and record producer, Giorgio Moroder. At the time he was credited as the pioneer for euro disco, and had also composed the score for Flashdance, released that same year (1983). Moroder used his knowledge of synthesizers and unique vision, by incorporating elements of synth rock and disco, to elevate the film and make Scarface the legacy that it is today. In collaboration with Arthur Barrow, Sylvester Levay and Kristian Schultze, Moroder used clashing beats and haunting tones to create an aura of lavish bravado worthy of Tony Montana. For the score, the main synthesizers used by Moroder for the Scarface soundtrack were the Roland Jupiter-8 and the Yamaha CS-80. Personally this is my all time favorite synth film score that I am glad to finally see officially released to the public. Overall, this score is considered to be Giorgio Moroder 's synthesized magnum opus, and is a sinister and bold musicscape that captures the extravagance of the film. This complete OST soundtrack score was released under La-La Land Records & Universal Pictures Film Music Classics Collection '83 ('22).
Tracklist:
1) "Main Title - Scarface" (0:10)
2) "Rebenga" (3:53)
3) "Chainsaw / Tony Rescued" (6:04)
4) "I Got The Yeyo" (9:59)
5) "Elvira" (10:46)
6) "Night Drive" (14:49)
7) "Gina" (15:21)
8) "She's Not For You" (18:16)
9) "Bolivia" (20:27)
10) "Sosa / Talk To Frank" (21:38)
11) "Omar Out / Don't F*%k Me" (24:11)
12) "Proposal" (25:20)
13) "Tony Spots Gina / Tony Slaps Gina / Tony Guilty / Shooters" (28:06)
14) "What About You? / Open Fire / Tony Escapes" (30:55)
15) "Just Paranoid" (33:43)
16) "Lopez Begs" (38:29)
17) "Bye Bernstein" (40:06)
18) "The World Is Yours" (42:03)
19) "Plant The Plastic" (44:12)
20) "The Chase" (45:42)
21) "409 Citrus Drive" (49:49)
22) "Paranoid Tony / Gina's Grief" (54:42)
23) "Back To The House" (57:13)
24) "Tony's Grief / Attack Begins / Crazy Gina / Attack Continues" (59:03)
25) "Gina Dead / Chi-Chi Wasted" (1:03:12)
26) "Finale" (1:04:28)
27) "End Title - Scarface" (1:07:56)
28) "Trailer Music (Unused)" (1:14:37)
29) BONUS "Car Getaway Source" (1:17:38)
30) BONUS "Cuban I" (1:18:49)
31) BONUS "Cuban II" (1:21:18)
32) BONUS "Cuban III" (1:24:42)
33) BONUS "Muzak I" (1:27:11)
34) BONUS "Muzak II" (1:31:58)
35) BONUS "Muzak III" (1:35:17)
36) BONUS "Disco I" (1:38:22)
37) BONUS "Disco II" (1:41:28)
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[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (1:43:29)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Scarface/Giorgio Moroder/Universal Pictures/Scarface Movie/Universal Pictures Film Music Classics Collection/La-La Land Records/Etc).
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Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. "
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