2004. NQC Louisville, KY. Jonathan Wilburn singing lead, Daniel Riley singing baritone, Steve Ladd singing tenor, Tim Riley singing bass. Adam Borden playing bass, Doug riley on drums, and Channing Eleton on piano.
One of my favorite songs from this group,as we know groups change all the time, but I really like this bunch. The tenor singer is amazing and Danny puts his all into this song. You don’t even need to say anything about Tim Riley , one of the best bass singers to ever sing for the Lord . The Lead singer is a good addition to this group, he is always willing to sing lead or blend in with a harmony part .
Sinful man in need of redemption hopeless, helpless sinner lost But the Alpha and Omega brought the answer to a cross And that's where one day I found Him, sin no longer left a stain To this day it is a holy, perfect plan God handled it all His plan was grace (My god fixed it all) (mercy, love & grace) And it is mine, hallelujah to His name (Lovely, lovely name) When I saw the beginning I saw the end (I was looking at him) I still see the lamb God handled it all, it was and is a perfect plan (Holy perfect plan) way back yonder in Eden, knew I needed saving grace And this heart that loves Him dearly, that is what He sees today Down Thru the years I've found him faithful, think I'll trust him on and on For His plan will lead His children safely home
God Handled It All was written on Easter of 1980. It was written by Ivan Parker, Shawn Obrien and I. The first verse and chorus was written in Flemish by Ivan Parker and I. The second verse was written in Spanish by Shawn Obrien and I. Carla Bennett and I wrote the third verse in French.
Grace Will Always Be Greater Than Sin was written in French. It was written during Spring Break in 1979. I had been taken by my mother and grandfather to Wake Forest for an embryo transfer to Ivan Parker's wife Staci. Ivan knew he made a mistake getting married to Staci. He didn't realize how hatd it would be to get out of bigamy. The song was written at Perkins in Winston, NC.
i'm pretty sure I tried that tenor solo there i'd probably hurt something.......nad it'd likely be important or I could only hit that note with a little hurt to get me there
Yes, you are correct. It's another way to create more contrast, building through the tenor singer's portion into the final choruses. Unusual, but effective.
