Graduale: Timete Dominum, omnes sancti eius

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gp420 The aim of the Graduale project is to record all of the chants contained in the current Graduale Romanum / Graduale Triplex - see gregoriana.sk/g... for description.
If you would like to encourage me to continue this work, please comment, like, subscribe... or follow me: / gradualeproject , / gradualeproject
Look for the chant in Graduale Romanum 1974, p. 458 (Commune martyrum extra T.P.)
Or in Graduale Romanum 1961, p. 648 - Festa Novembris I.
The red neumes are from St. Gallen, Stiftsbibliothek, Cod. Sang. 359, p. 128 - Cantatorium (www.e-codices....)
Listen to my recordings:
open.spotify.c...
/ marek-klein
#Graduale1974OmniumSanctorum
#Graduale1961OmniumSanctorum

Опубликовано:

15 сен 2024

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Комментарии : 9

@antonellocossu4319 3 года назад

Fear of God... in times when human certainties fade, and lives are at stake. Thank you for reminding us how frail we are

@coyotelosange 3 года назад

Do you know Damien Poisblaud ?

@GradualeProject 3 года назад

I have heard his recordings. Even if I would theoretically accept the possibility, that it was originally chanted similar way - I would require from the singer consistency by interpretation of same neumes. He sings same things very differently.

@coyotelosange 3 года назад

@@GradualeProject I think this is actually not true, i can asure you. Where do you see that ? Can you please tell me where you saw that happens ?

@coyotelosange 3 года назад

@@GradualeProject And i think he is probably more in a true interpretation than you, for things such as pronouciation (your consonants are hard to hear, text can't be understood clearly in a church for this reason), and the fact you are singing in a tonal way, and this is totaly anachronic because equal temperament didn't exist in medieval age. I actualy listen to Damien irl, and it sound. His interpretation makes sense when he sings in a non-temperate way, with loud consonants and a voice that carry the weight of the melody. I like your voice, but there is not so much weight in what you sing, it is etherical, like if you was whispering some prayer.

@GradualeProject 3 года назад

Let's take this one: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GvtTnsL20cY.html See the manuscript: www.e-codices.unifr.ch/en/csg/0359/107 why climacus at second word DIes is different from climacus at feCIT (other places too). Clivis with episema is sometimes sung the same way as clivis without episema, sometimes not. There is twice pes subbipunctis at laetemur in eA - interpreted differently. I do not want to continue. Maybe these differences are not important for you, but for me it shows, that he makes with the chant what he likes, without respecting what is written.

@coyotelosange 3 года назад

@@GradualeProject Ok so if i understand you clearly, you think it is more important to exactly interpretate a symbol on a book which we cannot precisly know how it sounds (but yeah ok, we have to interpretate it like it was some kind of precise score where there are no intentions which are not noted but whatever lol), than to just try to stop singing like it was a piece of music from the XIXe, on a tonal way. Excuse-me, but i prefer people who asume that the neumes are not very clears on what it sounds, than to interpretate medieval music like it was tonal music :D