Handel: Arminio, opera in three acts, HWV 36 | George Petrou & Armonia Atenea

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Handel: Arminio, opera in three acts, HWV 36
00:00:22 - Ouverture - Menuet
Act I:
00:05:24 - Duetto: Il fuggir, cara mia vita Duetto (Tusnelda, Arminio)
00:09:10 - Aria: Non deve roman petto (Tullio)
00:13:32 - Aria: Al lume di due rai (Varo)
00:18:26 - Aria: Scagliano amore e sangue (Tusnelda)
00:22:05 - Aria: Al par della mia sorte Aria (Arminio)
00:26:51 - Aria: Fiacchero quel fiero orgoglio (Segeste)
00:30:43 - Aria: Non sono sempre vane larve (Sigismondo)
00:38:06 - Aria: Sento il cor per ogni lato(Ramise):(Tusnelda)
00:42:46 - Aria: E vil segno d’un debole amore (Tusnelda)
00:51:42 - Aria: Posso morir, ma vivere (Sigismondo)
Act II:
00:57:38 - Sinfonia
01:00:00 - Aria: Con quel sangue dipinta vedrai (Tullio)
01:05:15 - Aria: Duri lacci, voi non siete (Arminio):
01:10:07 - Aria: Si cadro, ma sorgera (Arminio)
01:14:57 - Aria: Al furor che ti consiglia (Tusnelda)
01:21:06 - Aria: Niente spero, tutto credo (Ramise)
01:25:48 - Aria: Quella fiamma, che ’l petto m’accende (Sigismondo)
01:36:17 - Aria: Vado a morir (Arminio)
01:45:13 - Aria: Rendimi il dolce sposo (Tusnelda)
Act III:
01:53:24 - Recitativo accompagnato (Arminio): Fier teatro di morte (Arminio)
01:55:34 - Aria: Ritorno alie ritorte (Arminio)
02:00:00 - Aria: Mira il ciel, vedrai d’Alcide (Varo)
02:06:06 - Aria: Ho veleno e ferro avanti (Tusnelda)
02:09:42 - Duetto: Quando piu minaccia il cielo (Tusnelda, Ramise)
02:12:35 - Aria: Il sangue al cor favella (Sigismondo)
02:14:52 - Aria: Tra speme e timore (Tusnelda)
02:17:21 - Aria: Fatto scorta al sentier della gloria (Arminio)
02:22:59 - Aria: Va, combatti ancor da forte (Tusnelda)
02:29:05 - Aria: Impara a non temer (Sigismondo)
02:33:32 - Aria: Voglio seguir lo sposo (Ramise)
02:38:38 - Duetto:: Ritorna nel core vezzosa, brillante (Tusnelda, Arminio)
02:42:28 - Coro finale: A capir tante dolcezze
Max Emanuel Cencic: countertenor | Arminio
Lauren Snouffer: soprano | Tusnelda
Pavel Kudinov: bass | Segeste
Juan Sancho: tenor | Varo
Gaia Petrono: mezzo-soptano | Sigis
Oweb Willetts: countetenor | Tullio
Armonia Atenea
Conducted by George Petrou
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Oedipus Coloneus

Опубликовано:

15 июн 2022

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Комментарии : 21

@fekixrudolfbischof 7 дней назад

Viva el gran Haendel❤❤❤

@nikikantzios6559 7 месяцев назад

A gorgeous staging and fabulous singer/actors. Thanks for bringing us this most beautiful Handel opera. Pure pleasure!

@stephanehuchet7981 6 месяцев назад

Interesting to see the "anachronic" option fort the scenary: a german and roman story displaced into the context of the wars between the French Revolution and the Ancien Régime, the Monarchies of Europe. The soldiers of the French Republic represent vulgarity, corruption (they stole the works of art) and terrorism and Arminius , as a symbol of personal power, seems to be more ethical! Important to remember that Handel wrote his opera sixty years before the revolutionary epoch: it creates a superposition of temporalities almost illegitimate. Marvellous Lauren Snouffer and Cencic, with so many Lamenti in the purest baroque line...

@mybaroque3238 9 месяцев назад

BRAVA Gaia Petrone as Ramise ! Excellent performance of this not-so-easy aria 00:38:06 - Sento il cor per ogni lato

@eduardodanel Год назад

THANK YOU VERY VERY VERY MUCHHHHH, WHAT A GREAT PERFORMANCE FROM ALL , CONDUCTOR AND ARMONIA ATENEA MUSICIANS , SINGERS , COSTUMES, AND OF COURSE THAT GRANDIOSE VERY FINAL MOMENT WHEN SEGESTE´S HEAD FALLS DOWN , BEFORE CURTAIN ALSO FALLS DOWN !!!!!!! LOVELY SIGISMONDO´S PERFORMANCE🥰🥰🥰

@OrlandoGibbonsMusic 8 месяцев назад

*Spoiler alert!

@marcocherubini874 Год назад

Grazie ❤️ Bellissimo

@mauriziosorelli9566 19 дней назад

Una delle opere più deboli del grande Händel. Ariodante, al confronto, è fantascienza

@rosariomiddioni.mauro.mddr4237 7 дней назад

Pregevole signore, scusate, mi permetto umilmente di affermare ciò che segue: l opera barocca Arminio di georg Friedrich haendel è paragonabile all opera Rodelinda dello stesso haendel. Per diversi motivi. Saluti.

@ariafraidaki2237 2 года назад

!!!!!❤❤❤❤

@philwitzig8583 Месяц назад

What a wonderful cast of singers, and a Handel work I was not familiar with. But where was this performed? The city, theater and orchestra deserves some recognition!

@Philipp566 15 дней назад

it was performed at the "Badisches Staatstheater Karlsruhe" in Germany

@user-gs8hj6fb7y 2 года назад

🙏👏😍

@TAESONG15 Год назад

한국인의 음악의 주신 핸델님 우리 한국인에게 아르미니오의 아름 다운 선율을 남겨 주셔서 감사합니다 . 핸델은 영원하신 우리의 음악의 생명 !!!

@user-ht4gb2fw4e 4 месяца назад

Handel was Late 17th Century & Early 18th Century? The hair styles encompass both worlds!

@jazzerrocker 2 месяца назад

sasha king crimson

@franckranaivo666 Год назад

💞🌿🇻🇦✝️🇻🇦🌿💞DIEU ACCUEILLEZ💐⛑💐 DÉSORMAIS DANS VOTRE PARADIS💮💛💐 L'ÂME IMMENSÉMENT CHRÉTIENNE🌿🇻🇦✝️🇻🇦🌿 DE Monsieur de HAENDEL💮💛💐⛑🌻🇻🇦✝️🇲🇬🌿💮🦁💞🥰💮🙋‍♂️ !!!

@josephdeneka666 6 месяцев назад

i dont understand why these modern stagings always need to change everything. they turn a german pagan tribe vs roman battle which hardly any operas take place during into this french revolutionary period which hundreds of operas take place in. you cant even use the excuse that its been done the same way to death since handels arminio is rarely done. people haven't even seen it the way it was intented but they still feel the need to subvert it. too bad the much superior biber's arminio isn't ever performed.