Harmonica Scales in 1st, 2nd, 3rd Positions | Major, Minor & Blues Scale Lesson 

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I love carrying a harmonica for helping with my anxiety and stress ~ it helps me focus on my breathing and the sound and vibration are so relaxing 🙏🏼✨

An excellent informative, comprehensive and clear lesson on the scales you need to know. Thanks.

This is an area where I need a lot of work. Trying to understand the positions and scales has eluded me, but I admit I haven't been able to put the time in properly to understand them. I also really like how you showed how to play the same song in the different positions. I feel this is very valuable and will definitely be referencing this video until I have it down, thanks again.

My grandfather gave me a harmonica a few years before he passed and I wanted to learn to play it but I had no idea where to start. Your videos are incredibly helpful. Keep on rocking bubba!

You are beyond amazing, brilliant and the best! Thanks

Best harmonica channel on RU-vid. Keep up the good work!

at least i find such info in structural and comprehensive form not for professional musuciant! Thanks!!!

Thank you for sharing and teaching. brother

Very good and well explained. Thank you

I've often felt there's something about pentatonic scales and how to think about them in my playing or listening that I've somehow just missed over the years. I already had a solid understanding of the basic major scale and minor scales, and the very basics of modes. I think the first time the pentatonic scale came up was when I started to learn guitar a couple years later. so it became more about fretboard layout and hand positions, but mentally I never could think of it as anything other than the same exact major scale where I'm simply deliberately skipping two scale degrees. and still to this day I can't conceive of pentatonic scales any other way. and if I'm improvising, I am virtually never considering whether I'm deliberately skipping those two particular half step notes or not. I'm not especially vexed by this mental handicap (hangup?) aside from the nagging feeling that I'm missing out on something that others understand a level higher. Let's say I'm about to sit in on a jam taking some solos. real simple stuff, bar Rock, few chords, repetitive sections. genre stylistic stuff, you know the drill. Any key is just fine, if no one shouts out the key, I'll figure it out within the first couple chord changes, no worries there. If they tell me the key, I'll come in with a little more confidence but I don't even care if I know it's relative major or minor, Am and C, Em and G...etc. because I'll hear that so intuitively that so naturally I don't need to be told. if it's some mode I'm not used to, there will be some stumbling out of the gate. but my ears are good enough that I will get there. I bet a good portion of musicians reading this could manage what I just described more or less. but here's my great pentatonic conundrum... if the song is for example E minor (or G), which happens to be possibly a key that I've use more often than others, my fingers know where they're at and my brain has a mental map of the fretboard, a great jam for me is being in the zone and hearing exactly what I want to do in my brain and my fingers doing their best to follow that mental fretboard map and generally I say 90 to 95% of the notes I hit are the ones I thought I meant to hit, if that last 5 to 10% are mostly happy accidents and avoid egregious unexpected visits outside the key- that right there is a good ass jam. Next song... calls out E minor pentatonic or G major pentatonic. and that's it. I have nothing else to contribute musically. I would go through the exact same mental process, and be fully on aware of any difference in terms of how well it sounds to my ear. unlike my previous examples I don't think I could unconsciously adjust, at best I could really focus on avoiding playing any F#s or Cs, and it would be at the cost of musicality because I'm sure I would still be hearing passages and licks in my brain that may well have some of those notes outside of the pentatonic five. I sincerely appreciate any of you with the patience and free time to have read through all this. probably way more long-winded than I needed to be. but this is actually a question that has bothered me a little tiny bit for a very long time. surely there are some of you out there that can relate to what I'm describing. is there a saintly and generous musician out there with that bit of knowledge that will lead me to the answers I seek

I knew playing positions of harmonica after watching your teaching video. I will try to play positions of harmonica with your teaching video. Then I will try to play song melodies with positions of harmonica and your way. You are very nice. I respect you with your sharing and teaching. You are my harmonica teacher. brother

Great video! Exactly what I was looking for. Explained positions and scales so clear! Thank you for your wonderful job!

Hello, amazing lesson, you are best! Thanks!

Very good Harmonica lesson 👌👌.I have Hohner Rocket and Golden Melody C scale harmonicas. Golden Melody is very good for bending and vibrato. But, Rocket is somewhat difficult to bend though it sounds loudly. You also used G.M in this lesson ! 😬 All the best 👍👍

It was a hard piece of work, but i finally understand the scale chaos. Thanks for the enlightenment! 😀

Great lesson 😎👍 Many thanks ! 🎶🔅🔆🔅🎶

Well explained

Thank you again for another great informative video 🙏

Great ,Thank You

Thanks!

Nicely explained. Thank you.

excellent! Top! Keep going!

Thanks for posting 5his tutorial. It was very helpful! 🇨🇦👍🎵🎶

Thank You

Respected sir, very nice information sir,Thanks

So helpful. Thank you so much. How can I get enlightment about overblow. 🙏

Great tutorial.🇨🇦👌

Totally confuSSSed!!! I wish I had some basic knowledge to understand Scales and Positions!! Great Effort though! Cheers!!

Many thanks for this comprehensive tour of scales in the first three positions; at my "intermediate beginner" level this is a fantastic summary. I never see Internet Harmonica teachers talking about 4th position, the relative minor of the tonic. I find that scale difficult since it begins on the three draw whole step bend, but I do try practicing it. Why does it get so little attention?

Harmonica positions of pictures will understand to know for me. brother

The obvious question: why not say the blows/sucks for the full ten hole range? Also, do you have a scales video for 12th position?

Your control of the harp is amazing. Do you use custom harps? If so, who do you recommend?

Thanks for this! What harp are you playing here? Is it out of the box?

Thank you Liam! Great lesson to see how all these scales relate in 3 positions. I understand the Greek terms 1st Ionion, 2nd Mixolydian & 3rd Dorian......but, if the "Ionian Mode" is the same as the 1st position major scale, why isn't the "Mixolydian Mode" the same as the 2nd position major scale? When somebody says they are playing in the mixolidian mode, are they not playing 2nd position major scale? And ditto for "Dorian Mode" & 3rd position major scale.

Thanks Liam. Real interesting lesson! I have a question: We can play these same scales with diferents key harmonicas. The only thing that changes is the key that we are playing. Is this correct?

Only one question, if I may... In a C harmon8ca, why major scale is getting started from D in second position?

Can single notes play song melody? Are single notes and scales same or not same? brother

Can Scales play song melody? brother

I have a harmonica encyclopedia. I am trying to figure out why some things are not lining up. My book states that what you are playing is a G minor on a Bb harmonica in second position. Unsure why that book I have and what you are saying is the minor penatonic scale are differing. I am truly asking to see if I can get an explanation or an answer that makes sense. Thank you.

3 draw half step bend... What does that mean?