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Haydn Concerto n. 2 in D major Hob. VIIb:2 | Anastasia Kobekina - Queen Elisabeth Competition 2017 

Queen Elisabeth Competition
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© RTBF, VRT, Queen Elisabeth Competition
JOSEPH HAYDN Concerto n. 2 in D major Hob. VIIb:2
Anastasia Kobekina, cello
Orchestre Royal de Chambre de Wallonie, dir. Frank Braley
Queen Elisabeth Competition | Cello 2017, Semi-final
Flagey / Studio 4 (Brussels)
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23 авг 2024

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Комментарии : 20   
@instrutorleonir3224
@instrutorleonir3224 11 дней назад
Maravilhosa intrerpretação, cheia de personalidade...
@billycello
@billycello 2 года назад
She really improved so much since then omg!!👍
@jnmh7vcbow
@jnmh7vcbow Год назад
Excellent.
@user-ur7mc2oh6w
@user-ur7mc2oh6w 3 месяца назад
Totally disagree with y'all. She like Joshua Bell, Lang Lang, and a few others just is clearly inside concerto in her own world that we get to see. Her playing his so fluid and effortless. Also don't forget you're seeing close ups of her - so it's also the shooting style of the director
@deja.vunathan
@deja.vunathan 8 месяцев назад
Absolutely brilliant performance by Anastasia!! This was amazing throughout ... although the orchestra DID jump the gun at 24:03 ... honestly, that is a bad mistake by the conductor. Anastasia handled that well though.
@johanrojas3034
@johanrojas3034 2 года назад
El director no esperó a Anastasia, grandísima mujer
@VicthorcioYLupino89
@VicthorcioYLupino89 10 месяцев назад
están en una competición, no puede hacerlo. además, es algo que te enseñan en cuanto empiezas a tocar en grupo, si te equivocas, es mejor callarte y seguir que repetir
@pablolopezgomez9658
@pablolopezgomez9658 2 месяца назад
2:33
@klausschick8842
@klausschick8842 2 года назад
Just loved Anastasia's expressive style. She gave us her version of the concerto from a female perspective. In other words - she meant what she played. Whom was she addressing? The Man in her life? Watching her facial and body language gave a lots of clues what she was talking (musically) about. Papa Haydn would have loved to have a daughter like her. Wondering what He would say about her performance? Would he not be elated? Isn't it true that the performance by a Man would have a different emotional focus? Interesting for a composer to consider.... looking forwards to view some other performance of Anastasia Kobekina ....
@NoaMao
@NoaMao 10 месяцев назад
No, it's all too much. I think Janos Starker put it perfectly when he said, "Create excitement, don't get excited."
@federicofranceschini1783
@federicofranceschini1783 9 месяцев назад
I hope this comment is just a joke!
@hanswurst6873
@hanswurst6873 4 месяца назад
Creepy comment
@jairdinh7563
@jairdinh7563 3 месяца назад
Ummm uhhh I don't even know what to say about this comment like this shit is a.i. generated.
@TheMuston
@TheMuston Месяц назад
Extreme virtuosity, but personally I would have liked a bit more flesh in the cello. Is she playing gut strings ?
@NoaMao
@NoaMao Год назад
Her excessive head bobbing and facial expressions take attention away from the actual music.
@silas123781
@silas123781 10 месяцев назад
Bro just close your eyes lmao Turn off the screen
@federicofranceschini1783
@federicofranceschini1783 9 месяцев назад
this is your problem...
@alexkrummenacher5050
@alexkrummenacher5050 9 месяцев назад
I tend to agree.
@mikelancello
@mikelancello 6 месяцев назад
on the other hand, this is the main reason why many people love her
@user-yo7bp9vk4d
@user-yo7bp9vk4d 5 месяцев назад
She is a beautiful, talented and extremely attractive young woman - a Pearl, why not admire her! I love this concerto and mainly, because of Anastasia's interpretation!!!!!👋🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻❤❤❤
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