Heitor Villa-Lobos (March 5, 1887 - November 17, 1959) was a Brazilian composer, described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). His Etudes for guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to Arminda Neves d’Almeida, a.k.a. "Mindinha." Both are important works in the guitar repertory.
1.Allegro non troppo (0:00)
2. Scherzo: Allegro (6:40)
3. Andante (9:16)
4. Allegro deciso - Presto - Prestissimo final
(14:26)
Cuarteto Latinoamericano (Mexico City)
Villa-Lobos composed his Second Quartet in 1915, either in Rio de Janeiro or Nova Friburgo. It was first performed on 3 February 1917 by a quartet consisting of Judith Barcellos and Dagmar Noronha Gitahy, violins, Orlando Frederico, viola, and Alfredo Gomes, cello. The published score bears the indication "Op. 56".
This early quartet in Villa-Lobos's catalogue is composed according to the cyclic principles developed by César Franck and Vincent d'Indy. Franck and Debussy were two of the most important influences on Villa-Lobos's early style, and he had studied d'Indy's 1912 textbook, Cours de Composition Musicale (Salles 2012a, 25).
The composer describes the scherzo as a novelty, played in harmonics, "whose harmonies involve a syncopated melody in a context that suggests small bamboo rustic flutes (a sort of Panpipe played using the nose by the Pareci Indians of Mato Grosso)" (Villa-Lobos 1972, 229).
29 июн 2024