Killing me slowly Holding me close Begging for for mercy Forgiving the ghost Say that you love me Lay me to waste We build a fire and you put out the flame You're so hi-lo, hi-lo Hi-lo, hi-lo You're so hi-lo, hi-lo Hi-lo hi-lo And I'm so hallow, hallow Hallow, hallow I'm so hallow, hallow Hallow, hallow Safety is broken, Intentions are numb whisper and daggers, we're losing our tongues Tracing the stitches, searching for grace, say that you love me, but you're faded to gray.
I totally agree. This is like wanting Cuba to stay in the 1950s just so we can have a quaint place. This woman deserves to be fucking HUGE. Jesus, that voice.
Glad I'm not the only one who thinks this. She doesn't go as hard as he used to back in the day, but she's damn close. Funny enough, what really made me think of Jonathan is when I saw one of her River performances, and she was wearing an ADIDAS track suit. That, her passionate vocals and overall energetic performance reminds me a lot of Jonathan.
My favorite version, everything perfect- tone, emotion,crowd- STFU don't you even realize this powerful Masterpiece playing?!! I have to admit I love this version over the album one.💕
Compressor existe para ser usado, não para trapacear no vocal né com a Sara está certo. Uma coisa é você cantar e depois colocar um compressor para deixar um pouquinho mais brilhante outra é você fazer sua voz apenas com o compressor. Até porque se deixar o som do microfone vazando em função do cara da mesa de som vai machucar seus ouvidos
